Happy birthday to Roddy Frame. Here's a celebratory thread of some classic clips, a few of my photos and some ephemera, starting with Aztec Camera performing We Could Send Letters on Switch in 1983
This is one of my favourite Roddy clips. Aztec Camera's great cover of Van Halen's Jump filmed in Barcelona in 1984. The full one-hour concert is at 🧵
Here are some of my photos taken when Aztec Camera played Birmingham University in 1982. Honoured that some were used in the booklet and on a sleeve in this recent box set cherryred.co.uk/product/aztec-…
Original Postcard Records agenda from 1981, announcing the arrival of Aztec Camera’s debut single. “This record has a maturity that would belie the age of the group. At 16 Roddy is already writing songs in a style that would take lesser mortals years to perfect" 🧵
Aztec Camera performing Down The Dip on Loose Talk in 1983 when Roddy Frame was a wee 19 year old 🎂🧵
Aztec Camera with Oblivious on Pebble Mill At One in 1983. The full song is at 🎂🧵
Aztec Camera, Fire Engines and Josef K interviewed by Ian Pye for Melody Maker in August 1981. So much talent on one spread #HungryBeat 🎂🧵
The postcard that came with Aztec Camera's Just like Gold / We Could Send Letters - on my wall in 1984 and still in my collection 🎂🧵
Aztec Camera in the NME, Sept 82. “We’re not wimps though. Just romantics. There’s a difference.” 🎂🧵
Happy 60th birthday to Roddy Frame. Here's a celebratory thread of some classic clips, a few of my photos and some ephemera, starting with Aztec Camera performing We Could Send Letters on Switch in 1983
Here are some of my photos taken when Aztec Camera played Birmingham’s High Hall in 1982. Honoured that some were used in the booklet and on a sleeve in this recent box set cherryred.co.uk/product/aztec-…
Original Postcard Records agenda from 1981, announcing the arrival of Aztec Camera’s debut single. “This record has a maturity that would belie the age of the group. At 16 Roddy is already writing songs in a style that would take lesser mortals years to perfect" 🧵
Happy 40th birthday to New Order's Blue Monday, which was released on this day in 1983. Here's a celebratory thread, starting with a live version filmed for Switch that year (THREAD 1 of 12)
It went on to be the biggest selling 12” single of all time. Legend has it that Peter Saville’s iconic die-cut floppy disc sleeve meant Factory Records lost money on every copy, but this original design was quickly changed for a less expensive version (THREAD 2 of 12 inches)
New Order had used synths before, but took things to a whole new level with Blue Monday. Here they are explaining how things work on the Dutch TV show Countdown in 1983. "Tell him you come from Macclesfield" (THREAD 3 of 12)
Echo & the Bunnymen released Porcupine 40 years ago today. So here's a long thread of videos and other bits and pieces celebrating this magnificent LP, starting with the immense Back of Love
Alongside the album, Echo & The Bunnymen released "Porcupine, An Atlas Adventure", a VHS tape featuring 26 minutes of videos recorded in Liverpool and Iceland in 1983. Here's In Bluer Skies (THREAD)📼 🧵
I think Porcupine sometimes gets overshadowed by the two Bunnymen albums that came immediately before and after, but it's just as great IMHO open.spotify.com/album/4brJ6hWY…
The Specials hit number one on this day in 1980 with their Live! EP. Here's the lead track "Too Much Too Young" filmed at the Colchester Institute. Watch the full Rock Goes To College show at &
Too Much Too Young was based on Birth Control, originally recorded by Lloyd Charmers/Lloyd Terrell in 1969, although I reckon The Specials may actually have been listening to this cover by Byron Lee from the same year
Everything you wanted to know about Too Much Too Young is in this thread
Happy birthday to Robert Wyatt. Here’s his fab version of I'm A Believer on #TOTP in 1974. The producer asked him to sit in a wicker chair as a wheelchair "was not suitable for family viewing". Robert told him where to go (THREAD)
And here's Robert Wyatt performing Sea Song on French TV in 1975. The full 9-min recording, which also includes Alifib, is at
As it's Robert Wyatt's birthday, here are his impeccable selections for the "portrait of the artist as a consumer" feature in the NME from 1982 (THREAD)