1/ Homer, the famous narrator of the epic Trojan War, probably lived in Ionia (Minor Asia) or on a nearby island in the Eastern Aegean (Chios), around the 8th century BC, being a descendant of Greeks who migrated eastward coming from the mainland after the 11th century BC.
2/ Homer joins in the circle of aoidoi and rhapsodes that entertained the Mycenaean courts of the local lords and nobles during the heroic age, implicitly suggesting that his audience consisted of similar social elites acting during the Geometric Period.
3/ The chronological background of his narrative is connected to the period of the end of the Mycenaean era, an era whose memories were indelibly engraved in the memory of the following generations, giving birth to admirable heroes - warlords and memorable heroic deeds.
4/ After all, to some extent there is some form of continuity between the fall of the Mycenaean palatial system and the subsequent Post-Palatial Period/Early Iron Age, despite the intense upheaval and mobility that intervened.
5/ At the same time, during the Mycenaean period, the inhabitants of the mainland had close contacts with the coastal communities of Asia Minor, the most important being Miletus and the surrounding area, which was an important center of Mycenaean influence and culture.
6/The conclusion is that the close political and commercial interaction between Greek and Western Anatolian elements brought about a certain degree of cultural blending, the results of which the newly arrived Ionian settlers found in the local tradition of the areas they settled.
7/ Likewise, the world of Homer's Iliad is a world of cultural fusion of West and East, Greeks and Anatolians, where each side is described with strengths and weaknesses as actors of a common cultural framework (same language of communication, similar habits).
8/ Homer's original audience was probably members of aristocratic families of Ionia, who were of Greek, Anatolian or mixed origin and who identified with the heroes of the Trojan cycle who came into conflict with each other, understanding the psychosynthesis of their actions.
9/ The great majority were descendants of Ionian immigrants of the early first millennium with the most important aristocratic families patronizing artists like Homer, who offered them an emotional, racial and genealogical connection to their continental ancestral lots.
10/ Also, Homer in the Iliad, although he narrates an internationalized armed conflict with the opposing forces being divided into two large coalitions - Greeks and Anatolians -, does not present a war of two different worlds with cultural, ideological and systemic differences.
11/ On the contrary, the Trojan War is a war of honor, which started on the occasion of the abduction of Helen of Troy, regardless of whether it was done with her consent or not ➡️
➡️ and with the Greeks seeking to return her to Sparta because that is what their code of honor dictates, while on the other hand the Trojans must defend her at all possible costs.
12/Homer makes the difference is when he describes his heroic archetype. One would expect him to extol as Greek an Achaean warlord, such as Achilles or Agamemnon. However,for the leaders of the Achaeans,it often reminds, among other things,the vulnerabilities in their personality
13/ For Homer, the ideal leader is a Trojan: Hector. He is devoted to his family, loyal to his comrades, his city and his royal lineage, the bravest and most effective in battle among all the Trojans compared only to Achilles.
14/ And when the time came for the final showdown with Achilles under the city walls, while he initially displays cowardice in front of the Greek hero's wrath, presenting a human fear in the face of death, he finally faces his fate with courage and dignity.
15/ Although Homer is not biased in favor of one side or the other, the fall of Troy by the Achaeans is predetermined and the death of Hector opens the way to the final outcome of the war drama. Nevertheless, the Iliad ends with Priam's family mourning.
16/ The Ionic audience was maintaining sympathies both for the heroes of the ancestral homeland and for those of the new one, and Homer with his impartial narrative tries to meet all the expectations of the individuals or families whose patronage he enjoyed. ➡️
➡️ This fact had significant effects on the formation of the Iliad, especially regarding the intense combativeness of the Trojans who caused significant losses and often disrupted the Greek forces, as well as the pro-Trojan structure of the events that close the work.
17/ Another element that reveals the intense cultural fusion of the Ionians with the Anatolian element is the presence in the Iliad of the cremation of the dead which probably reflected a particularly widespread practice of the Hittites, as well as the existence of iron weaponry.
18/ In conclusion, Homer created his epic by stepping on the cultural background that had already been created in Ionia in the 8th century BC ➡️
➡️ and contains influences both from the EIA past of the ancestral homelands, as well as from the pre-existing local populations of Western Anatolia, thus covering all the demands of its patrons.
1/Sicily has been a major trade crossroads since the Neolithic era,through which sea routes passed, connecting the peoples of the Eastern Mediterranean with the West and vice versa. The result of this event was the long-term habitation of the Sicilian land by a mosaic of peoples.
2/ Thus, when the Greek colonists arrived on the island after the mid-8th century BC, they found three population groups: the Sicilians in the E, the Sicanians in the C-W, and the Elymians in the NW. The origin of these peoples has been a subject of controversy since antiquity.
3/ The literary tradition has handed down to us several contradictory narratives, referring to mass migrations, often in the form of mythical tales. The best-known mythological tale is Minos' pursuit of the fugitive Daedalus in Sicily and the founding of Cretan cities there.
1/ Athens has been associated since antiquity with the city's patron goddess, Athena. However, although most people believe that the city was named after the goddess, perhaps the opposite was actually the case. The two words have a common root that is likely of pre-Greek origin.
2/ But let's start from the beginning. Long before the city of Athens became the dominant center of the region, its name was Actaea and it belonged to a wider community, Att(h)is < Attica. The inhabitants of Attica at that time were not Greek-speaking (pre-Greek substrate).
3/ Several scholars argue that both the word Actaea and Attica, and the word Athéne (Ἀθήνη), derive from the word Atthis through corruption. Athéne is the common root from which the word Ἀθῆναι and the word Ἀθηνᾶ came. So both the city and the goddess have pre-Greek origins.
1/ During the same period (1250/40 BC) that the major fortification works were taking place in Mycenae and Tiryns, and the hill of Midea was being rebuilt with new palatial buildings and Cyclopean fortifications, a new fortified palatial settlement was founded on the Acropolis.
2/ But who were the ones who built the new Mycenaean citadel Athens? The answer lies in the question of what purpose its building served. In my opinion, the Athenian elites had neither the financial means nor the know-how to construct such a project.
3/ So the project was designed and financed by a powerful Mycenaean actor outside Attica and he - according to the available evidence - was in Mycenae. The stakes were the limitation of Thebes' influence in Attica and in particular the exploitation of the mines of Lavrion.
1/ The Citadel of Dymaean Wall at the NW end of the Peloponnese has a special place in Aegean prehistoric studies, as it was previously believed to be proof (along with the Isthmus Wall) of the existence of a northern threat (Dorians) to the core of the Mycenaean palatial world.
2/ Recent field study has placed its presence on a more realistic basis. First of all, the human presence on the Hill of Kalogria where the Citadel is built bears evidence of human presence, residential remains and pottery, dating back to the end of the 4th millennium BC.
3/ The choice of location is due to its great strategic importance, at the intersection of the land and the sea, constituting a significant defensive stronghold and an ideal point of surveillance of the sea routes of the Ionian Sea, already since the end of the 3rd millennium BC.
1/ The Trojan War, as presented to us by the Homeric Iliad, is nothing more than a literary text with an epic-mythological character that captures in a single narrative various memories of events of the Mycenaean past, altered by time.
#Ahhiyawa #Homer #Troy
2/The main body of the myth of Trojan War - the gathering of the Achaean warlords under the leadership of the strongest of them, the king of Mycenae, and the naval campaign in the Troad - constitutes the only connection between the historical background and the Homeric narrative.
3/ During the palatial period, the Mycenaean world was structured into powerful local houses that recognized the supremacy of the Great King of the Achaeans, who had his throne in Mycenae and was equal to the powerful rulers of the Eastern Mediterranean (Hatti, Egypt etc).
1/ One of the biggest questions of Minoan archaeology is the existence of two scripts, which accur simultaneously in the same palatial centers (Old Palaces) or even in the same rooms: Cretan Hieroglyphics (2100-1700 BC) and Linear A' (1800-1450 BC).
#Minoan_Scripts
2/ This fact is not an unusual occurrence for the Eastern Mediterranean, as in Egypt and Anatolia two or more languages were used to serve different purposes. However, in Minoan Crete the coexistence of the two scripts for a period of about a century served the same purpose: 👉
👉 the recording of administrative texts, mainly of a financial - accounting nature. What is the reason for this simultaneous presence of two different scripts in Crete? Does this fact conceal some linguistic differentiation between groups of the local population?