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Jun 1, 2023 30 tweets 11 min read Read on X
Special & continuous #Thread

Buddha and Bodhisattva with Janeu debunking left hand theory that #Buddhism is not #Hindutva

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This 9th-century plaque depicts the Buddha asking the earth to witness his enlightenment

#Archaeology #Janeu
1/n https://imgur.io/WvoYjYS?r
Khasarpaṇa Avalokiteśvara,
circa early 11th century, found spot: Mahākalī, Vikrampur, Dhaka district. National Museum of Bangladesh, Dhaka

2/
#Archaeology #Hindutva #Janeu https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Buddha (Enlightenment)
circa 6th century, Sarnath, buff sandstone,
Donor.
senior monk Vandhugupta,
ASI Site Museum, Sarnath

#Archaeology #Hindutva #Janeu
3/
Image
Earth goddess (left), Aparājitā (right), with monastic donor, Vandhugupta (middle left), Lower part of the stele
Buddha Śākyamuni, chlorite schist, Gaya district (Kurkihar), circa mid-9th century.
Image:
#Archaeology #Hindutva #हिंदुत्व #Janeu

4/ lacma.org

Image
Vimalaprabha on the lower register, detail of figure 10, the Buddha Śākyamuni stele, chlorite schist, Gaya district (Kurkihar), circa mid-9th century, 31 ¾ x 18 ¼ x 9 inches. LACMA, M 73.4.11. Image: www.lacma.org
Buddha Śākyamuni,
probably Kurkihar,
circa mid-9th century
Courtesy of Asian Art Museum of San Francisco

#Archaeology #Hindutva #हिंदुत्व #Janeu
5/ Image
Tārā,
Nālandā,
circa 10th century,
Indian Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu

6/ https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Mārīcī
Nālandā,
circa late 10th century,
Indian Museum

#Archaeology #Hindutva #हिंदुत्व #Janeu
7/ https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Buddha in bhumīṣparśa mudrā, Hasra Kol,
Bihar,
circa 10th century,
Patna Museum

#Archaeology #Hindutva #हिंदुत्व #Janeu
8/ https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Avalokiteśvara with Tārā, Bhṛkuṭī, and Hayagrīva,
Nālandā,
circa late 10th century,
ASI Nālandā Site Museum

#Archaeology #Hindutva #हिंदुत्व
#Janeu
9/ Image
Buddha in bhumīṣparśa mudrā, Vikrampur, Dhaka district,
circa 11th century
National Museum of Bangladesh, Dhaka

#Archaeology #Hindutva #हिंदुत्व #Janeu
10/ Image
Khasarpaṇa from Mahākālī
house of Babu Bhuban Chandra Mitra in Nahapara,
image: N.K. Bhattasali, Iconography of Buddhist and Brahmanical sculptures in the Dacca Museum (1929), plate VII-a

#Archaeology #Hindutva #हिंदुत्व #Janeu
11/ Image
Buddha sculpture from Antichak, India, ca. 11th–12th centuries. Bronze, h. 6.5 cm. Archaeological Survey of India Office, Patna, India

#Archaeology #Hindutva #हिंदुत्व #Janeu
13/
https://quod.lib.umich.edu/a/ars/13441566.0050.013/--time-and-time-again-finding-perspective-for-bodhgaya-buddha?rgn=main;view=fulltext  Buddha sculpture, found at Fatehpur. Bronze, h. 27.8 cm. Formerly in the Bodh Gaya Site Museum (91), stolen in 1981. Photo: American Institute of Indian Studies, Gurgaon
https://quod.lib.umich.edu/a/ars/13441566.0050.013/--time-and-time-again-finding-perspective-for-bodhgaya-buddha?rgn=main;view=fulltext
Sealing with Enshrined Buddha figure and ye dharmā verse (also called dharmā-relic verse or Buddhist formula), Bodhgayā, ca. 11th century. Cleveland Museum of Art, Cleveland, OH Image courtesy Artstor

#Archaeology #Hindutva #हिंदुत्व #Janeu
14/ https://quod.lib.umich.edu/a/ars/13441566.0050.013/--time-and-time-again-finding-perspective-for-bodhgaya-buddha?rgn=main;view=fulltext
The Buddha triumphing over Mara
850–950
India; probably Kurkihar, Bihar
Basalt
The Avery Brundage Collection


#Archaeology #Hindutva #हिंदुत्व #Janeu
15/ collections.asianart.org/collection/the…
Image
Buddha with 7 hooded serpents and a janeu

#Archaeology #Hindutva #हिंदुत्व #Janeu
16/ Image
Avalokiteśvara
Sri Lanka,
6th–7th century
Excavated from Khuan Saranrom, Phunphin district, Surat Thani province, southern Thailand, in 1961
National Museum, Nakhon Si Thammarat, Thailand

#Archaeology #Hindutva #हिंदुत्व #Janeu
17/ Image
Avalokiteśvara ?
Southern India, ca. 6th century
Recovered from Krishna River delta, Andhra Pradesh,
Victoria and Albert Museum, London

#Archaeology #Hindutva #हिंदुत्व #Janeu
18/ When this finely cast bronze icon of the bodhi-sattva Avalokiteśvara (cat. 6) was excavated in peninsular Thailand in 1961, comparisons were quickly drawn with the famous bronze bodhi-sattva torso recovered in the Krishna River delta, Andhra Pradesh (cat. 7), which is assigned to the Pallava period (ca. 6th century). Both have a slender torso with broad shoulders and a multistranded sacred cord ( yajñopavīta) drawn across the left shoulder. In each case, one pro-jecting hand displays the gesture of exposition  https://resources.metmuseum.org/resources/metpublications/pdf/Lost_Kingdoms_Hindu...
Prajñāpāramitā, Goddess of Wisdom
Sri Lanka, probably Polonnaruwa,
ca. late 8th–9th century
Reportedly found in southern Thailand
Victoria and Albert Museum, London


#Archaeology #Hindutva #हिंदुत्व #Janeu
19/ resources.metmuseum.org/resources/metp…
Prajñāpāramitā, whose name means “perfection of knowledge,” was an important cult divinity in Mahāyāna Buddhism during the late first mil-lennium. She is the personification of the text of the same name, which is largely a compilation of dialogues on the nature of Buddhist wisdom, incantations, and charms (dhāranī ). She proba-bly emerged from monasteries in southern India as a Buddhist counterpart to the Brahmanical Laksmī, also a wisdom goddess. Here, Prajñā-pāramitā is seated in a meditation posture, with face alert and hands engaged in an Esoteric Buddhist gesture associated with higher...
The earliest Pyu images of the Buddha in Myanmar, and among the earliest ones in Southeast Asia as a whole, appear on the great silver reliquary that was the centerpiece of the Khin Ba relic chamber


#Archaeology #Hindutva #हिंदुत्व #Janeu
20/ resources.metmuseum.org/resources/metp…
this exceptionally important sacred object reveals an eclectic mixture of Indian features for which there is no known Indian model: it combines the concept of a Buddhist tree shrine with a cylindrical relic container and reveals artistic affinities with both Gupta and Andhra Pradesh traditions of Buddhist art. The reliquary was made from a thin sheet of silver about two millimeters thick, hammered in the repoussé method over a matrix of hard wood. It never had a bottom and was not made to be self- supporting but rather formed a sheath over a wood casket and cover of the same dimensions and ...
Buddha Seated under the Bodhi Tree
Thailand (Buriram province, probably Prakhon Chai)
7th–9th century

#Archaeology #Hindutva #हिंदुत्व
21/ sizable number of Mon-style plaques of the seventh to ninth century, rich in iconographic variation, have survived from Thailand. These portable, mold-made, terracotta votive plaques must have been commonly available at major Buddhist pilgrimage sites and important religious centers. Their widespread availability and easy portability helped to disseminate Buddhist doctrine, styles, and iconography throughout South and Southeast Asia, as well as the Far East  https://www.metmuseum.org/art/collection/search/38523
Buddha Meditating Under the Bodhi Tree,
ca. 900 C.E. Granite, 69 1/2 x 31 1/2 x 18 1/2 in., 2357 lb. (176.5 x 80 x 47 cm, 1069.13kg). Creative Commons
Nagapattinam, Tamil Nadu, India

#Archaeology #Hindutva #हिंदुत्व #janeu
22/ This image of Shakyamuni depicts him meditating. Above him are the heart-shape leaves of the bodhi tree, a reference to the site where he gained enlightenment, at Bodh Gaya in northern India. This sculpture is made of granite, typically used by carvers in the South Indian state of Tamil Nadu. By the time it was made, there were few Buddhists in South India, and monasteries in the area relied on patronage from Sri Lanka and Southeast Asia. Foreign influence is evident in the flame on the Buddha’s cranial bump (ushnisha), a trait not typically found on Indian Buddhas.  https://www.brooklynmus...
This Buddha’s sculpture found inside the Suryanarayan and Papanaseswara temples, Buddha can be seen seated under the Bodhi tree in Dhyanamudra (contemplating meditation), with an attendant’s sculpture carved above, below and on his left side.
10 th century
#Archaeology #Hindutva #हिंदुत्व #janeu
22/
https://www.newindianexpress.com/states/telangana/2022/may/16/how-experts-see-buddhist-sculptures-in-alampur-2453998.amp
This is probably the oldest proof of #Buddha wearing #Janeu
~1st century ce
National Museum Delhi

#Archaeology #Hindutva
23/
Image
Image
#Buddha statue wearing #janeu
Sanchi Stupa

#Archaeology #Hindutva #हिंदुत्व
24/ https://commons.m.wikimedia.org/wiki/File:Buddha_statue_at_sanchi_stupa.jpg
Avalokiteshvara Padmapani
Nagarjunakonda, Andhra Pradesh, India
DATES 3rd-6th century

23/
#Archaeology #Hindutva #janeu Avalokiteshvara has features that would come to be associated with this Bodhisattva, most notably the presence of a small figure of a meditating Buddha (usually identified as the Buddha Amitabha) on the front of his crown. It was carved on the back of a much earlier architectural element with a large lotus on it, probably dating to the second or third century C.E.  https://www.brooklynmuseum.org/opencollection/objects/109069
9th century Tara.
Indonesia
Can you spot the #janeu ?
asianart.com/exhibitions/aa…
Image
Padmapani, the Lotus Bearer, is the most important of all bodhisattvas. Embodying compassion, he is the presiding deity of the present kalpa (eon).
Brooklyn Museum
Nepal
DATES 12th-13th century

24/
#Archaeology #Hindutva #janeu https://www.brooklynmuseum.org/opencollection/objects/3867
25/
Seated Tara, 9th century with #janeu
#Archaeology https://www.brooklynmuseum.org/opencollection/objects/154419 Black schist, 30 1/4 x 15 3/4 x 7 3/4 in., 181 lb. (76.8 x 40 x 19.7 cm, 82.1kg). Brooklyn Museum, Purchased with funds given by Dr. Bertram H. Schaffner, 1995.136. Creative Commons-BY (Photo
26/
Mother Maya Devi wears a 'Janeu' while an attendant cradles Shishu Buddha in this sculpture from Bihar, 9th Century ce.


Image
27/
Isrumuniya lovers
4th -6th Century.A-D. Gupta style carving represent Dutugemunu's son Saliya wearing a #Janeu and the special class (Sadol Kula) maiden Asokamala whom he loved, in Anurâdhapura Museum, Temple d'Isurumuniya.- Sri Lanka.

#Archaeology https://upload.wikimedia.org/wikipedia/commons/2/2f/Isrumuniya_lovers_4-6_.cent._A-D_in_Anuradhapura_Museum_%281%29.jpg

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More from @GemsOfINDOLOGY

Apr 4
The Ṛgveda is believed to originate from the early 3rd millennium BCE., with some hymns possibly tracing back to the late 4th millennium BCE.

Its compilation likely ended around 1500 B.C., not in 1500 BCE as commonly believed, just as the Indus Valley civilization was fading and Mesopotamia was undergoing a time of uncertainty and turmoil (Levitt 2003: 356b).

Here in this thread, a commonality between Sumerian and Bhartiy text.

1/7Image
The argument links an Indo-European view with the Vedic origin of the god Indra's name from the Sanskrit "indh-" meaning "to kindle." However, this doesn’t explain all of Indra's traits, which resemble those of the Sumerian god Enlil.

Both Indra and Enlil lead their pantheons, surpass higher moral gods, separate heaven from earth, and are storm gods in both literal and figurative senses. Indra's defeat of Aryan enemies parallels Enlil's conquests.

In Vedic and 3rd millennium B.C. Sumerian traditions, major natural forces were personified. Both have chief gods of air and storm—Indra for the Vedic and Enlil for the Sumerian—showing the significance of rain and storms in their cultures (Dandekar 1958: 13, Jacobsen 1949: 150). This connection is clear.

2/7Image
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Enki is often seen as cunning and crafty, much like rivers that skillfully navigate around obstacles. Víṣṇu’s three steps may parallel Enki’s journey through the civilized world and his establishment of world order and earth’s fertility, as depicted in "Enki and the World Order" (Kramer 1963: 171-174). The name Nārāyaṇá, explained by the Mānavadharmaśāstra 1.10 as 'moving in the waters' (with nāra meaning 'waters'), typically refers to Víṣṇu, although in this context it refers to Brahmā.

Víṣṇu is associated with Garuḍá, the sun-bird, while Enki is linked to Imdugud, an eagle-like thunderbird. It is important to note that the Ṛgveda provides limited information about Víṣṇu, as he is incidental to its primary purpose.

Image representational, generated using AI.

3/7Image
Image
Read 7 tweets
Mar 23
Have you ever wondered why the topic of dinosaurs in India seems absent from common knowledge?

In truth, dinosaurs thrived in the Indian peninsula 250 to 65 million years ago, and they were unlike any others seen globally.

Sadly, many people, including myself, aren't aware of this, which is why I'm sharing this #thread.

1️⃣Image
The very first dinosaur discovery, Titanosaurus Indicus, unearthed from the Deccan Traps in Jabalpur, dates back to 1832 and is 70 million years old. After vanishing in 1877, it made a dramatic comeback, resurfacing in the Shiwalik Gallery of the Indian Museum.

2️⃣ Image
Titanosaurus blanfordi was 2nd dino remain found in Pisdura, Maharashtra.

Rajasaurus - Regal Lizard remains were found in Kheda, Gujarat and Jabalpur MP. This 30 feet giant roamed in India around 70-65 Mya

3️⃣ Image
Read 17 tweets
Mar 18
IMO, History is variable and rewritten by the rulers.

In this series here's a brief thread on an expected spurt of Krishna and Radha's relationship following the Mongolian incursion. The artwork, largely from Kangra, Sirmaur, and Mandi, portrays Krishna observing Radha, glancing at other gopis, or caught in moments of affection.

Take a couple of minutes to explore this intriguing twist. If you believe that these scene are from any epic pl do share

#Thread 🧵 Pic representationalImage
This earliest find is after Akbar started interpolation.

In the scene,
- Krishna Kisses Radha.
- The crown are typical marriage crown during the period.
- There are persian vases placed in the back and front of the scene

The Page from the Boston Rasikapriya (Lover's Breviary)
India (Rajasthan, Amber?)
ca.1610 (Mughal rule)Image
Not sure which Purana mentioned this scene where Krishna can be seen making love on a swing in the central circle.

inscription: śrī ṭhākurā rī kṛḍā rā a. inscription_translation: [ Love] Games of Thakur [Krishna], page 131

C. 1600 https://www.jstor.org/stable/community.24628805?searchText=&searchUri=&ab_segments=&searchKey=&refreqid=fastly-default%3A56e98d253d5164161149388a096f8054
Read 14 tweets
Mar 3
Regardless of the patent under the name Ludo by Britisher Alfred in 1896, Pachisi (25) has been played in India for over 5000 years. #Archaeology uncovers cultural appropriation.

Bhanpur (3000 bce), Banawali Haryana (3000bce), Chandraketugarh (200 bce), Modern Image
in 1938, the American toy and game company Transogram launched a widespread board game edition titled Game of India, which was subsequently advertised as Pa-Chiz-Si: The Game of India Image
Image
In America, there is evidence for home-made boards and boards without a clear origin from the 1850s. A dubious story credits the invention of Parcheesi to Sam Loyd who supposedly sold the rights to the game for $10 at one point but since Sam Loyd was a notorious self-publicist and deceiver, it is probably best to ignore this account. The earliest definite record is that John Hamilton of the Hudson River Valley claimed copyright to the game in 1867. Rights were sold to one Albert Swift who then sold them on to Selchow and Righter in 1870 and this famous company trademarked the game in 1874. Parcheesi went on to become the bestselling game for Selchow & Richter Co. for decades.

The later 'Frustration" based on Ludo and initially published by Irwin Toy was made popular in many countries using the marketing muscle of MB Games (Hasbro) ' in a plastic incarnation featuring the gimmick of a centrally placed "pop-o-matic" dice roller.Image
Read 11 tweets
Feb 27
Critical analysis of a Market Scene in Rua Direita, Goa 1596 ce, roughly after 100 years of exploitation by the Portuguese.

Very important and rare view in the past of Goa after 30 years of Goa inqu!s!tion.

#Archaeohistories

1/ Image
There appears a native woman upper selling goods to seemingly a converted. The contrast between the converted and native is startling. However, both seems to be from poor class.

2/ Image
In another scene, a woman slave is being auctioned by a Portugese. The woman appears to be poor and covers only her waist.

3/ Image
Read 12 tweets
Feb 6
Thread exploring the tradition of 'Nose-Piercing in India. Some believe it's inherently Indian, although it was actually foreign to Indian customs 1000 years back. Let's dive in.

Female Beauty #Archaeohistories

1/14 Image
The first mention of nose-ring (for nose piercing) is in Old Testament when Abhraham's servant gives his daughter-in-law 'Rebekah' a golden nose-ring ("Shanf" in Hebrew). This practice of gifting rings to brides continues even today.

2/14 http://biblegateway.com/passage/?search=Genesis%2024%3A22&version=NIV
Nose-Pin or नथ is expressed on sculptures paintings in Moghul period not before
Tavernier (c. 1638 ce) describes of Arabian woman wearing Nose-Pins while other Traveller 'Hanway' speaks irreverently of the 'nutt' is proof of Nose-pin of Arabic origin



3/14jstor.org/stable/41688398Image
Read 13 tweets

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