It's almost time for the Pancake Bell!
Traditionally, on Shrove Tuesday morning, a distinctive chime of a church bell signified the final day of Shrovetide, a festival which one clergyman condemned in 1571 for its 'Great gluttony, surfeiting and drunkenness'. 1/4 #PancakeDay
The bell called folk to church for Confession before Lent & prompted them to use their last fats, eggs and milk before 40 days of fasting — usually turned into pancakes. Unsurprisingly, the shriving bell became known as the Pancake Bell, and its ringing set mouths watering. 2/4
In 1620, poet John Taylor wrote about the bell's Pavlovian effects. 3/4
In recent years many churches have revived the tradition of the Pancake Bell, which is usually rung at 11 am.
So, if you hear it, please try to remember your manners! 4/4
Painting details from The Fight Between Carnival and Lent, Pieter Bruegel the Elder, 1559 (public domain)
p.s. The church with bell turret shown in our first tweet is Old St Luke's (also known as Tuxlith Chapel) in Milland, West Sussex. And here's a video that a visitor made of the bell being rung last year.
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From 22-24 February 1797, a church on the Pembrokeshire coast was caught up in the last ever invasion of Britain.
1400 French soldiers, under the command of Irish-born American Colonel William Tate, landed on the coast at Carreg Wastad, Pembrokeshire. 1/8
Tate had fled the new United States of America for France in 1795 to escape being arrested for treason, and was now fighting for Revolutionary France. 2/8
Near their landing point was the medieval parish church of St Gywndaf, Llanwnda. The troops looted and ransacked the church, and its bible was ripped apart, possibly as soldiers ripped out pages to burn for fuel. 3/8
We are endlessly fascinated by the array of materials used to construct our churches. Hopefully you do too! Today we are championing our FLINTIEST churches.
Geologically flint is pure silica that petrifies in chalk beds. It's knobbly, and not a "natural" building material, yet many of our churches are built using it including flint rubble at Wickham Bishops, Essex and chequerboard knapped flint at Papworth St Agnes in Cambs.
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At Boveney, Buckinghamshire flint is combined with chalky, crumbly Clunch, and shards of flint are pressed into the mortar in a technique known as galleting.
From holy wells to lapping tides, water is an important part of the setting of our churches, but sometimes that water gets a little too close for comfort...
Today we take a look at some of our WETTEST churches.
At Saltfleetby, the only surviving part of St Peter's stands lop-sided, like a Lincolnshire Tower of Pisa — partly sunken into salt marsh. St Helen's, Barmby on the Marsh in East Yorkshire stands precariously on flood meadows.
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St Oudoceus's, Llandawke in Carmarthenshire sits in a watery dell and is built over a stream. The parish of Llanfihangel Rogiet in Monmouthshire found itself deep under water in the 'Great Flood' of 1607.
As we near the end of the year, we thought it would be fun to highlight some of our churches based on some *completely random*, yet (we think) wonderful attributes.
So, first up, on Boxing Day, get ready to celebrate our boxiest churches!
Of course, we would never describe any of lovely buildings as 'boxy' 😱, but many of them do contain box pews. The installation of these enclosed pews, often rented by a particular family, peaked in the 1700s and early 1800s.
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You can see examples in our churches at
• Manordeifi in Pembrokeshire
• Penllech in Gwynedd
• Llangeview in Monmouthshire
• Skeffling in East Yorkshire, and
• St Bigail, Llanfigael on Anglesey
Basic machine-made tiles were dust-pressed and created by pushing damp, coloured clays between metal plates. One plate had a decoration cut into it. The top and bottom presses are brought together, flattening the clay, impressing the design.
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Tiles with two colours are likely to be encaustic. It was the Victorians that first described tiles as encaustic, and they took it from the Greek for ‘burnt in’. Encaustic tiles are made by pressing clay into a mould which has a reversed pattern incised into the surface.
Repairs are underway at St Michael & All Angels', Gwernesney, Monmouthshire. Last week we met with the architect, contractor and engineer to discuss the work.
The project was instigated by the need for structural repairs to a decayed timber roof truss.
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The woodwork embedded in the wall had rotted. As a result the surrounding stonework was displaced.
The project team has devised a flitch-plate repair: embedding a steel plate into the timber to restore structural integrity and retain as much historic woodwork as possible.
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The coping stones are mixture of local Callow red sandstone, a brown-green Forest of Dean sandstone and… eh, some concrete slabs.
Many slabs are face-bedded, meaning the stone is delaminating. We must replace several of these, and reuse the existing wherever they are sound.