the story about King VII may be apocryphal. i don't know of any primary evidence to support it started with him. but not every detail in an outfit has to have a "functional" purpose. clothing is about semiotics, so design is about social language 🧵
if people are bothered by the bottom-most button, they should also have a problem with the lapel's buttonhole, which is a vestigial detail from when coats were made with Ghillie collars designed to button up to the neck to keep the wearer warm.
at some point, people figured out they could fold the collar down so it sat flat against their chest. and viola—we get the single-breasted rever (lapel), which was the embryo of the modern suit. the buttonhole remains as vestigial detail from our past
i have seen some people ask why can't they just wear a one-button coat. the reason is bc the design is about social language, not just function. in Britain, a two-button config used to be the standard for business suits. here's Gregory Peck stepping out Huntsman on Savile Row
american style was historically marked by the three-rolle-two (3r2), which means the coat has three buttons, but the lapel rolls to the center button (looks best when you only fasten the center button, so now you have two useless buttonholes!)
no one truly knows where the 3r2 came from, but one origin story says ivy students in early 20th century pressed their coats to look 2-button when 3-button became passe. others say they pressed them to make them look old (as 3 button eventually rolls to center button). who knows
in any case, the 3r2 is appreciated now by people around the world, including Italy and Japan. it is also a hallmark of traditional Neapolitan tailoring.
the one-button coat is a signature of some tailoring houses, namely huntsman. but it is otherwise a formalizing detail best kept to evening clothes, such as tuxedos or mohair suits. detail should work in concert with other things, such as lapel style (e.g., peak, not notch)
in this sense, clothing details are like words in a sentence. cloth, cut, and details come together to create meaning.
for instance, four button at the cuff is standard for suits. but three button is a little more casual. two button is ivy. one button is sporty.
very few ppl today know or care about this sort of detailing bc tailored clothing is almost an artifact of history. but for ppl who love tailoring, this is part of the fun. and this answers the questions: why can't i fasten the bottom button? or why cant i have a single button?
for more on how to read formality in tailored clothing, you can check out his post
one more point: my feeling on the story about Edward VII getting too big to fasten his bottom-most button, and thus kicking off a century-plus trend, is that if a story sounds too neat and tidy, there's good reason to be suspicious of its veracity
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Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.
The level of craftsmanship that goes into a lot of Japanese menswear simply doesn't exist in the United States. You can do this for many categories — suits, jeans, hats, etc.
In this thread, I will show you just one category: men's shoes 🧵
For this comparison, I will focus on Japanese bespoke shoemaking vs. US ready-to-wear. The level of bespoke craftsmanship shown here simply doesn't exist in the US, so a Japanese bespoke vs. US bespoke comparison would be unfair. US bespoke is mostly about orthopedic work.
So instead, I will focus on the best that the US has to offer: ready-to-wear Alden.
On a basic level, top-end Japanese shoes are better because they are handwelted, whereas Alden shoes are Goodyear welted. The first involves more handwork and can be resoled more often.
In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.