English teachers: In this🧵, I'll share some research & articles to convince you genre matters more than you think it does, regardless of grade span. AND if you read to the end, I'll share a free resource to help you take action! Take 5 mins & join me!... #literacy#teamenglish
...Let's wade in slowly — with some Renaissance Art! Check out this painting from Giuseppe Arcimboldo: an upside-down fruit bowl almost immediately looks like a face to us: something called "pareidolia." Our brains are trained to see it based on our experience. (cool, right?)…
…You've likely experienced this at school. Eye-tracking research suggests that experienced teachers notice different things than novice ones when they watch videos of instruction (e.g. spotting un-engaged students).… bit.ly/3XewGHC
...So how does this connect to genre? Well, what we understand about genre helps affect what we'll attend to when we read. Genre *is* expectation. It's a very specific type of knowledge that doesn't just inform our reading, it directs it....
...Another way of putting it is that “text genres are useful once they have been learned because the reader will quickly know what to expect from the text and where to read for certain types of information.”... core.ac.uk/download/pdf/2…
...I do realize that genre is slippery. Genres get mashed together, & writers play against these expectations all the time. But you need to have a sense of conventions for those choices to make sense.... jstor.org/stable/j.ctt4c…
...So, it'd be reasonable to think that a reader's understanding of genre has an effect on comprehension, and in fact it does! (At least at high-level, where it gets studied the most.) But I don't think this is just a beginning readers kinda thing... doi.org/10.1037/0278-7…
...Peter Rabinowitz's whole argument in Before Reading centers on these expectations and instincts guiding us as advanced readers. He says: "intensive reading may well be a worthless skill for someone who has not already devoured a large and heterogeneous collection of texts."...
...All right, time to land this plane. As instructors, we could certainly create a lesson asking students to ponder genre rules and contrast examples and non-examples. (If you've done this, I'd love to see it!) But here's a quick move you could make tomorrow…
…Linked are genre 1-pagers to help students preview prose. They can use this reference to help them ID & orient themselves to genres when class encounters a new text. So thinking about genre becomes a habit of mind, not an afterthought...bit.ly/3QLRuDC
… OK, enough from me! Would love to hear your own genre work or your thoughts. Or, if you prefer, check out this article on some genres you may be less familiar with, and let me know some of the interesting ones you've encountered in your travels. vox.com/2018/12/27/181…
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Reading friends: an elementary school peer asked for some of my favorite articles around reading assessment, acceleration, and support. I'll share a few in this 🧵that were top of mind, but I'd love to hear your favorites, too!
I love No More Strategy of the Week from @KConradiSmith and peers. It's clear, persuasive, and lays out (what I think) is a pretty solid framework for reading support. ila.onlinelibrary.wiley.com/doi/pdfdirect/…
Then I thought of @CattsHugh's "How to Promote Reading Comprehension" which felt to me a seismic contribution to the conversation. I'm still shaken by those stats he cited about the reliability of reading assessments. aft.org/ae/winter2021-…
English teachers: How might we choose great poems for teaching? Here's a short🧵on that with some linked examples and free resource! If enough folx add to this list, I'll compile results like I did with short stories.
First, Stephen Minot points out that rather than try to decide if a poem is "good" or not, we should consider whether it is complex (example below). As teachers, then, part of choosing poems for class means deciding if they introduce complexities we'd like our students to study.
Students might miss these complexities on first glance. One way to encourage them is by reading in "rounds." Help them savor poems and then return to their language and structure across multiple reads. Here's a 1-pager to help you do that: stevechiger.com/wp-content/upl…
English teachers: I’ve seen a number of requests for stories that could be read & discussed within a *single* class period. So, let’s do a fast 🧵. I’ll share a linked story with a possible discussion Q, imagining the following thumbnail lesson plan for secondary English…
… 1) start w/an opening activity that asks s’s to retrieve relevant knowledge 2) s’s read/annotate, jot their own q’s & answer the discussion prompt 3) turn&talk in partners or sm groups, then class discourse 4) s’s “stamp” takeaways/connections to their lives & current study…
… 5) s’s revise/develop their initial response to close class. I’ll share a resource at the end of this thread, but for now, let’s go!..
Here are some other things I’d want a new-to-research teacher to check out. (I’ll keep this to short, free stuff that is super accessible, so no books.) I already shared 1, so we’ll start from there…🧵
…This classic article on study methods by Dunlosky. Recent meta-analyses have demonstrated similar findings. Here’s a gateway to thinking about spacing and retrieval. files.eric.ed.gov/fulltext/EJ102… …
… Something that gets too little traffic on here is Marilyn Jager Adams’s piece on text complexity. (I’m an ELA person, so I’m biased.) Esp. helpful for those in the US still reckoning with the changes CCSS brought. files.eric.ed.gov/fulltext/EJ909… …