Dallas, TX - On March 10, 1910, Allen Brooks was lynched while awaiting court proceedings. He was accused of raping Mary Beuvens, a young White toddler in late February 1910. He proclaimed his innocence as there was no proof (cont)
he committed a crime. Brooks was taken to jail and formally indicted a day later. He was moved to several jails outside the city limits due to concerns for his safety. He was returned to the Dallas courthouse where a mob of hundreds gathered. (cont)
After easily penetrating a human pillar of more than 100 law enforcers, the mob pushed its way through, demolishing doors to overrun the courthouse. A frenzied search for Brooks led to a jury room, where he was discovered hunkered down in a corner. A rope was tied around (cont)
his neck and he was pulled from the outside through a second story window. One report described Brooks as fighting “like a tiger” before being pulled through a window onto the street below. He landed headfirst and was beaten and stomped(cont)
until his face was a bloodied pulp. There was no justice meted by a judge or jury that day; only mob vengeance. He was dragged by automobile to the corner of Main and Akard where was hanged from a telephone poll near the giant arch; his body became a spectacle for (cont)
entertainment. By the time Dallas's undertaker arrived at the scene, he found that Brooks' body had been reduced to a "shapeless mass of flesh," with his undershirt and flannel—the only clothes still on his body—in tatters. The mob had torn pieces of his clothing off for (cont)
souvenirs. Out of this lynching, the ultimate souvenir is the postcards that were mass produced.
One such postcard included written commentary on the back: "This is a token of a great day we had in Dallas, March 3, a negro was hung for an assault on a three year old girl."(cont)
No one was held accountable for Brooks' death; not even the law enforcement officers who did not use their weapons to protect him.
The site of his lynching remained unmarked for more than century until 2021.
🧵 During segregation, Black artists were barred from most White-owned venues. Out of necessity, they created their own network of clubs, theaters & juke joints — known as the Chitlin’ Circuit. (cont)
The name comes from chitterlings (pig intestines), a soul food dish made from scraps. Like the food, the Circuit symbolized turning what society discarded into something sustaining & powerful. Its roots trace back to the 1920s with the (cont)
Theater Owners Booking Association (TOBA). It was one of the first organized booking systems for Black entertainers during the Black Vaudeville era. When TOBA collapsed, the Chitlin’ Circuit emerged as a survival mechanism, offering stages where Black artists could perform (cont)
🧵 Long before Hollywood and Broadway, Black Vaudeville paved the way for generations of Black entertainers. It was more than entertainment—it was a movement. 🎭 (cont)
Black Vaudeville emerged during the late 19th century as a vibrant, complex alternative to the mainstream (and often discriminatory)variety theater. It was a space where Black Americans could showcase their immense talent while subverting the racist stereotypes of the era. (cont)
Vaudeville grew out of minstrel shows, which were originally White-led parodies of Black life. After the Civil War, Black performers began forming their own troupes. By the 1880s, these variety acts had evolved into "Vaudeville"—a mix of comedy, acrobatics, song, and dance.(cont)
🧵 To put into perspective the war crimes committed by Sec. Pete Hegseth, we have to go back to Vietnam, 1968. One of the most horrific war crimes in history was committed. (cont)
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#Voices4Victory firstpost.com/explainers/his…
On March 16, 1968, U.S. soldiers of Charlie Company, 23rd Infantry Division, entered the hamlet of My Lai in South Vietnam. Expecting Viet Cong fighters, they instead encountered civilians. Soldiers murdered between 347–504 civilians, including women, children, and the (cont)
elderly. Many were raped, tortured, or mutilated. Helicopter pilot Hugh Thompson (below) tried to stop the killings, even threatening to fire on U.S. troops to protect villagers. Hugh Thompson IMO is one of the unsung heroes of the Vietnam War. (cont)
🧵 In June 1979, suburban Pennsylvania erupted. Cars burned, businesses looted, police injured. This wasn’t Philly or NYC — it was Levittown, the model suburb of the American Dream. Pull up a 🪑. (cont)
The Levittown Gas Riots of 1979 were a violent eruption of frustration in suburban Pennsylvania, sparked by fuel shortages and economic decline. The riots were triggered by the second OPEC oil boycott in 1979, which caused gasoline shortages, (cont)
long lines at pumps, and skyrocketing prices. Levittown, a postwar suburb built on the promise of affordable homes and steady industrial jobs, was hit hard by mass layoffs at local steel plants and rising unemployment. Residents, dependent on cars and cheap fuel, felt (cont)
🧵 One of the first things Trump did when he returned to the the Presidency was bring back the portrait of Andrew Jackson to the Oval Office. Why? They have a lot in common.(cont)
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#Voices4Victory historynewsnetwork.org/article/trump-…
From Jackson's Indian Removal Act to Trump's mass deportation policies, I will break down the similarities in both. In 1830, President Andrew Jackson signed the Indian Removal Act. It authorized the U.S. government to force Native nations off their ancestral lands east(cont)
of the Mississippi. It led to one of the darkest chapters in American history. Indigenous people were marched westward in brutal conditions. This became known as the Trail of Tears—tens of thousands died from disease, starvation, and exposure.(cont)
🧵 Did you know a Black woman stood up against a notorious gangster? Stephanie St. Clair, aka Madame Queen, was a Caribbean immigrant who built a gambling empire in Harlem during the 1920s–30s. (cont)
She wasn’t just a crime boss — she was a community protector and outspoken critic of corruption. Born in Guadeloupe, she arrived in New York and quickly saw how mainstream banks excluded Black residents. Her solution? The "numbers racket", (cont)
an underground lottery that became Harlem’s financial backbone. St. Clair’s operation gave jobs and economic power to Harlem’s Black community. She became known as the Numbers Queen, respected and feared at the same time.