This is old hat for anyone who has followed menswear for a while, but I love these old drawings from Apparel Arts (AA). AA was a large format, a quarterly publication that was a precursor to Esquire. They were distributed to clothiers so SAs could advise customers how to dress
One of the cool things about AA is that each issue came with fabric swatches, so you could get a better sense of the clothes. Each issue was like a textile class. You'd learned what gabardine, cavalry twill, whipcord, thornproof, hopsack, and other materials FELT like
Some of the drawings were very stylized. Look at how cool these look!
Most of all, I love AA because it was so pure. Remember, this pub was distributed to clothiers, who, at the time, still had close relationships with customers and advised them on how to dress. So when you look through AA, it was just about how to dress for various occasions.
How should the fashionable 1930s man dress for campus? AA advises: "[T] he most important [outerwear] model for college men is the reversible balmacaan style in Harris tweed and gabardine. The popular reddish brown Harris tweed and light tan gabardine is the favorite color."
This is very different from the modern menswear magazine, where fashion shoots typically involve a model or celeb who has been styled with advertisers' clothes. Captions read like: "Suit by Zegna ($5,000), Tie by Tom Ford ($200), Shoes by Prada ($600)." It's more commercialized
There were never any brand names in AA. Not even names of tailors. It was just info on how men could dress for various situations, combined with in-depth descriptions of garment details and fabrics. You'd learn terms like Martingale back, bellow pockets, Ulster collar, etc
Although AA was aimed at clothiers, shoppers became fans after getting hold of issues. The pub's founder, Arnold Gingrich, then started a public-facing mag called Esquire. For various reasons, AA's usefulness waned after WWII, so it was renamed Gentlemen's Quarterly (GQ) in 1957
You can still find issues of Apparel Arts floating around various second-hand markets, but they are dearly expensive. The fabric swatches have typically fallen out. I've heard the Fashion Institute of Technology in NYC has a full set with swatches. Great if you can find them.
I will lament bc it's midnight and I'm in a mood: it bums me out that modern menswear discourse has become so focused on purchasing objects, rather than dressing. Buy this, buy that. Ppl fetishize things, like shoes or watches, without thinking about how these fit into a wardrobe
The great thing about AA is that it was purely about dressing. Even if they talked about shoes, it was about how those shoes fit into the broader context of a wardrobe and how to use those shoes to dress for various situations. It was not just about owning a cool shoe or watch.
When recreated with too great accuracy, some AA fits can look too costumey for my taste. But there's a guy on IG (ethanmwong) who brings some of the ideas in AA about proportion, cut, color, and style into a modern time and makes stuff look stylish.
(IG ethanmwong)
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In this thread, I will tell you, definitively, whether Sydney Sweeney has great jeans.
This way, you will be more informed when shopping for your wardrobe . 🧵
I should state two things at the outset.
First, I never comment on womenswear because I don't know anything about it. This thread isn't actually about Sweeney's jeans (sorry, I lied). But in the last few days, I've seen grown men buying American Eagle jeans and I can't abide.
Second, while clothing quality matters, it's more important to develop a sense of taste. Buying clothes isn't like shopping for electronics — you don't "max out" specs. It's more like buying coffee — you sample around and identify what notes you like. Develop taste.
Sometimes I think about the closure of G. Lorenzi, a Milanese gentleman's shop that had been around for almost 100 years until their closure in 2014. The shop was special because it carried so many one-of-a-kind items from artisans — total handmade craft production, not factory.
At the time of their closure, they still carried over 20,000 items of 3,000 models, including speciality knives, picnic sets, and nutcrackers. They had over 100 styles of nail clippers and 300 different hairbrushes alone. Proprietor Aldo Lorenzi scoured the world for artisans.
There's nothing wrong with factory production. But as more of our lives get taken over by machines — including art and writing — this sort of production feels special.
Trailer for "A Knife Life," a documentary about the store by my friend Gianluca Migliarotti, available on Vimeo
I spent 15 yrs on a menswear forum. The longest argument I had was over a tiny detail that can be seen in this photo. For 6 months, I argued with the same five guys non-stop every day. The argument got so heated the forum owner banned one guy for life.
As I've mentioned before, there's a lot of coded language in menswear. Navy suits can be worn with black oxfords because this was the uniform of London businessmen. Brown tweeds go with brogues because these clothes were worn in the country. In this way, we get formal vs. casual.
The same is true for shoes. Tiny details come together to communicate something, much like how words form a sentence. Black is more formal than brown; calfskin more formal than suede or pebble grain; plain design is more formal than broguing. All of this stems from history.
The year is 2024 and you're browsing for a new shirt online. You come across a store selling shirts from Portuguese Flannel. You do your research and find they make quality garments: clean single-needle stitching, flat felled seams, quality fabrics, MOP buttons, classic designs
So you go ahead and purchase one. The shop charges 139 Euros and throws in free shipping. Given the exchange rate in 2024, that means you paid $163.19.
First, let's do an experiment. Here are two relatively similar outfits: a blue shirt with a pair of dark blue jeans.
Which do you like better? Reply to this tweet with your answer. This way, people can see how the majority of people "voted."
If you said the right, then we have the same taste. This is despite the outfit on the left following this exact guide — and the outfit on the right not appearing in the guide at all.
I both agree and disagree that it's subjective. Like with anything, my views on tailoring stems from a "first principle." That principle is that men wore tailored clothing better in the past (specifically the period from about the 1930s through 80s). 🧵
If we agree on this, then there are certain ideas that naturally flow from this principle, partly because men's dress during this period was governed by time, place, and occasion. As stated before, one such idea was city vs country clothing.
Another such idea was resort or evening wear. Or summer vs winter wear. And so forth.
One can carry these ideas forward into today's age without it look like historical cosplay. Just like how we are currently using words to communicate, some from the early 1900s.