Let me tell you about Shoji Otomo. You may not know his name, because he died 50 years ago this day in 1973 at the far too young age of 36. He was a proto-otaku, a super-influencer. They called him Professor Kaiju. (1/x
Otomo rose to prominence in the mid-Sixties, when waves of new mass media washed over children of the era: anime shows, manga magazines, live-action dramas. A churning sea of content, in which new forms of entertainment continually evolved. (2/x
As an editor at "Shonen Magazine,” he had a front-row seat. He loved all sorts of sci-fi and fantasy, but particularly a new form of pop culture called “tokusatsu,” special-effects driven TV shows featuring kaiju — giant monsters. (3/x
(Can I digress for a second here just to say: GOD those covers. Wow.) (4/x
King of the tokusatu shows was “Ultraman,” which debuted in 1966. It was a kind of early prestige TV show with movie-grade special effects. It proved a massive, transformative hit, temporarily dethroning anime as the object of kids’ affection for a time. (5/x
(Side note: do not let anyone convince you these live-action shows were “cheesy.” They were absolutely cutting-edge for 1966, awesomely scripted, and sparked the idea of collectible character action figure toys a decade before George Lucas ever got the idea.) (6/x
Otomo specialized in “explainers,” illustrated features that expanded the stories seen onscreen. For Ultraman, he hit on the idea of showing the biology of kaiju. He made sketches, then directed artists to expand them into cutaways howing innards and organs. (7/x
These cutaways were huge hits. Compiled into encyclopedias, they sold like hotcakes, a massive fad. At one point, the Crown Prince Naruhito was spotted buying one on a shopping trip, meaning there’s a kaiju encyclopedia in the (now retired) Emperor’s library! (8/x
Otomo helped fuel a kaiju boom that swept Japan in 1967. Kaiju were everywhere. Numerous kaiju shows appeared on TV and films in theaters. Kaiju started popping up in fashion spreads and labor protests. Even Yukio Mishima weighed in, declaring “I too am a kaiju.” (9/x
Otomo didn’t limit himself to kaiju; he also directed top artists to create dynamic illustrations for extensive features he wrote on books, movies, and folklore from Japan and abroad. He introduced works of Poe and others to Japanese kids. (Art: Shunji Yanagi) (10/
He died ten years before “otaku” entered lexicon, but the way he engaged with what was supposed to be kids’ entertainment seriously & rigorously had a huge impact. Perhaps most visibly in the use of cutaways to highlight “realism” of robot characters. (11/x
Anyway. Take a moment to remember a pioneer of pop culture: Otomo Shoji, the first to perform kaiju "autopsies" in the world! (12/end
Thanks for reading. If you dig deep dives into the lives of Japanese creators, and how their "fantasy-delivery devices" transformed dreams & lifestyles around the world, I write about many more in my book Pure Invention. amazon.com/gp/product/198…
BONUS ROUND! This is from an issue of Shonen Mag that just literally arrived in the mail. It's part of a classically Otomo feature on "forbidden folklore of the Japanese islands." Deep in the mountains on certain moonlit nights, the cats gather... Art by Takashi Minamimura.
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Toys jump-started Japan's economy after the war. Enterprising toymakers scavenged beer cans from the occupiers to produce tin cars, most famously of the Army's Jeeps. I covered this story in "Pure Invention," but this thread has the clearest photos I've ever seen of the process.
After scavenging, flattening, and cleaning cans, mechanical presses were used to mold the sheet metal into shape. Note the stack of flattened Pabst Blue Ribbon cans at right.
Painting the chassis of what appears to be a toy Studebaker. Western cars absolutely fascinated kids (and adults) of the era.
Epic pop cultural anniversary today: the "Daicon IV opening anime" debuted at the Japan SF Convention on August 20, 1983. Helmed by Gainax founders Hiroyuki Yamaga & Hideaki Anno, it gave Japan's otaku culture a massive boost.
It looked startling professional for something created by 12 obsessive fans pulling all-nighters. All of it was gloriously unlicensed, including the soundtrack of ELO's "Twilight." This precluded distro, but it also gave the short a thrillingly illicit pedigree.
It was a fantasy collage of the mental database of anime fans, decanted into a visual spectacle anyone could enjoy (even if you had to be an eagle-eyed nerd to get all the references, which was precisely the point.) i.kym-cdn.com/photos/images/…
This is it! The moment in 1914 when "kawaii" became a thing. An entrepreneur named Tamaki Kishi used it on a card announcing opening of her Tokyo boutique Minato-ya. Until this point "kawaii" was a condescending epithet. She re-envisioned it as a fashion term. (Photo by Ian M)
The card reads in part, "Minato-ya carries sophisticated and kawaii prints, postcards, picture books, poetry collections, and other things for the young ladies of Japan." It's the first recorded use of kawaii in terms of fashion. And this was a very fashionable shop.
Minato-ya's products were designed by Tamaki's ex-husband Takehisa Yumeji, enfant terrible of the Taisho art scene. His stylized beauties defined sophistication back then: in the prewar era, girls didn't aim to be kawaii. They wanted to be Yumejishiki: Yumeji-esque.
Another epic Japanese pop culture anniversary! March 13th marked 40 years to the day from another profound turning point: the first nude scene in a mainstream anime film, "Gundam III: Encounters in Space.” (1/x
It started innocently enough. Director Yoshiyuki Tomino included a scene of female pilot Sayla Mass getting out of the bathtub. (That a futuristic space battleship might come equipped with a facility went unquestioned in a nation as obsessed with bathing as Japan.) (2/x
Sayla is startled by an alarm, emerges from the water, wraps a towel around herself, and moves into the adjoining compartment. For the briefest of instants, her breasts are clearly visible. Blink, and you’ll miss it. Full clip here: (3/x
Epic Japanese pop-culture anniversary today: Train Man! He first posted on 2channel on 3/14/2004. He turned into a meme, then a book, TV & film. But Train Man was more than a fad. It presaged profound shifts in domestic and global society. First, here's the origin post. (1/x
Train Man is purported story of a lonely otaku who is coached like a human Tamagotchi by the members of an anonymous BBS’ singles forum into dating and then marrying a woman. It became a bestselling book, manga & TV series. For a while in 2005 it was all Japan talked about. (2/x
The book was a straight transliteration of the 2channel screen to the paper page, and also contained an index of slang & explanations of emoticons from the site, making it a sort of Rosetta Stone for those wanting to go online themselves. (3/x
The passing of manga artist Takao Saito at age 84 today represents the end of an era. He's famed for creating the antihero assassin-for-hire Golgo 13, but he's also a pioneer of "gekiga" (劇画): a cutting edge form of illustrated entertainment intended to dethrone manga. (1/x
Saito debuted in the rental comics market of the Fifties but really rose to prominence as a member of the Gekiga Workshop, a collective founded and named by artist Yoshihiro Tatsumi. Under Tatsumi's editorship, they launched a magazine called Matenrow (Skyscraper.) (2/x
Until gekiga came around, manga was synonymous with the rounded, cartoony fantasies of Osamu Tezuka and his peers. Matenrow upended all that with dark, crime-filled stories set in gritty urban settings. Saito was a master of hard-boiled crime: guns, gangsters and dames. (3/x