Buddha Śākyamuni,
probably Kurkihar,
circa mid-9th century
Courtesy of Asian Art Museum of San Francisco
#Archaeology #Hindutva #हिंदुत्व #Janeu 5/
Tārā,
Nālandā,
circa 10th century,
Indian Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu
6/
Mārīcī
Nālandā,
circa late 10th century,
Indian Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu 7/
Buddha in bhumīṣparśa mudrā, Hasra Kol,
Bihar,
circa 10th century,
Patna Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu 8/
Avalokiteśvara with Tārā, Bhṛkuṭī, and Hayagrīva,
Nālandā,
circa late 10th century,
ASI Nālandā Site Museum
#Archaeology #Hindutva #हिंदुत्व
#Janeu 9/
Buddha in bhumīṣparśa mudrā, Vikrampur, Dhaka district,
circa 11th century
National Museum of Bangladesh, Dhaka
#Archaeology #Hindutva #हिंदुत्व #Janeu 10/
Khasarpaṇa from Mahākālī
house of Babu Bhuban Chandra Mitra in Nahapara,
image: N.K. Bhattasali, Iconography of Buddhist and Brahmanical sculptures in the Dacca Museum (1929), plate VII-a
#Archaeology #Hindutva #हिंदुत्व #Janeu 11/
Buddha sculpture from Antichak, India, ca. 11th–12th centuries. Bronze, h. 6.5 cm. Archaeological Survey of India Office, Patna, India
#Archaeology #Hindutva #हिंदुत्व #Janeu 13/
Sealing with Enshrined Buddha figure and ye dharmā verse (also called dharmā-relic verse or Buddhist formula), Bodhgayā, ca. 11th century. Cleveland Museum of Art, Cleveland, OH Image courtesy Artstor
#Archaeology #Hindutva #हिंदुत्व #Janeu 14/
The Buddha triumphing over Mara
850–950
India; probably Kurkihar, Bihar
Basalt
The Avery Brundage Collection
Avalokiteśvara
Sri Lanka,
6th–7th century
Excavated from Khuan Saranrom, Phunphin district, Surat Thani province, southern Thailand, in 1961
National Museum, Nakhon Si Thammarat, Thailand
#Archaeology #Hindutva #हिंदुत्व #Janeu 17/
Avalokiteśvara ?
Southern India, ca. 6th century
Recovered from Krishna River delta, Andhra Pradesh,
Victoria and Albert Museum, London
#Archaeology #Hindutva #हिंदुत्व #Janeu 18/
Prajñāpāramitā, Goddess of Wisdom
Sri Lanka, probably Polonnaruwa,
ca. late 8th–9th century
Reportedly found in southern Thailand
Victoria and Albert Museum, London
The earliest Pyu images of the Buddha in Myanmar, and among the earliest ones in Southeast Asia as a whole, appear on the great silver reliquary that was the centerpiece of the Khin Ba relic chamber
Buddha Seated under the Bodhi Tree
Thailand (Buriram province, probably Prakhon Chai)
7th–9th century
#Archaeology #Hindutva #हिंदुत्व 21/
Buddha Meditating Under the Bodhi Tree,
ca. 900 C.E. Granite, 69 1/2 x 31 1/2 x 18 1/2 in., 2357 lb. (176.5 x 80 x 47 cm, 1069.13kg). Creative Commons
Nagapattinam, Tamil Nadu, India
#Archaeology #Hindutva #हिंदुत्व #janeu 22/
This Buddha’s sculpture found inside the Suryanarayan and Papanaseswara temples, Buddha can be seen seated under the Bodhi tree in Dhyanamudra (contemplating meditation), with an attendant’s sculpture carved above, below and on his left side.
10 th century
#Archaeology #Hindutva #हिंदुत्व #janeu 22/
This is probably the oldest proof of #Buddha wearing #Janeu
~1st century ce
National Museum Delhi
#Archaeology #Hindutva 23/
#Buddha statue wearing #janeu
Sanchi Stupa
#Archaeology #Hindutva #हिंदुत्व 24/
Avalokiteshvara Padmapani
Nagarjunakonda, Andhra Pradesh, India
DATES 3rd-6th century
Padmapani, the Lotus Bearer, is the most important of all bodhisattvas. Embodying compassion, he is the presiding deity of the present kalpa (eon).
Brooklyn Museum
Nepal
DATES 12th-13th century
24/ #Archaeology #Hindutva #janeu
25/ Seated Tara, 9th century with #janeu
#Archaeology
26/ Mother Maya Devi wears a 'Janeu' while an attendant cradles Shishu Buddha in this sculpture from Bihar, 9th Century ce.
27/ Isrumuniya lovers
4th -6th Century.A-D. Gupta style carving represent Dutugemunu's son Saliya wearing a #Janeu and the special class (Sadol Kula) maiden Asokamala whom he loved, in Anurâdhapura Museum, Temple d'Isurumuniya.- Sri Lanka.
#Archaeology
• • •
Missing some Tweet in this thread? You can try to
force a refresh
The Gubyaukgyi (or Kubyauk-gyi) temple, near Bagan, Myanmar, was built in 1113 AD by Prince Yazakumar after King Kyansittha's death. It's renowned for its well-preserved frescoes, the oldest in Bagan, featuring Old Mon captions that mark early language use in Myanmar.
Located near the Myazedi Pagoda, it stands beside a key historical pillar with inscriptions in Pali, Old Mon, Old Burmese, and Pyu, often dubbed the "Burmese Rosetta Stone" for its linguistic significance.
1/13
Stone pillars with inscriptions in four ancient Southeast Asian languages: Pali, Old Mon, Old Burmese, and Pyu. The inscription on the pillar displayed by the Myazedi Pagoda is called the Burmese Rosetta Stone, given its historical and linguistic significance as a key to deciphering the Pyu language.
Compare the protection given to this pillar by a relatively smaller country. @AsiGOI can learn from these smaller countries as to how to protect heritages of national importance.
Did you know that "Bull Leaping" or "Bull Taming" finds its roots in India, and was gender neutral ? It later made its way to Europe, where it goes by different names. The earliest seal dates back to around 2600-1900 BCE. The second piece of evidence for Bull Leaping comes from Banawali, near the dry Saraswati riverbed in Haryana, dating from 2300-1700 BCE.
#Archaeology
1/6
The subsequent known depiction of bull-leaping appears on Hüseyindede vases, originating from the early Hittite period around 1650 BCE. #Archaeology
2/6
During the period from around 1600 BCE to 1450 BCE, the late Minoans engaged in the thrilling sport of bull leaping. This bronze sculpture, crafted through the 'Lost Wax Technique' (a method originating from India that remains in use today by @Nasa), captures an acrobat in mid-somersault.
DEVDASI | Journey from GLEAM to GLOOM | Most respected to most dejected
Thread to look back in time to where we are today. An untold story in the evocative book 'NITYASUMANGALI' by Saskia C Kersenboon
Exploring the devadasi system's transformation, this narrative traces its shift from revered spiritual practice to marginalized existence. Devadasis, once divine performers in temples, faced decline as societal changes turned respect into rejection. Kersenboon's research reflects on cultural shifts, urging readers to ponder tradition, power, and identity.
1/15
Devdasis, also known as Rudra Ganikas, played a crucial role in temple ceremonies. They were the figures who encircled the IDOLs during rituals led by the royals. Revered as both sacred and auspicious, they symbolized wealth and protection for the populace. They also conducted various ceremonies related to weddings and births.
2/15
The initiation into becoming a DevDasi was a CHALLENGING ritualistic journey, focused on mastering Shakti and anchoring it to a symbolic DEITY. It began with the King's consent, followed by seclusion, detachment from family, and a bond with GOD. Even upon death, a Devdasi adorned herself as SU-Mangali (a MARRIED woman).
Beyond ancient docks, lies advanced metrological wisdom.
From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.
Bookmark this thread.
1/12
As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.
The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE
2/12
The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.
Inspired by Shaivism, the temple stands as a significant testament to this tradition.
The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.
1/16
This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.