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Jun 1, 2023 30 tweets 11 min read Read on X
Special & continuous #Thread

Buddha and Bodhisattva with Janeu debunking left hand theory that #Buddhism is not #Hindutva

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This 9th-century plaque depicts the Buddha asking the earth to witness his enlightenment

#Archaeology #Janeu
1/n https://imgur.io/WvoYjYS?r
Khasarpaṇa Avalokiteśvara,
circa early 11th century, found spot: Mahākalī, Vikrampur, Dhaka district. National Museum of Bangladesh, Dhaka

2/
#Archaeology #Hindutva #Janeu https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Buddha (Enlightenment)
circa 6th century, Sarnath, buff sandstone,
Donor.
senior monk Vandhugupta,
ASI Site Museum, Sarnath

#Archaeology #Hindutva #Janeu
3/
Image
Earth goddess (left), Aparājitā (right), with monastic donor, Vandhugupta (middle left), Lower part of the stele
Buddha Śākyamuni, chlorite schist, Gaya district (Kurkihar), circa mid-9th century.
Image:
#Archaeology #Hindutva #हिंदुत्व #Janeu

4/ lacma.org

Image
Vimalaprabha on the lower register, detail of figure 10, the Buddha Śākyamuni stele, chlorite schist, Gaya district (Kurkihar), circa mid-9th century, 31 ¾ x 18 ¼ x 9 inches. LACMA, M 73.4.11. Image: www.lacma.org
Buddha Śākyamuni,
probably Kurkihar,
circa mid-9th century
Courtesy of Asian Art Museum of San Francisco

#Archaeology #Hindutva #हिंदुत्व #Janeu
5/ Image
Tārā,
Nālandā,
circa 10th century,
Indian Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu

6/ https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Mārīcī
Nālandā,
circa late 10th century,
Indian Museum

#Archaeology #Hindutva #हिंदुत्व #Janeu
7/ https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Buddha in bhumīṣparśa mudrā, Hasra Kol,
Bihar,
circa 10th century,
Patna Museum

#Archaeology #Hindutva #हिंदुत्व #Janeu
8/ https://quod.lib.umich.edu/a/ars/13441566.0046.008/--faceless-gazes-silent-texts-images-of-devotees-and-practices?rgn=main;view=fulltext
Avalokiteśvara with Tārā, Bhṛkuṭī, and Hayagrīva,
Nālandā,
circa late 10th century,
ASI Nālandā Site Museum

#Archaeology #Hindutva #हिंदुत्व
#Janeu
9/ Image
Buddha in bhumīṣparśa mudrā, Vikrampur, Dhaka district,
circa 11th century
National Museum of Bangladesh, Dhaka

#Archaeology #Hindutva #हिंदुत्व #Janeu
10/ Image
Khasarpaṇa from Mahākālī
house of Babu Bhuban Chandra Mitra in Nahapara,
image: N.K. Bhattasali, Iconography of Buddhist and Brahmanical sculptures in the Dacca Museum (1929), plate VII-a

#Archaeology #Hindutva #हिंदुत्व #Janeu
11/ Image
Buddha sculpture from Antichak, India, ca. 11th–12th centuries. Bronze, h. 6.5 cm. Archaeological Survey of India Office, Patna, India

#Archaeology #Hindutva #हिंदुत्व #Janeu
13/
https://quod.lib.umich.edu/a/ars/13441566.0050.013/--time-and-time-again-finding-perspective-for-bodhgaya-buddha?rgn=main;view=fulltext  Buddha sculpture, found at Fatehpur. Bronze, h. 27.8 cm. Formerly in the Bodh Gaya Site Museum (91), stolen in 1981. Photo: American Institute of Indian Studies, Gurgaon
https://quod.lib.umich.edu/a/ars/13441566.0050.013/--time-and-time-again-finding-perspective-for-bodhgaya-buddha?rgn=main;view=fulltext
Sealing with Enshrined Buddha figure and ye dharmā verse (also called dharmā-relic verse or Buddhist formula), Bodhgayā, ca. 11th century. Cleveland Museum of Art, Cleveland, OH Image courtesy Artstor

#Archaeology #Hindutva #हिंदुत्व #Janeu
14/ https://quod.lib.umich.edu/a/ars/13441566.0050.013/--time-and-time-again-finding-perspective-for-bodhgaya-buddha?rgn=main;view=fulltext
The Buddha triumphing over Mara
850–950
India; probably Kurkihar, Bihar
Basalt
The Avery Brundage Collection


#Archaeology #Hindutva #हिंदुत्व #Janeu
15/ collections.asianart.org/collection/the…
Image
Buddha with 7 hooded serpents and a janeu

#Archaeology #Hindutva #हिंदुत्व #Janeu
16/ Image
Avalokiteśvara
Sri Lanka,
6th–7th century
Excavated from Khuan Saranrom, Phunphin district, Surat Thani province, southern Thailand, in 1961
National Museum, Nakhon Si Thammarat, Thailand

#Archaeology #Hindutva #हिंदुत्व #Janeu
17/ Image
Avalokiteśvara ?
Southern India, ca. 6th century
Recovered from Krishna River delta, Andhra Pradesh,
Victoria and Albert Museum, London

#Archaeology #Hindutva #हिंदुत्व #Janeu
18/ When this finely cast bronze icon of the bodhi-sattva Avalokiteśvara (cat. 6) was excavated in peninsular Thailand in 1961, comparisons were quickly drawn with the famous bronze bodhi-sattva torso recovered in the Krishna River delta, Andhra Pradesh (cat. 7), which is assigned to the Pallava period (ca. 6th century). Both have a slender torso with broad shoulders and a multistranded sacred cord ( yajñopavīta) drawn across the left shoulder. In each case, one pro-jecting hand displays the gesture of exposition  https://resources.metmuseum.org/resources/metpublications/pdf/Lost_Kingdoms_Hindu...
Prajñāpāramitā, Goddess of Wisdom
Sri Lanka, probably Polonnaruwa,
ca. late 8th–9th century
Reportedly found in southern Thailand
Victoria and Albert Museum, London


#Archaeology #Hindutva #हिंदुत्व #Janeu
19/ resources.metmuseum.org/resources/metp…
Prajñāpāramitā, whose name means “perfection of knowledge,” was an important cult divinity in Mahāyāna Buddhism during the late first mil-lennium. She is the personification of the text of the same name, which is largely a compilation of dialogues on the nature of Buddhist wisdom, incantations, and charms (dhāranī ). She proba-bly emerged from monasteries in southern India as a Buddhist counterpart to the Brahmanical Laksmī, also a wisdom goddess. Here, Prajñā-pāramitā is seated in a meditation posture, with face alert and hands engaged in an Esoteric Buddhist gesture associated with higher...
The earliest Pyu images of the Buddha in Myanmar, and among the earliest ones in Southeast Asia as a whole, appear on the great silver reliquary that was the centerpiece of the Khin Ba relic chamber


#Archaeology #Hindutva #हिंदुत्व #Janeu
20/ resources.metmuseum.org/resources/metp…
this exceptionally important sacred object reveals an eclectic mixture of Indian features for which there is no known Indian model: it combines the concept of a Buddhist tree shrine with a cylindrical relic container and reveals artistic affinities with both Gupta and Andhra Pradesh traditions of Buddhist art. The reliquary was made from a thin sheet of silver about two millimeters thick, hammered in the repoussé method over a matrix of hard wood. It never had a bottom and was not made to be self- supporting but rather formed a sheath over a wood casket and cover of the same dimensions and ...
Buddha Seated under the Bodhi Tree
Thailand (Buriram province, probably Prakhon Chai)
7th–9th century

#Archaeology #Hindutva #हिंदुत्व
21/ sizable number of Mon-style plaques of the seventh to ninth century, rich in iconographic variation, have survived from Thailand. These portable, mold-made, terracotta votive plaques must have been commonly available at major Buddhist pilgrimage sites and important religious centers. Their widespread availability and easy portability helped to disseminate Buddhist doctrine, styles, and iconography throughout South and Southeast Asia, as well as the Far East  https://www.metmuseum.org/art/collection/search/38523
Buddha Meditating Under the Bodhi Tree,
ca. 900 C.E. Granite, 69 1/2 x 31 1/2 x 18 1/2 in., 2357 lb. (176.5 x 80 x 47 cm, 1069.13kg). Creative Commons
Nagapattinam, Tamil Nadu, India

#Archaeology #Hindutva #हिंदुत्व #janeu
22/ This image of Shakyamuni depicts him meditating. Above him are the heart-shape leaves of the bodhi tree, a reference to the site where he gained enlightenment, at Bodh Gaya in northern India. This sculpture is made of granite, typically used by carvers in the South Indian state of Tamil Nadu. By the time it was made, there were few Buddhists in South India, and monasteries in the area relied on patronage from Sri Lanka and Southeast Asia. Foreign influence is evident in the flame on the Buddha’s cranial bump (ushnisha), a trait not typically found on Indian Buddhas.  https://www.brooklynmus...
This Buddha’s sculpture found inside the Suryanarayan and Papanaseswara temples, Buddha can be seen seated under the Bodhi tree in Dhyanamudra (contemplating meditation), with an attendant’s sculpture carved above, below and on his left side.
10 th century
#Archaeology #Hindutva #हिंदुत्व #janeu
22/
https://www.newindianexpress.com/states/telangana/2022/may/16/how-experts-see-buddhist-sculptures-in-alampur-2453998.amp
This is probably the oldest proof of #Buddha wearing #Janeu
~1st century ce
National Museum Delhi

#Archaeology #Hindutva
23/
Image
Image
#Buddha statue wearing #janeu
Sanchi Stupa

#Archaeology #Hindutva #हिंदुत्व
24/ https://commons.m.wikimedia.org/wiki/File:Buddha_statue_at_sanchi_stupa.jpg
Avalokiteshvara Padmapani
Nagarjunakonda, Andhra Pradesh, India
DATES 3rd-6th century

23/
#Archaeology #Hindutva #janeu Avalokiteshvara has features that would come to be associated with this Bodhisattva, most notably the presence of a small figure of a meditating Buddha (usually identified as the Buddha Amitabha) on the front of his crown. It was carved on the back of a much earlier architectural element with a large lotus on it, probably dating to the second or third century C.E.  https://www.brooklynmuseum.org/opencollection/objects/109069
9th century Tara.
Indonesia
Can you spot the #janeu ?
asianart.com/exhibitions/aa…
Image
Padmapani, the Lotus Bearer, is the most important of all bodhisattvas. Embodying compassion, he is the presiding deity of the present kalpa (eon).
Brooklyn Museum
Nepal
DATES 12th-13th century

24/
#Archaeology #Hindutva #janeu https://www.brooklynmuseum.org/opencollection/objects/3867
25/
Seated Tara, 9th century with #janeu
#Archaeology https://www.brooklynmuseum.org/opencollection/objects/154419 Black schist, 30 1/4 x 15 3/4 x 7 3/4 in., 181 lb. (76.8 x 40 x 19.7 cm, 82.1kg). Brooklyn Museum, Purchased with funds given by Dr. Bertram H. Schaffner, 1995.136. Creative Commons-BY (Photo
26/
Mother Maya Devi wears a 'Janeu' while an attendant cradles Shishu Buddha in this sculpture from Bihar, 9th Century ce.


Image
27/
Isrumuniya lovers
4th -6th Century.A-D. Gupta style carving represent Dutugemunu's son Saliya wearing a #Janeu and the special class (Sadol Kula) maiden Asokamala whom he loved, in Anurâdhapura Museum, Temple d'Isurumuniya.- Sri Lanka.

#Archaeology https://upload.wikimedia.org/wikipedia/commons/2/2f/Isrumuniya_lovers_4-6_.cent._A-D_in_Anuradhapura_Museum_%281%29.jpg

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More from @GemsOfINDOLOGY

Feb 6
Thread exploring the tradition of 'Nose-Piercing in India. Some believe it's inherently Indian, although it was actually foreign to Indian customs 1000 years back. Let's dive in.

Female Beauty #Archaeohistories

1/14 Image
The first mention of nose-ring (for nose piercing) is in Old Testament when Abhraham's servant gives his daughter-in-law 'Rebekah' a golden nose-ring ("Shanf" in Hebrew). This practice of gifting rings to brides continues even today.

2/14 http://biblegateway.com/passage/?search=Genesis%2024%3A22&version=NIV
Nose-Pin or नथ is expressed on sculptures paintings in Moghul period not before
Tavernier (c. 1638 ce) describes of Arabian woman wearing Nose-Pins while other Traveller 'Hanway' speaks irreverently of the 'nutt' is proof of Nose-pin of Arabic origin



3/14jstor.org/stable/41688398Image
Read 13 tweets
Jan 30
Matrimonial connection between ancient Greece and modern India

The similarities between these two civilizations are striking, from fathers arranging marriages for their daughters to wedding rituals spanning several days.

Vases dating back to 500-400 BCE found in Greece and artifacts from 200 BCE-200 CE found in Chandraketugarh, Bengal hint at a connection.

Let's begin

#Thread #bookmark #Retweet

1/17Image
Preparation for marriage | Finding the groom

A woman's guardian, or kyrios, was responsible for arranging her marriage, as she couldn't legally do it herself. She likely had some social contact with her future husband. Marriages within extended family groups, such as first cousins, uncles and nieces, second cousins, or half-siblings, were common.

2/17Image
Preparation for marriage | The Dowry

In ancient Greek weddings, the first step was the dowry, provided by the woman's kyrios (guardian). It was usually given at the betrothal but could be delayed until the wedding ceremony if agreed upon.

The dowry often comprised money but could include items like furniture or, rarely, land. Non-monetary items were given a cash value. Land was seldom included, as men preferred to reserve it for their sons' inheritance.

3/17A terracotta lekythos (oil flask) depicting women preparing wool for weaving cloth, a common task for married Greek women, sixth century BCE, via the MET Museum
Read 18 tweets
Jan 30
Neglect Threatens Bagh Caves Artwork

While @ASIGoI established by Britishers preserving Graveyards, the descendent of Ajanta, the Bagh Caves in Madhya Pradesh, a series of fifth-century rock-cut caves adorned with exquisite Buddhist murals, are facing severe neglect despite their historical and cultural importance. Once vibrant with intricate artwork tied to the Ajanta school, the caves now suffer from water seepage and a lack of proper maintenance, putting the remaining wall art at risk of permanent damage.

Although these caves played a significant role in India's art history—the site today receives minimal tourist attention and no substantial preservation effort. Local authorities have voiced intentions to promote tourism around the caves, but immediate and focused conservation efforts are critical to prevent further deterioration of this invaluable heritage site.https://www.telegraphindia.com/culture/the-caves-that-cry-out-for-company-madhya-pradeshs-poorly-kept-secret-and-its-bengal-connection/cid/1893760
@MinOfCultureGoI @narendramodi @DrMohanYadav51 @JansamparkMP @CMMadhyaPradesh @UNESCO A veena player. The original Bagh Cave paintings were made in tempera using mineral colours from ochre, clay, chalk, kaolin line, lamp-black, gypsum green glauconite, and lapis lazuli. Image
The rock-cut Bagh Cave temples served as monasteries for Buddhist monks who spent the monsoon months in meditation. Whilst the secular paintings depicted the life of their patrons, paintings such as the above portrayed the spiritual side of the monks’ lives. Image
Read 11 tweets
Jan 28
Small #Thread on YG Srimati, who revitalized Indian classical painting, challenging the British replica tradition. She and her peers ignited a new Indian art movement with their innovative approaches.

As a young, educated supporter of India's independence, Srimati was a talented artist and musician. In 1946, she sang devotional songs at independence rallies in Chennai, supporting Mahatma Gandhi's vision of cultural unity.

Y.G. Srimati with Mahatma Gandhi at an independence rally
1946Image
Woman with Lotus
Y. G. Srimati Indian

August 27, 1951

Throughout her career Srimati enjoyed producing paintings that celebrate feminine beauty. While inspired by figure-types in the sixth-century cave murals at Ajanta, the studies are distanced from their source by the absence of narrative. Their success depends instead on the quality and purity of line. Woman with Lotus is one of the artist’s most daring works in this genre. Its large scale demanded an absolute sureness of line and the subtle manipulation of large areas of color washes. The resulting work is both sinuous and sensuous.Image
Carudatta Presenting a Pearl Necklace to Vasantesena
Y. G. Srimati
ca. 1952

Y G Srimati used figure-types from the sixth-century murals at Ajanta’s Buddhist rock-cut cave monasteries as the basis for a series of paintings that explore and, in a sense, celebrate the art of India’s past. In this she was following the teachings of Nandalal Bose and others who advocated looking to Indian history for appropriate subjects. In this work we see the Ajantaesque style deployed in the service of an early Sanskrit secular drama, Mrcchakatika (The Little Clay Cart). The play, likely dating to the third or fourth century A.D., explores the love of a rich courtesan, Vasantesena, and a noble-spirited Brahmin, Carudatta. The complexities of the drama and the celebration of the nobility of selfless giving are skillfully evoked in this small, intense painting.https://www.metmuseum.org/art/collection/search/718425
Read 11 tweets
Jan 27
'Hindu Marriage' carved on a Turtle shell c.200 bce, Chandraketugarh, W. Bengal, India

#Archaeology

1/9 Image
The story starts with a Princess enjoying on a swing with her friends.

In yet another scene, she is seen enjoying in a pond. Lotus flowers make the scene lively.
#Archaeology

2/9 Image
Image
In next episode, she is seen peeling thorn from her feet while the aprince watches from distance. Her friends likely gossiping.

3/9 Image
Read 9 tweets
Jan 16
Thread on the global events surrounding the initiation of Kaliyuga, often termed "A Celestial Clock Reset." It was triggered by a rare planetary conjunction on 18th Feb 3102 BCE.

This era marked profound shifts in ancient civilizations, influencing cultural narratives and astronomical records.

This thread captures archaeological, paleological, Occeanographical, meteriotical records.

1/

#Archaeology #Astronomy #AncientHistoryImage
Documented Celestial Events of 3100 BCE
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2/Image
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Nestled within the remote expanse of Australia's Northern Territory, the imposing Henbury Meteorite Crater spans 500 feet wide. This awe-inspiring geological feature was formed around 3100 BCE when a fiery meteorite, hurtling through the cosmos, collided with Earth, leaving behind a breathtaking reminder of the universe's immense and untamed forces.

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Read 24 tweets

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