Heading into tonight’s premiere of #startrekpicard there are a lot of people to thank. Our cast, our crew. Editors and composers. I’m deeply grateful. But I’d like to take a moment to thank the writers — my friends and colleagues who worked tirelessly to make S3 so terrific.
They elevated everything. Brought their A-game into battle. Gave their hearts to every scene. They sacrificed their time, their sanity. All to make something lasting and worthwhile.
Firstly, to @TerryMatalas, my 15-year cohort, for charting the vision and leading the way. Thank you for your continued confidence, faith and brotherhood. To this and many more stories told together…
To my friend and fellow Monkey @Sean_Tretta whose extraordinary work has always demanded my best in return. To @janemaggs4 for her gentle calm and ferocious talent. To @CSAppel for bringing tears and laughs to each page in equal measure.
To @mattogoofingoff not just for his fast friendship but his tireless pursuit of adventure, character and emotion. To Kiley Rossetter for her unspeakably enthusiastic dedication and to @UnauthorizedCBD for always being the human definition of cool.
And to our support staff who kept us going — fed, supplied, and never without fresh pages — all while patiently listening to us banter and bicker and occasionally bang our heads against our desks. But who never failed to raise their hands with a great pitch or a good idea.
Writers rooms are hard. But also sacred. There’s no end of creativity and no absence of conflict. It’s a bunch of exhausted, excitable egos fighting for the best idea. It’s a Thanksgiving table of amazing (if occasionally clashing) personalities.
But in the end, you support each other. Personally, professionally, you root for each others success. I’m grateful for what they taught me, how they challenged me, who they made me. I couldn’t be prouder of them & what we created. Or a bigger fan of what comes next from each.
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It may be time to recalibrate “fan service” as a critique. Our JOB is to service the fans. To give them the very best version of what they came for, what they love. Sometimes, that involves elevating the familiar while evolving the story or world into something new by degrees.
Honoring history is important. Tonal, mythological, visual touch points are important. It’s necessary to challenge expectations, to move the story in dynamic ways — but within the context and creative language of the thing you’ve been tasked with safeguarding.
This is especially true in franchise storytelling. If you’re creating something new, by all means, push the form, press the genre to its limits. But when given something with a deep, shared history, your job is neither to impulsively redefine it nor pander to its simplest ideas.
Yes, there is a vocal portion of the Trek fanbase who don’t connect with more modern Trek. That’s fine. We all plug into things at different times and for different reasons. Whovians each have “their” Doctor who encapsulates the sensibilities of a given era.
And we can all argue about which more modern elements are or aren’t analogous to the inherent ideals of TOS or TNG or DS9, etc. Also fine. Everything is to-taste. But we were all raised loving some era of Star Trek – and not only Trek, but other series, as well.
So the stew of our influences, the jigsaw of our voices, is more varied now. If you’re disinclined to creators who view Trek through the lens of pulp adventure, or broad humor, or YA pathos, or far-future sci-fi with a dose of intergalactic identity politics – that’s also fine.