Neil Chordia Profile picture
May 23 13 tweets 3 min read Twitter logo Read on Twitter
Random thread of Thoughts on Cannes this year:
1/ First year back here since before COVID and seemed busy if a little more muted than it was. Parties and drinks all felt more restrained (not a bad thing).
2/ Haven't heard of any major deals being struck (many seem to have been done pre-festival) but the sales agents I spoke to said that there was decent business being done, if not spectacular. Seemed to be a good showing from indie distrib buyers.
3/ Some concern over potential SAG strike and how that may affect other markets. Some producers considering moving production schedules back, but no outright panic.
4/ General sense of optimism from most producers I spoke to. Everyone still lamenting the lack of equity around but more UK producers seemed to be looking at co-pro structures.
5/ It rained a lot last week and everyone seemed miserable but the mood turned in the last few days as the sun shone and that riviera feel returned! Don't underestimate how this affects people doing deals.
6/ As usual didn't get a chance to watch any films but buzz was def there for Killers of the Flower Moon and How to Have Sex. One day I'll do a festival and only go to watch the film!
7/ Most people seemed to agree that the tide was slowly drifting out with the streamers. No one seemed quite sure what their strategies are but general feeling was that the big spending days are gone and more realistic budgets will be the way forward.
8/ Great to catch up with so many UK producers and filmmakers. There was a good showing from the UK and overhead lots of people remarking how many UK filmmakers were at the festival.
9/ As usual, lots of good conversations, the name of the game is long-term relationships. It's not about going to Cannes to get deals, it's about building and maintaining relationships that come to fruition in the future.
10/ Tax credits and rebates are going to be all-out-war over the next few years. You could barely walk 2 feet in the marche without seeing huge signs for big tax incentives from different countries. Everyone wants to bring in Int'l productions.
11/ Perhaps because of the crazy prices in UK atm, food and drink didn't feel quite as expensive as usual. Although it will still cost 10 euros for a coke at the main hotels!
12/ AI was a hot topic and many filmmakers had pitch decks using Midjourney images or similar. Attitudes varied from pragmatic on how to use the tech to outright panic at the thought of being replaced. Most writers adamant that AI couldn't ever replace them (good and I hope so).

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More from @chordia22

May 25
PRODUCERS - We’re looking for feature film projects to co-produce. Please read this thread carefully as the remit is quite specific. Please RT! #film #ukfilm #filmproducers
1/ Looking for UK producers who have produced at least one feature film above £500k budget.
2/ Projects need to be very clearly identifiable genres: Rom-Coms, Comedies, Action, Adventure, Sci-Fi, Thrillers. We are NOT looking for Dramas, Horror, Coming-of-Age, Grey Pound or Art-House at this time.
Read 11 tweets
Dec 31, 2022
Went down an AI rabbit-hole this week. In under 30 mins, I had an AI create an original idea for a film, write a treatment, suggest a cast list, build a basic pitch deck and create a poster image. Now...
...whilst all of this was fairly basic, it was impressive that it managed to identify the key things needed in each and if I'd been sent these by a person, I'd have had no idea that it was all created via AI.
On the one hand, this is scary as hell. The number of jobs this type of AI will end up replacing is too numerous to count. I have really mixed feelings about applying this to the film and TV industries but it's clear that it's here and we'll start seeing it in use within a year.
Read 11 tweets
Oct 4, 2020
I’ve met many filmmakers who over the years have told me “they don’t care about the money” and “you focus too much on the business side of things”. There’s a reason for that. Without a viable system of financing and revenues, you won’t get paid. You won’t do this for a living.
The news about Cineworld is devastating and will likely be followed by more chains. It’s not Bond’s fault. It’s not the studios fault. It’s not the general public’s fault. This pandemic has already decimated the aviation and travel industries. It’s just another casualty.
We live in a world where there is now so much audio-visual content that it’s become hard to justify the cost of going to a cinema anyway. Younger audiences are happy enough to watch 2 hours of free tik tok videos rather than £15 to go watch a film in cinemas.
Read 8 tweets
Oct 3, 2020
It’s basic economics. If there’s no product to sell, the business isn’t viable. There’s no way government grants will keep cinemas afloat until Easter. We’re seeing a sea-change in the film business, as models adapt to direct to digital.
It will mean lower budgets as there won’t be the revenues to prop up $200m films. Could also mean digital platforms commission films as opposed to licensing them.
It won’t be the end of cinema, art-house will still be a viable business and perhaps in a few years, after the pandemic, there will be a desire to reopen larger cinemas, but for the immediate future, film won’t be primarily for theatrical.
Read 4 tweets
Sep 4, 2020
Any other indie producers interested in banding together to use the new Government Kickstarter scheme to offer 16-24yo’s a 6 month job placement? Would need enough of us to offer a minimum of 30 jobs. Government pay for 25 hrs pw. Reply to this thread and I’ll see if it’s viable.
Thanks to everyone who has expressed interest in the Government Kickstarter scheme. There’s been huge interest and it’s going to take a lot of admin to set up, so we’re working on a coordinated industry approach that will work for everyone.
I’ll be creating a simple google form in which you can register your interest and we can then get in touch as soon as the programme is up and running. It’s great to see so many companies get behind this.
Read 4 tweets
Aug 30, 2020
Will write a full blog post in the next week or two but here are some quick summary points of my thoughts on filming shorts under Covid guidelines:
Producer and Covid supervisor need to be two separate people, it’s too much work. You’ll need the supervisor on early in prep to get across everything.
Social distancing - you can enforce 2m rule but it will get regularly broken, so plan needs to include risk mitigation.
Read 4 tweets

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