I met a composer who urged me to check out the music of Mel Bonis and when I tell you the Wikipedia article about her personal life had me going WHAT...it's wild
She was super talented and taught herself piano so well despite her family's discouragement that a professor bullied them into letting her attend the Paris Conservatory where she was a classmate of Debussy
There she and a poet-singer named Amédée fell in love (she set some of his poems to music!) but her parents disapproved and pulled her out of the conservatory
When she was 25 her parents arranged a marriage for her to a 47yo businessman with 2 dead wives and 5 kids 🥴
Mel immediately had 3 children and Wikipedia says "it was not an ideal marriage, as [her husband] did not like music" :|
This is where we enter TV drama territory! In her 30s Mel reencounters her former lover Amédée who at this point is a respected married musician, who encourages her to compose again and sets her up with publishers, jumpstarting her composing career
Do they have an affair? OF COURSE THEY HAVE AN AFFAIR. They affair so hard they have a daughter, Madeleine, who Mel gives to a former servant to raise
She composes a crapton of music and gets all sorts of accolades and recognition! Saint-Saëns says "I never imagined a woman could write such music!" (ok dude) Her music-hating husband dies! We love to see it
Then this is where it gets WILD wild. The servant raising Madeleine passes away, and since her husband is dead Mel assumes care of Madeleine, who at this point is 17 years old
Mel's youngest son returns home from WWI, and, not realizing the fine young lady now living with his mom is his biological half-sister, HAS A ROMANTIC RELATIONSHIP WITH HER
At some point Mel realizes TWO OF HER CHILDREN ARE DATING EACH OTHER and she has to sit them down and tell the the truth and like...can you IMAGINE how that felt for everyone involved jfc
I just...how is this story not already adapted into some trashy-sexy period drama??? It has it all: forbidden love, unhappy marriage, adultery, incest, PLUS it comes with its own soundtrack courtesy of Mel Bonis' oeuvre of 300+ works!!!
(Ugh I went to go add this thread to my "music history stories" compilation and found out that I can't because Twitter apparently killed the Moments feature hahaha this website is so bad now) twitter.com/i/events/14818…
Also for everyone who is, like me, sprinting to find her music to listen to, it appears that people use both “Mel Bonis” and “Mélanie Bonis” and there’s no standardization afaik
Ohhh apparently she went by “Mel” so her professional name wouldn’t have a feminine connotation, I’m getting so much more from the vastly superior biography on this site mel-bonis.com/EN/Biographie/
Holy crap Mel Bonis is so fascinating as a person, she essentially lived a double life being a proper bourgeoise lady with strong moral convictions managing 3 households, 8 kids, and 12 staff, while secretly churning out sensuous music and caring for her secret child from afar
(Currently listening to her Femmes de légende, a three-part work for orchestra depicting Cleopatra, Ophelia, and Salome, and holy **** I’m in love) music.apple.com/us/album/femme…
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I'm consolidating my Patreon and Substack content (and adding the basic newsletter that audience members have been asking me to do for years)—I explained the why/how in this post
I've been doing weekly posts on Patreon for about three years now and lovely things have come from it—posts have made classical music news (RIP National Sawdust Log), birthed collaborative projects, etc. but the service has increasingly left me frustrated
A separate problem is that friends, family, and particularly enthusiastic audiences have continually asked me for an email newsletter so they can keep posted on the things I do, and social media/Patreon doesn't work for them
Once Mozart had to write for a singer he disliked who moved her head up and down with the notes when she sang so he gave her an aria with a bunch of quickly alternating high and low notes so that she would bob her head like a chicken and that my friends is pettiness as art
wait til he learns how old Stradivariuses are and the fact that a bunch of violinists are out in the world wailing on them on a daily basis
I for one think we should start going after the irresponsible monsters lending 300 year old violins to teenagers who schlep them across oceans because clearly this practice is disrespectful to history, or something