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More from @GemsOfINDOLOGY

GemsOfINDOLOGY

@GemsOfINDOLOGY

Mar 3

Regardless of the patent under the name Ludo by Britisher Alfred in 1896, Pachisi (25) has been played in India for over 5000 years. #Archaeology uncovers cultural appropriation.

Bhanpur (3000 bce), Banawali Haryana (3000bce), Chandraketugarh (200 bce), Modern

in 1938, the American toy and game company Transogram launched a widespread board game edition titled Game of India, which was subsequently advertised as Pa-Chiz-Si: The Game of India

In America, there is evidence for home-made boards and boards without a clear origin from the 1850s. A dubious story credits the invention of Parcheesi to Sam Loyd who supposedly sold the rights to the game for $10 at one point but since Sam Loyd was a notorious self-publicist and deceiver, it is probably best to ignore this account. The earliest definite record is that John Hamilton of the Hudson River Valley claimed copyright to the game in 1867. Rights were sold to one Albert Swift who then sold them on to Selchow and Righter in 1870 and this famous company trademarked the game in 1874. Parcheesi went on to become the bestselling game for Selchow & Richter Co. for decades.

The later 'Frustration" based on Ludo and initially published by Irwin Toy was made popular in many countries using the marketing muscle of MB Games (Hasbro) ' in a plastic incarnation featuring the gimmick of a centrally placed "pop-o-matic" dice roller.

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GemsOfINDOLOGY

@GemsOfINDOLOGY

Feb 27

https://twitter.com/GemsOfINDOLOGY/status/1891359451854381320

Critical analysis of a Market Scene in Rua Direita, Goa 1596 ce, roughly after 100 years of exploitation by the Portuguese.

Very important and rare view in the past of Goa after 30 years of Goa inqu!s!tion.

#Archaeohistories

1/

https://twitter.com/GemsOfINDOLOGY/status/1891359451854381320

There appears a native woman upper selling goods to seemingly a converted. The contrast between the converted and native is startling. However, both seems to be from poor class.

2/

In another scene, a woman slave is being auctioned by a Portugese. The woman appears to be poor and covers only her waist.

3/

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GemsOfINDOLOGY

@GemsOfINDOLOGY

Feb 6

Thread exploring the tradition of 'Nose-Piercing in India. Some believe it's inherently Indian, although it was actually foreign to Indian customs 1000 years back. Let's dive in.

Female Beauty #Archaeohistories

1/14

The first mention of nose-ring (for nose piercing) is in Old Testament when Abhraham's servant gives his daughter-in-law 'Rebekah' a golden nose-ring ("Shanf" in Hebrew). This practice of gifting rings to brides continues even today.

2/14

Nose-Pin or नथ is expressed on sculptures paintings in Moghul period not before
Tavernier (c. 1638 ce) describes of Arabian woman wearing Nose-Pins while other Traveller 'Hanway' speaks irreverently of the 'nutt' is proof of Nose-pin of Arabic origin

3/14jstor.org/stable/41688398

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GemsOfINDOLOGY

@GemsOfINDOLOGY

Jan 30

Matrimonial connection between ancient Greece and modern India

The similarities between these two civilizations are striking, from fathers arranging marriages for their daughters to wedding rituals spanning several days.

Vases dating back to 500-400 BCE found in Greece and artifacts from 200 BCE-200 CE found in Chandraketugarh, Bengal hint at a connection.

Let's begin

#Thread #bookmark #Retweet

1/17

Preparation for marriage | Finding the groom

A woman's guardian, or kyrios, was responsible for arranging her marriage, as she couldn't legally do it herself. She likely had some social contact with her future husband. Marriages within extended family groups, such as first cousins, uncles and nieces, second cousins, or half-siblings, were common.

2/17

Preparation for marriage | The Dowry

In ancient Greek weddings, the first step was the dowry, provided by the woman's kyrios (guardian). It was usually given at the betrothal but could be delayed until the wedding ceremony if agreed upon.

The dowry often comprised money but could include items like furniture or, rarely, land. Non-monetary items were given a cash value. Land was seldom included, as men preferred to reserve it for their sons' inheritance.

3/17

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GemsOfINDOLOGY

@GemsOfINDOLOGY

Jan 30

Neglect Threatens Bagh Caves Artwork

While @ASIGoI established by Britishers preserving Graveyards, the descendent of Ajanta, the Bagh Caves in Madhya Pradesh, a series of fifth-century rock-cut caves adorned with exquisite Buddhist murals, are facing severe neglect despite their historical and cultural importance. Once vibrant with intricate artwork tied to the Ajanta school, the caves now suffer from water seepage and a lack of proper maintenance, putting the remaining wall art at risk of permanent damage.

Although these caves played a significant role in India's art history—the site today receives minimal tourist attention and no substantial preservation effort. Local authorities have voiced intentions to promote tourism around the caves, but immediate and focused conservation efforts are critical to prevent further deterioration of this invaluable heritage site.

@MinOfCultureGoI @narendramodi @DrMohanYadav51 @JansamparkMP @CMMadhyaPradesh @UNESCO A veena player. The original Bagh Cave paintings were made in tempera using mineral colours from ochre, clay, chalk, kaolin line, lamp-black, gypsum green glauconite, and lapis lazuli.

The rock-cut Bagh Cave temples served as monasteries for Buddhist monks who spent the monsoon months in meditation. Whilst the secular paintings depicted the life of their patrons, paintings such as the above portrayed the spiritual side of the monks’ lives.

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GemsOfINDOLOGY

@GemsOfINDOLOGY

Jan 28

Small #Thread on YG Srimati, who revitalized Indian classical painting, challenging the British replica tradition. She and her peers ignited a new Indian art movement with their innovative approaches.

As a young, educated supporter of India's independence, Srimati was a talented artist and musician. In 1946, she sang devotional songs at independence rallies in Chennai, supporting Mahatma Gandhi's vision of cultural unity.

Y.G. Srimati with Mahatma Gandhi at an independence rally
1946

Woman with Lotus
Y. G. Srimati Indian

August 27, 1951

Throughout her career Srimati enjoyed producing paintings that celebrate feminine beauty. While inspired by figure-types in the sixth-century cave murals at Ajanta, the studies are distanced from their source by the absence of narrative. Their success depends instead on the quality and purity of line. Woman with Lotus is one of the artist’s most daring works in this genre. Its large scale demanded an absolute sureness of line and the subtle manipulation of large areas of color washes. The resulting work is both sinuous and sensuous.

Carudatta Presenting a Pearl Necklace to Vasantesena
Y. G. Srimati
ca. 1952

Y G Srimati used figure-types from the sixth-century murals at Ajanta’s Buddhist rock-cut cave monasteries as the basis for a series of paintings that explore and, in a sense, celebrate the art of India’s past. In this she was following the teachings of Nandalal Bose and others who advocated looking to Indian history for appropriate subjects. In this work we see the Ajantaesque style deployed in the service of an early Sanskrit secular drama, Mrcchakatika (The Little Clay Cart). The play, likely dating to the third or fourth century A.D., explores the love of a rich courtesan, Vasantesena, and a noble-spirited Brahmin, Carudatta. The complexities of the drama and the celebration of the nobility of selfless giving are skillfully evoked in this small, intense painting.

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