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Here is something that nobody will tell you in regards to $wbd at a worldwide level on the corporate end (not creatives such as writers, directors, etc.):
Nobody wants to work with them.
The company is volatile, layoffs happen left and right.
It is not a secure, stable job.
Nobody wants to work with them.
The company is volatile, layoffs happen left and right.
It is not a secure, stable job.
Regardless of how much money #TheFlash does, the fact of the matter is that anyone working at HR of the company is struggling to find people to join them.
Because everyone looks at them, at how management changes on a whim. It is a high risk going to work with them.
Because everyone looks at them, at how management changes on a whim. It is a high risk going to work with them.
Box office aside, the focus the company has in regards to their products and lineup changes practically on a yearly basis. You can be working for the streaming department and all of the sudden, Zaslav says they don't care about your division.
It's too much of a hassle.
It's too much of a hassle.
Add to that the upcoming Max changes and you'll have a bunch of people leaving the service. Which means major losses for accounting department as well for the poor analysts that will try to find a way to say "told you so" to the heads of the company.
Everyone is migrating elsewhere. Be it within the entertainment industry (as many of the qualifications that other streamings look for are specific) or, if they're in the accounting department), to any other big corporation.
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