🧵 The Sopranos and Therapy 1/ The Sopranos is one of the thematically richest texts of the late American empire. "Tony I" would make a great Shakespeare play (but that's a different thread)
And one of its best themes is its merciless critique of Late American Therapy Culture
2/
The Sopranos has an amazing concept.
A Mob Boss, someone who's actions and motives are kept secret from even his wife and friends, goes to a therapist, who's job is to interrogate motives.
This is basically the Shakespearean monologue updated for TV.
3/
Except there are two Characters in this "monologue"...
Two people who's actions and motives need to be dissected... and Dr. Melfi certainly doesn't escape innocent and unscathed.
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Tony attends therapy because he's begun collapsing from panic attacks
Its a genuinely dangerous condition... throughout the show he injures himself falling and passes out whilst driving
He could get seriously hurt, and it betrays a painful levels of stress he's living with
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Dr. Melfi offers two treatments Prozac + other psychiatric medication... and talk therapy, which graces almost every episode.
Tony and Melfi discuss everything, his marriage, his cheating, his dying friend, his parents, his extend family trying to have him killed...
6/
they even pretty openly acknowledge the sexual tension between the two of them
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But there's one thing that they never talk about.
They never talk about what's actually causing Tony's stress!
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Dr. Melfi, like most Psychiatrists, adheres to a code of non-judgement...
She actively laments having once judged Tony to her own therapist, she's so professionally ashamed of it.
9/ She refuses to judge his extortions, his murders (which she is vaguely aware of), or his unfaithfulness (which he's explicit about)
At one point Tony accuses her of judging his sex life... and she vehemently denies it
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But Tony needs judgement!
That's the only thing he needs. Its the thing he doesn't get from his wife, his friends and associates, his kids... even the religious figures in the show flee from offering any moral guidance
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Melfi never asks Tony the one question that matters... the one that could actually solve his problems... The one any moral person in his life should be pleading with him to answer:
Why doesn't he stop?
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Tony's life isn't a mess because His mother's awful or he was raised in a messed up home, or he has bad genes...
His sister Barbara is doing fine with her own kids...Indeed She doesn't have any story lines specifically because she's fine and knows not to get involved
13/
Tony isn't alienating himself from his family, or having panic attacks, or depressed because his childhood was bad or guilt from his mother...
All these things are happening because the specter of violence is haunting him and poisons every aspect of his life.
14/ His children's relationship with teachers, friends, and dates are poisoned by the implicit threat behind everything he does...
His daughter realizes season 1 she can never be close to him, when he disappears during her college trip (to commit a murder) then lies to her.
15/ He can't talk to his wife about really anything bothering him...and her own relationships with friends and neighbors are made toxic.
His son spirals between trying to imitate Tony as a role model, and horrible depression when that infuriates Tony...
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So why doesn't Tony stop?
There isn't an obvious answer...
Tony has all the money he needs and far from aspiring to advance higher, he actively conspires to avoid being crowned head of his crime family, and thus avoid the heat that would bring...
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Setting aside even the morality, Tony as a wealthy and accomplished professional should be thinking early retirement and spending more time with the family... even if his life and liberty wasn't on the line.
And yet Melfi can't bring herself to ask this question.
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No one asks this question of Tony... not his wife, his kids, his friends, or any of his wider family, biological or metaphorical
Part of this is his tyrannical attitude, but people challenge him all the time on all kinds of things, he gets questioned about everything else
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And they don't ask him for the reason Melfi doesn't ask him.
The vicarious thrill Melfi's own doctor diagnoses in her. The rush of violence and meaning they get. They don't want Tony to stop...that's why they don't ask, they just complain about symptoms that affect them
20/
The Freudian psychiatrist's non-judgement isn't a professional distance... Its voyeurism.
There's a word for when you help someone alleviate the symptoms of their bad behaviour but do nothing to make them improve said behaviour...
Its enablement.
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The Sopranos is a deeply spiritual show... Multiple Characters are visited by ghosts in dreams or have visions of hell...
Religion and morality are major themes, as they are in Shakespeare
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But far from acting as the catholic confessor psychiatrists replaced and the church was inadequate to supply... Melfi and psychiatry cannot offer moral guidance...
They even dodge the question by pretending not to fill that role, and hiding behind "professional distance"
23/
The Sopranos uses psychiatry the way Shakespeare uses religious struggle and the personal moral monologue in his plays
And in doing so the Sopranos shows psychiatry's failure
It pretends to treat mental health, but can't treat spiritual sickness
If you enjoyed this thread checkout my deep dive into the American prison system and hellish institutions in:
Tolkien is capeshit wearing the skinsuit of the Anglo-Saxon tradition.
Contrast Beowulf, Le Morte De Arthur, the Germanic Eddas, the Odyssey, The Aeneid... And you can see none of the structure or values or the stories are at all comparable. Tolkien never wrote a single revenge cycle.
But rather his values and stories resemble nothing so much as Modern Marvel movies.
A sexless world of Eternal Children and equally sexless bearded men, with no meaningful desires except for trinkets and Macguffins meant to show their virtues are sins and they should have had no desires at all... and villains who when not faceless beasts and disposable vermin, have committed the crime of... Wanting something.
Not a single one of his heroes has a rivalry or hatred of any of his villains, and certainly nothing familial, personal, or romantic such as is the case of every classical and anglo-saxon story.
One wonders why Gandalf went to Bilbo at all... So Bilbo could find a wife? Found a new hobbit Kingdom with his fortune? Avert some terrible destiny? Slay an enemy or rival?
No! So he could just come home and do nothing for another 50+ years.
For all the shit GRRM rightly gets for Game of Thrones devolving into feminist/social justice anti-narrative and plodding hopeless misery (Name any children BORN during A Song of Ice and Fire and the war of 5 kings who live? Indeed it contradicts his own worldbuilding, since half the cast was born or married and formed families as a direct result of the earlier Robert's rebellion)... inspite of all that Game of Thrones is far CLOSER to traditional western storytelling and values, with named characters with families and hopes and dreams, and lusts and rivalries and children and revenge cycles on all sides.
By contrast Tolkien, very uniquely even by the standards of the 40s and 50s, creates a sexless world where pretty much no one has families, romances, lusts, hopes, desires, etc. Save some abstract desire to "Save the world" or "defeat evil"
Name a single Tolkien Character who has a significant Relationship with their father, mother, or wife?
The only exception is Denathor... Ie. A Mad King to be overcome. Arwen doesn't even appear in the main text of the books
But what about...
Are you going to reference something published by JRR Tolkien? Or Christopher Tolkien?
I agree Christopher Tolkien was vastly more in touch with the Western Tradition than his father.
Hanania makes Casey Affleck at the start of "Assassination of Jesse James" seem normal and well adjusted
There is something deeply wrong with any figure who decide to interact with him and pretend the most unsettling thing ever seen isn't happening right in front of them
Every inflection is wrong, every muscle spasm, every lip movement, every reaction, every part of his face that's unusually plump, smooth, and youthful, or that's strangely aged, worn, & thin
Every part of him is disingenuous, faking something human or concealing something alien
he's 39... Yet not a single trait of him is 39... He combines the most bizzare traits of an autistic 10 year old and 90 year old jewish woman... As much an age that has never existed before as Madonna post-plastic surgery.
Young white men are so damned close to terror and ethnic cleansing it is unreal.
Having every rule rigged against them, their every institution betray them, and then called losers by the people their tax dollars subsidize and the boomers their childhood suffering gave peace to
That a full moratorium on all immigration for 15 years and complete repeal of the 1964 civil right isn't the opening bid, is a the sign we're headed to hot civil war.
An entire generation of boys sees Hitler as the only figure in history who didn't want them enslaved and killed
I will ask @ThomasEWoods and @BobMurphyEcon who for some reason are defending Elon and Vivek.
Why do you want you children enslaved, immiserated, disenfranchised in their homeland, reduced to a minority, and inevitably killed by ethnic enemies?