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Apr 23, 2023 8 tweets 6 min read Read on X
The Saivite savant Manickavasagar of the 9th century used money meant for buying horses to construct this temple at Avudaiyarkoil, known as Thiruperunthurai, in Pudukottai district.
#Archaeology
thehindu.com/news/national/…

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Queen with all her robes and Jewels sculpted in Aathmanathaswamy temple, Aavudayar Kovil 'Avudaiyarkoil', Tamilnadu.
9th century ce

What is the name of this Queen? 👑

#Archaeology
upload.wikimedia.org/wikipedia/comm…

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Possibly, the King and the Queen in Aathmanathaswamy temple. Look at the hairdress. Is this ritualistic depiction?
#Archaeology
travel.bhushavali.com/2012/02/avudai…

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What is this Animal ?
You must cover this temple
@TheGopalan #Archaeology
travel.bhushavali.com/2012/02/avudai…

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Stone lizards carved on the roof of the temple
tripadvisor.com/LocationPhotoD…
#Archaeology

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Hanging chains carved in stone on the ceiling of the temple
#Archaeology

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Some more devotees carved on the pillars of the temple
#Archaeology
tripadvisor.com/LocationPhotoD…

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There are snake sculptures surrounding a pond in the temple.
Can anyone count the number of snakes ?
destimap.com/index.php?act=…

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More from @GemsOfINDOLOGY

Jun 15
DEVDASI | Journey from GLEAM to GLOOM | Most respected to most dejected

Thread to look back in time to where we are today. An untold story in the evocative book 'NITYASUMANGALI' by Saskia C Kersenboon

Exploring the devadasi system's transformation, this narrative traces its shift from revered spiritual practice to marginalized existence. Devadasis, once divine performers in temples, faced decline as societal changes turned respect into rejection. Kersenboon's research reflects on cultural shifts, urging readers to ponder tradition, power, and identity.

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Devdasis, also known as Rudra Ganikas, played a crucial role in temple ceremonies. They were the figures who encircled the IDOLs during rituals led by the royals. Revered as both sacred and auspicious, they symbolized wealth and protection for the populace. They also conducted various ceremonies related to weddings and births.

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The initiation into becoming a DevDasi was a CHALLENGING ritualistic journey, focused on mastering Shakti and anchoring it to a symbolic DEITY. It began with the King's consent, followed by seclusion, detachment from family, and a bond with GOD. Even upon death, a Devdasi adorned herself as SU-Mangali (a MARRIED woman).

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Jun 7
Ever imagined yourself to be displayed as object in a Zoo ?

Here this thread captures real people and real agony. DONT proceed further if you are weak hearted.

This is a poster used during the era of Human Zoos. Note a "Negro" associated with an image of a monkey.

* sensitive material

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This part of a show called “Les Indes,” where captives from India are being paraded

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Black girl on display, Brussels, Belgium, 1958

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Jun 6
Delving into Dholavira's metrology revelations.

Beyond ancient docks, lies advanced metrological wisdom.

From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.

Bookmark this thread.

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As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.

The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE

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The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1

3/12 https://www.indianculture.gov.in/other-collections/metrology-behind-harappan-town-planning
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Read 12 tweets
May 26
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.

Inspired by Shaivism, the temple stands as a significant testament to this tradition.

The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.

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This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.

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Lakshmi
Brihadeshwarar Devalaya, Tamil Nadu

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Read 16 tweets
May 25
Brahma, Shiva, Vishnu, and other gods and goddesses blessing Guru Nanak Ji as a child

Paiting at Baba Atal Gurdwara, Amritsar.

Bābakalasī Gurū Nānak Jī Nali'ā Paḍata | ਬਾਬਕਲਸੀ ਗੁਰੂ ਨਾਨਕ ਜੀ ਨਲਿਆ ਪੰਡਤ (Translated using Google Translation. Please correct me if there are any errors).

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Another wall painting were Hindu God and GOdesses are praying before Gurudwara

"Sansarik" is imprinted on the cow. Can someone elaborate its significance.

Paiting at Baba Atal Gurdwara, Amritsar.

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A community feast probably celebrating the auspicious moment. Hindu Gods and Godesses are also witnessing the event.

Paiting at Baba Atal Gurdwara, Amritsar.

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Read 5 tweets
May 7
In 1770, the British Invasion on Australia's native territories, along with the determined original Australian opposition, was thoroughly documented by both James Cook and Joseph Banks, the British botanist who journeyed with the Endeavour expedition. In his journals, which can be found on the State Library of NSW website, Banks described the efforts of Aboriginal fighters to block the expedition's landing at Botany Bay.Image
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Read 6 tweets

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