A chance this could be #1970s but more likely #1980s as shoulder pads very exaggerated. Has such disco diva vamp glamour. So I mixed a bit of vampire and disco as inspiration with a contemporary character! It's in pure silk and by CACHÉ another fab American label #vintagefashion
Another piece very 'vamp' glamour. Have a few drop dead gorgeous #goth dresses by Sarah Whitworth whose label Deadlier than the Male based Hyper Hyper Kensington High St. Ghost, Pam Hogg also there
Ah #1980s..such parties..how we danced like creatures of the night to Bauhaus
Sarah Whitworth did breathaking corset pieces #1980s. Inspired Old Hollywood, westerns, & gothic aesthetic, her dresses favoured by Sloane Rangers who wanted touch edge now for balls, & elegant goth girls alike. One her fave bands was Theatre of Hate. #vintagefashion
While Vivienne Westwood was credited with black velvet corset and bustle glamour, at the time Sarah Whitworth's corset & spell-binding pieces were bang there on London scene too and we'd need a friend to pull us in for that 'Deadlier then the Male' shape! #1980s#vintagefashion
#1980s incredible period for glamour & local wine bar likely to be full such dresses that we'd perhaps now only wear very special occasions. But this timeless Bruce Oldfield something else. A Barnardo's orphan he dressed Princess Diana Joan Collins Diana Ross Queen Rania etc
#1980s coats were no less glamorous & romantic. And again the Sloane Rangers met the edgy subcultures such as New Romantic goth & rockabilly in Chelsea for glamorous fusion. Fit & Flare coats, pioneered by Laura Ashley, Mansfield etc a favourite of Lady Diana too #vintagefashion
Here's another #1980s#FitandFlare coat...the British romantic look had spread to Europe .This one by Rohdi Heinz Gothenburg's answer to Yves St Laurent, who also did some fab ones. #VintageFashion
Romantic fit & flare coat began late 1970s remained a wardrobe must have well into 1990s, especially with likes of Frank Russell 'King of Coats' tailoring Mansfield label. Incredible story you can read here. A man deserves to have movie made of his life drapersonline.com/news/king-of-c…
Age too glamorous furs, with tv shows like Dynasty & as those were out of reach for many as they became more opulent with power dressing swagger, opulent Russian styles,1930s & 40s glamour & even Tudor pomp influenced fashion. But sheepskin fur a (relatively) reasonable option &
Christian Dior & Sprung Freres did many beautiful ones in glossy, sometimes dyed sheepskin: similar look to new styles more exp dyed sheared beaver Dior were doing. Faux furs evolved into breathtaking quality too with labels like Apparence, Couture Helene & Margot JJ Deray
Apparence Paris were among most sought after. These faux furs were all cotton backed rather than completeley synthetic so much more durable than modern synth & very high quality and sheen. And they could be printed on! But they didn't come cheap: even up to £500 at the time. They
Started doing these Disney ones in the late 1980s, and by 1991 had cemented the relationship to launch them big time at Disneyland Paris. Now they can fetch from £600 up to £1000 for pristine examples in big demand with modern fashionistas and Disney fans alike
This one I sold to a New York celeb. I have sold all I have actually so if you have one you'd like to sell contact me. I'm a very trusted seller and there are lots of ropey ones about so to get a decent price if you have in good condition shout me to sell for you
The Italians too produced fabulous faux sheared beaver/lamb in rich colours too such as this one by Italian couture house Mimmina. So much fabric and fabulous swing and drape from those shoulder pads. And such a pretty green this one....
Then there was the leather of course....was #1980s after all, & glamorous, feminine, fitted, batwing, padded shoulders & even fur trimmed, but still rock n roll...though Hoban's North Beach Leather & Alaia's influence everywhere fused with classic motorcycle edge #vintagefashion
Even the #1980s very rock and roll leather styles were often fitted, though with nod to the #1950s rockabilly with conches and western style buckles , also favoured by bikers and goths. #VintageFashion
The #1980s did the #1950s pretty much off and on throughout the decade in fact. Boned dresses with bare shoulders almost full circle skirts were very much in vogue. Back in fashion now of course too so consider giving a vintage one 'New Life' ... #vintagefashion
The look first came late #1970s actually after release of Grease in 1978 and you could still buy these styles virtually unchanged right through the next decade in lovely colours cotton and print and always boned.
Laura Ashley manufacturing mostly South Wales (Laura from Merthyr Tydfil) did some fabulous #1980s does #1950s circle dresses meets medieval low waist off shoulder raw silk etc too but this Laura Ashley a bit more special. Breathtaking sculptured piece silk...& back to black....
And wouldn't this fabulous velvet opera coat be just wonderful with that dress for a special night out? And yes, people really did dress up like that in the 1980s for theatre ballet and opera etc. A vintage #Mulberry in black velvet with faux fur collar.
Not all made UK then though much of it was. Farmer's daughter Isabel Harris making waves other side world 1970s & by #1980s her Thornton Hall label est. as #NewZealand's premier #fashion house. Quality & romance wise, esp qual velvet, up there with Laura Ashley & Droopy & Brown
Then always Paris. Rue Saint-Honoré base couturier Isabelle Allard, who'd started designing age 10 when hated pink dress bought for her so locked herself in bedroom to remodel. Late #1980s saw her first big collections & velvet a staple. This a devilish Iberian inspired piece
#1980s also age of separates; mix & match yourself & again, especially bright colours +black & browns & high waist leather pencil skirts both colours a must. Jacket also Paris made Galerie (Sold), skirt Pink Flamingo German butter soft 'dressmaker' pencil, & hat Peter Bettley UK
Though above jacket sold this Byblos one has similar vibe but has more opulent generous faux fur collar & cuffs that Keith Varty & Alan Cleaver pioneered at the label 1988-1992 (though may be wrong may be later it came to me without clue of date just reminiscent that time). If
I'm correct the jkts like this would have been worn with wide leg 1940s style deck pants or full pleated skirts, both bang back in fashion now. Late #1980s also saw shocking pink in Mugler collections which in turn even influence the likes of Mansfield & a jacket that could be
worn as separate or with the skirt. Another Italian couture label Odicini, this jkt has a mid 1980s Valentino collar vibe so it's just a guess but the fit & tailoring & shoulders is very 80s too.
Another in demand 1980s designer was Arabella Pollen who again Princess Diana favoured, but also attracted the edgy dresser. This one could be later than 1980s but certainly has that Regency New Romantic feel with a touch of rockabilly quality leopard faux fur
And to finish up a super little pure new wool fitted suit by Precis...and the weather forecast idea was for a video clip for one of my brothers songs !
Formed late 1980s the brand was especially for the petite lady & this an early piece
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Why you cannot trust science when funded by conflicts interest. This study asked us to consider 'potential' farming 'trees' but ignored potential of WOOL & SHEEPSKIN in reduction emissions via less FF hear & wash needed, AND mitigation wildfires. Carbon offsetting
via tree planting is turning out counter productive by contributing to reduction livestock grazing and increased forest fires. So beware Grantham academics (poor study this week tried go pin arson on climate change eg) when Greece arrested 140 arsonists same week & reduction in
livestock also implicated warned about since 1980s. My own upbringing taught me this too when I'd walk forest (look background) grandfathers & other pigs sheep goats would pick floor clean so nothing to burn. Now so many farms abandoned even orchards overgrown huge fire risk. So
What’s in a dress? Or song? More than meets eye in case of Mod.
Special aesthetic & phonoaesthetic carries multi layered meaning. Appropriating a consumer product a scooter a dress or guitar, graphics & iconography & making it your own re styling= identity.
In a time when ⬇️🎯🇬🇧
utilitarianism reigns fashion & overt commericial vacuous in music, worth connecting with past & seeing enduring legacy of Mod. Went to Mod Mayday last weekend featuring many 70s revival bands, such as The Chords whose first single 1979 ‘Now It’s Gone’ was
1979 ‘Now It’s Gone’ year Quadrophenia released. Like The Who’s ‘Can’t Explain’ , ‘So Sad about Us’ & the movie itself, perhaps fatalistic euphemism for lost opportunity and angst. But The Chords , The Jam and others also had that punk edge. So it was evolving.
@PeterDaszak@Shirley22034040 You attack Bridgen in general not just re lab leak. There is direct logical relationship with consent & post war medical ethics about procedure being for benefit individual, not for 'greater good'; and vaxx also did not prevent infection/transmission so was not valid anyway. The
@PeterDaszak@Shirley22034040 Discrimination suffered by unvaccinated thus had no logical basis & unscientific. nature.com/articles/s4158…
In addition lockdowns caused massive harms also for no benefit. Millions lost livelihoods when poverty misery & stress predictable=KNOWN severe adverse health outcomes. We
@PeterDaszak@Shirley22034040 Know that Sweden no lockdowns= fared no worse
Haiti very low vaxx rate = fared no worse
Thus interventions appear to have added massive harms for limited gains. What part of first do NO harm don't you get? threadreaderapp.com/thread/1637993…
In addition it
So second paper now suggesting current methane emissions by cattle not too different from natural herbivores.
Some scientists (F Smith K Lyons et al) in fact blamed the cooling of Younger Dryas on the vanishing of mammoth so lack of belching. though I do not buy into
idea of human caused extinction (we now know subsequent to that study the Americas were colonized by humans MUCH earlier for starters; and seems ridiculous to think humans would have wiped them out there but not African elephants anyway). So always suggests to me regional
climate catastrophe or ET impact hypothesis made more sense. But anyway for them to have had such dramatic effect on cooling whatever made the vanish, it suggests a huge amount of megafauna. Thus not a .'natural' level of herbivores even if the very low estimate was to be
For the moronic idiot eco activists & food systems 'scientists', or those that take us for fools. This is OBVIOUS but it is nice to have a Nature paper finally tell you what we already know. Livestock herbivores & wild herbivores= similar emissions. So you don't get to replace
livestock with wild herbivores and expect GHG emission falls. So it is an utterly pointless argument and in any case, in scenarios where conservation desirable eg bison in USA, that is even best served by actually using them as food source too. dakotapurebison.com/our-story/
And this is what actually happens all too often when you just leave wildlife to its own devices as the ecofascist rewilders want whyy.org/segments/the-n…
@guidoacasa@Togetherdec I am going to take those straw men one at a time.
First, climate change deniers. NOBODY denies climate change. What we deny is, that the 'science' is at least in part FLAWED & that has made many skeptical. Counter this.
@guidoacasa@Togetherdec fact they have made such almighty cock up on livestock accounting also show they're not serious re climate change themselves. There is no doubt about this. The problem is mass production of non durable tat & consumer tech with inbuilt obsoletion , which
@guidoacasa@Togetherdec while we in UK many consume, it is made China & all WEF corporates. I don't recall anyone asking for acrylic jumpers sportswear plastic shoes & anoraks, laptops & phones made to last only 2 years, and disposable furntiture (yes IKEA part of WEF) and the 'science' is absolving