Iranian quadriform/quatrefoil motif, now known as Royal Standard or Derafsh Kaviani (درفش کاویانی)
I've written about it before, but wanted to talk about a few points, focusing on excavated & reliable examples
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1) Symbol in various forms existed before Achaemenids among other cultures & in Iran. I provided examples before.
2) I've hypothesize it's a form of cross or sun wheel
Achaemenid examples: A) Pazyryk carpet;
B) Carved lid & carpet design, Persepolis (6 C BCE - ~ 330 BCE)
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Given its religious significance; appearance together with swastikas; and later the usual cross symbol on other ossuaries in Sogdiana...
3) We can trace the symbol/ motif from Achaemenid period, through...
Photos: Seal impressions from excavated seals, Achaemenid Gordion
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Frataraka & Kings of Persis to Sasanians. It's a western Iranian symbol for the most part.
4) It appears as a decorative & ornamental motif in Sasanian era. So do many other important symbols like the ram which I talked about before
In Frataraka era in Persis, the...
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motif, appearing fairly convincingly as a standard on coins, is present throughout Frataraka era for over a century (~ 3 C - 2 C BCE)
We can then trace a very crude form of the symbol on coins of Kings of Persis at least until middle of that period (2 C BCE - ~ 2 C CE)
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At this point, it would not be a leap in logic to propose that kings of Persis were aware of the symbol and its significance.
Note that I'm not including numerous other examples I have provided before to focus on excavated and reliable examples
Ardashir I was the ...
last king of Persis as Ardashir V.
5) In Sasanian era, we have some representations of the motif.
Jumping to reign of likely Khosrow I (531 – 579 CE), we likely see the motif repeated in circles around this plate now @laBnF ("King Solomon's Cup")
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At around the same time, we have the Iranian quadriform motif appearing in Roman decorations (Dr. Canepa)
A: Hagia Sophia, Justinian I, & ~ Khosrow I Era
B: Church of San Vitale, Ravenna, Italy, Justinian I, & ~ Khosrow I Era
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For quick reference and details of these Iranian motifs in Roman art, see the photos here from Dr. M. Canepa's book and articles on the topic.
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Chapel of Exodus, Bagawat Necropolis, Egypt has been dated to ~ 4 C CE
Attire of "Egyptian" soldiers in Exodus scene could be Roman, but could it be of a later, 6th C date? And soldiers a crude depiction of Sasanian soldiers in Egypt? No proper analysis on this has been done
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To see if this was a local imagining of ancient "Egyptian" armies
See clothing, headwear, Dragon standard which was indeed adopted by Romans, & possibly the same Iranian quadriform motif on shields
Also see these "Egyptian" soldiers which look very Iranian to me as well.
6) The symbol/motif therefore appears to be important, given relatively frequent representation in various art forms, and its use in Roman art as a clear Persian/Iranian "exotic" motif
7) Its presence on ossuaries in Central Asia raises questions on religious significance
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in Zoroastrian religion. It's not clear to me if design on ossuaries is decorative or serves a deeper purpose, i.e., like other cross symbols with various meanings
8) It would be a jump in logic to call this symbol the royal Sasanian one. "Royal" symbol was in fact this one
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I've talked about this symbol in detail before too, which was originally Ardashir I's Nishan, then Nishan of Sasanian dynasty & "royal" symbol in sense of royal treasury etc. as discussed in various papers.
9) But names should not distract from importance of symbol
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Whether this or another motif/flag/standard was connected to Kāva or kays in late Sasanian or more recent era, we can nonetheless establish a clear presence of symbol for a few millennia in Iran
By all accounts, glass was not used in windows. Light was also brought into spaces by means of central courtyards & other open spaces
For example see recreation of open space & arch from Sasanian Kish, Iraq
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Domes appear to also have had an opening at times to allow more light in. The placement of small holes, slits, windows etc. have continued in Iranian architecture of bazaars, baths, other spaces
For example see placement of high windows in palace of Ardashir
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I will focus on #Sasanian era to compare various types of architecture. But this design for windows has continued in Near East for millennia
Here for example from Babylonian Tel Asmar, both a window grille and small window
1) Some of the clothing: this style with a tail is fairly unique to Pazyryk culture & this era. But also something you will likely see in the next decade at a fashion show...
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Belts
Belt buckles and decorations, whether among Parthians or other Iranian groups, were similarly placed on the belts
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2) Pointed caps, headwear & hair
The Massagetae, likely the same as the Sakā tigraxaudā (Old Persian: 𐎿𐎣𐎠 𐏐 𐎫𐎡𐎥𐎼𐎧𐎢𐎭𐎠 Sakā tigraxaudā, "wearer of pointed caps") were an ancient Eastern Iranian Saka people who inhabited the steppes of Central Asia