Some people have asked what's a collar gap and whether this issue can be fixed. So here's a thread on something basic you can check, whether you're buying tailored clothing or casualwear. 🧵
A collar gap is when the jacket's collar stands off your neck. See the gap on Jimmy Kimmell's white dinner jacket. A properly tailored jacket will have a neck that stays seated on the neck, especially when you're standing with your arms down (see the second man, Mark Cho)
A collar gap shouldn't show up when you're standing still (if it does, don't buy the coat). But it also shouldn't show up when you're doing normal, everyday motions. Compare the collars on Jordan Peterson and Bill Nighy here, both in similar poses.
The best tailoring will result in a seated collar even when you're doing extreme motions.
When ppl first learn of collar gaps, they often call out small infractions. This is not a useful understanding of the concept. Sometimes the coat needs adjusting, or your neck is tilted forward. Nighy's suit here is beautiful, but a small gap shows up elsewhere. Be reasonable.
The goal should be to avoid the most egregious of examples, like Ye's suit here.
Can you fix a collar gap? It depends on what's causing the issue. It could be that your jacket’s shoulders are more sloped than your own, or that the chest is too tight.
Or it could be that your posture is more stooped than the jacket allows. Whether these things can be fixed depends on the cause, the severity of the problem, and how the coat is constructed. No way to know without going to see a skilled tailor.
If your coat lifts off your neck when you move your arms, it may be that your armholes are too low. The distance between the lowest part of your armhole to the center of the back of your neck can control how much movement you get from a coat.
I know some people at this point are saying, "Ok well I don't wear suits or sport coats." Collar gaps can also show up in casualwear! See these two black leather motorcycle jackets. The Ramones are wearing a jacket that's seated on the neck; the other man has a collar lifting up.
Some casualwear styles, such as the mountain parka, are designed in such a way that the collar is never meant to be seated on the neck. Consider the style before judging whether the collar is intended to stay seated on the neck.
The idea that the collar should hug your neck is a pretty basic concept in a lot of patternmaking. It stretches from classic casualwear to dark avant-garde. Pay attention to it next time you're buying outerwear, so you don't get stuck with something you dislike later.
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Let me make the case for why the NHL should abolish its dress code, which currently requires players to wear a suit and tie while heading to and from games. 🧵
The arguments I've seen for the dress code fall into one of two categories: players look better in a coat-and-tie (some use descriptions such as "classy"). Others say that requiring players to dress in this way shows respect for the game. I will address each argument in turn.
It's true that tailoring once played a larger role in sports. Basketball coaches, for instance, used to wear tailored jackets pretty regularly, even at games. Some even looked quite good in these outfits.
It's true that progressives valorize "ugliness." But I think this person doesn't interrogate this position enough and thus lands at the wrong conclusion.
Let me give you a new perspective on ugliness. 🧵
In popular discourse, the world was once good, people were virtuous, and all things were beautiful. Then modernity came along and destroyed everything. In this view, beauty is an objective standard that has been corrupted by liberalism.
I contend that beauty in personal appearance is subjective, not objective. In fact, its standards rest on the shifting tectonic plates of politics, economics, and technology. Let me give you examples.
Today, we think of these photos as the standard for male beauty and dress:
Earlier this week, I asked which tie knot you think looks better. Of course, you can wear whichever you like. But here's the social history behind both knots and why some people consider one better than the other. 🧵
In the mid-19th century, as ready-to-wear tailoring started to take form, people got around in horse-drawn carriages. After all, the car had not yet been invented. During this time, some formed driving clubs, where they rode drags.
Check out the text in this lithograph:
The term "drag" refers to the carriage you see above, which was a sporting vehicle that was lighter than the more robust stagecoach. Men in driving clubs raced drags. Hence the term "drag race" first appearing in an 1863 issue of Racing Times.
People keep asking me to do a thread breaking down why these suits don't look great. I gather that these are famous, very well accomplished F1 drivers (I don't know these people). Since I only talk about famous people, I will do a thread. 🧵
Please note nothing in this thread is meant to diminish the men in these clothes. If anything, it's the people who dressed them that failed them. I am only talking about the clothes. Hopefully, by pointing out these issues, you will learn something for when you're shopping.
A pinstripe suit with a white business shirt cries out for tie. If you don't want to wear a tie, then you need a more casual shirt or a more casual suit. Additionally, the shoes are too chunky for this outfit.
The US Army celebrated its 250th year today with a massive parade in Washington, DC. It appears @ComfortablySmug believes that this is an appropriate tie for the occasion.
It's once again worth reminding that men's dress used to be governed by time, place, and occasion (TPO). If you were of a certain social station and had to do a certain thing, you were expected to wear a certain outfit.
This tradition can be seen in men's neckwear.
In Britain, where we derive most of our traditions for classic men's dress, the term "regimental stripe" refers to neckwear with diagonal lines, like you see below. These were not purely about decoration. Each design symbolized belonging to some organization.
This is the suit in question. It's a bespoke suit by Anderson & Sheppard in London. The cloth is a 60/40 mohair-wool blend from Standeven's "Carnival" book. The stylist was George Cortina.
To understand why this suit is interesting, you have to know a bit about tailoring history
In the early 20th century, Dutch-English tailor Frederick Scholte noticed that a man could be made to look more athletic if he belted up his guard's coat, puffing out the chest and nipping the waist. So he built this idea into his patterns. Thus the "drape cut" war born.