This is old hat for anyone who has followed menswear for a while, but I love these old drawings from Apparel Arts (AA). AA was a large format, a quarterly publication that was a precursor to Esquire. They were distributed to clothiers so SAs could advise customers how to dress
One of the cool things about AA is that each issue came with fabric swatches, so you could get a better sense of the clothes. Each issue was like a textile class. You'd learned what gabardine, cavalry twill, whipcord, thornproof, hopsack, and other materials FELT like
Some of the drawings were very stylized. Look at how cool these look!
Most of all, I love AA because it was so pure. Remember, this pub was distributed to clothiers, who, at the time, still had close relationships with customers and advised them on how to dress. So when you look through AA, it was just about how to dress for various occasions.
How should the fashionable 1930s man dress for campus? AA advises: "[T] he most important [outerwear] model for college men is the reversible balmacaan style in Harris tweed and gabardine. The popular reddish brown Harris tweed and light tan gabardine is the favorite color."
This is very different from the modern menswear magazine, where fashion shoots typically involve a model or celeb who has been styled with advertisers' clothes. Captions read like: "Suit by Zegna ($5,000), Tie by Tom Ford ($200), Shoes by Prada ($600)." It's more commercialized
There were never any brand names in AA. Not even names of tailors. It was just info on how men could dress for various situations, combined with in-depth descriptions of garment details and fabrics. You'd learn terms like Martingale back, bellow pockets, Ulster collar, etc
Although AA was aimed at clothiers, shoppers became fans after getting hold of issues. The pub's founder, Arnold Gingrich, then started a public-facing mag called Esquire. For various reasons, AA's usefulness waned after WWII, so it was renamed Gentlemen's Quarterly (GQ) in 1957
You can still find issues of Apparel Arts floating around various second-hand markets, but they are dearly expensive. The fabric swatches have typically fallen out. I've heard the Fashion Institute of Technology in NYC has a full set with swatches. Great if you can find them.
I will lament bc it's midnight and I'm in a mood: it bums me out that modern menswear discourse has become so focused on purchasing objects, rather than dressing. Buy this, buy that. Ppl fetishize things, like shoes or watches, without thinking about how these fit into a wardrobe
The great thing about AA is that it was purely about dressing. Even if they talked about shoes, it was about how those shoes fit into the broader context of a wardrobe and how to use those shoes to dress for various situations. It was not just about owning a cool shoe or watch.
When recreated with too great accuracy, some AA fits can look too costumey for my taste. But there's a guy on IG (ethanmwong) who brings some of the ideas in AA about proportion, cut, color, and style into a modern time and makes stuff look stylish.
(IG ethanmwong)
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Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.
The level of craftsmanship that goes into a lot of Japanese menswear simply doesn't exist in the United States. You can do this for many categories — suits, jeans, hats, etc.
In this thread, I will show you just one category: men's shoes 🧵
For this comparison, I will focus on Japanese bespoke shoemaking vs. US ready-to-wear. The level of bespoke craftsmanship shown here simply doesn't exist in the US, so a Japanese bespoke vs. US bespoke comparison would be unfair. US bespoke is mostly about orthopedic work.
So instead, I will focus on the best that the US has to offer: ready-to-wear Alden.
On a basic level, top-end Japanese shoes are better because they are handwelted, whereas Alden shoes are Goodyear welted. The first involves more handwork and can be resoled more often.
In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.