Buddha Śākyamuni,
probably Kurkihar,
circa mid-9th century
Courtesy of Asian Art Museum of San Francisco
#Archaeology #Hindutva #हिंदुत्व #Janeu 5/
Tārā,
Nālandā,
circa 10th century,
Indian Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu
6/
Mārīcī
Nālandā,
circa late 10th century,
Indian Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu 7/
Buddha in bhumīṣparśa mudrā, Hasra Kol,
Bihar,
circa 10th century,
Patna Museum
#Archaeology #Hindutva #हिंदुत्व #Janeu 8/
Avalokiteśvara with Tārā, Bhṛkuṭī, and Hayagrīva,
Nālandā,
circa late 10th century,
ASI Nālandā Site Museum
#Archaeology #Hindutva #हिंदुत्व
#Janeu 9/
Buddha in bhumīṣparśa mudrā, Vikrampur, Dhaka district,
circa 11th century
National Museum of Bangladesh, Dhaka
#Archaeology #Hindutva #हिंदुत्व #Janeu 10/
Khasarpaṇa from Mahākālī
house of Babu Bhuban Chandra Mitra in Nahapara,
image: N.K. Bhattasali, Iconography of Buddhist and Brahmanical sculptures in the Dacca Museum (1929), plate VII-a
#Archaeology #Hindutva #हिंदुत्व #Janeu 11/
Buddha sculpture from Antichak, India, ca. 11th–12th centuries. Bronze, h. 6.5 cm. Archaeological Survey of India Office, Patna, India
#Archaeology #Hindutva #हिंदुत्व #Janeu 13/
Sealing with Enshrined Buddha figure and ye dharmā verse (also called dharmā-relic verse or Buddhist formula), Bodhgayā, ca. 11th century. Cleveland Museum of Art, Cleveland, OH Image courtesy Artstor
#Archaeology #Hindutva #हिंदुत्व #Janeu 14/
The Buddha triumphing over Mara
850–950
India; probably Kurkihar, Bihar
Basalt
The Avery Brundage Collection
Avalokiteśvara
Sri Lanka,
6th–7th century
Excavated from Khuan Saranrom, Phunphin district, Surat Thani province, southern Thailand, in 1961
National Museum, Nakhon Si Thammarat, Thailand
#Archaeology #Hindutva #हिंदुत्व #Janeu 17/
Avalokiteśvara ?
Southern India, ca. 6th century
Recovered from Krishna River delta, Andhra Pradesh,
Victoria and Albert Museum, London
#Archaeology #Hindutva #हिंदुत्व #Janeu 18/
Prajñāpāramitā, Goddess of Wisdom
Sri Lanka, probably Polonnaruwa,
ca. late 8th–9th century
Reportedly found in southern Thailand
Victoria and Albert Museum, London
The earliest Pyu images of the Buddha in Myanmar, and among the earliest ones in Southeast Asia as a whole, appear on the great silver reliquary that was the centerpiece of the Khin Ba relic chamber
Buddha Seated under the Bodhi Tree
Thailand (Buriram province, probably Prakhon Chai)
7th–9th century
#Archaeology #Hindutva #हिंदुत्व 21/
Buddha Meditating Under the Bodhi Tree,
ca. 900 C.E. Granite, 69 1/2 x 31 1/2 x 18 1/2 in., 2357 lb. (176.5 x 80 x 47 cm, 1069.13kg). Creative Commons
Nagapattinam, Tamil Nadu, India
#Archaeology #Hindutva #हिंदुत्व #janeu 22/
This Buddha’s sculpture found inside the Suryanarayan and Papanaseswara temples, Buddha can be seen seated under the Bodhi tree in Dhyanamudra (contemplating meditation), with an attendant’s sculpture carved above, below and on his left side.
10 th century
#Archaeology #Hindutva #हिंदुत्व #janeu 22/
This is probably the oldest proof of #Buddha wearing #Janeu
~1st century ce
National Museum Delhi
#Archaeology #Hindutva 23/
#Buddha statue wearing #janeu
Sanchi Stupa
#Archaeology #Hindutva #हिंदुत्व 24/
Avalokiteshvara Padmapani
Nagarjunakonda, Andhra Pradesh, India
DATES 3rd-6th century
Padmapani, the Lotus Bearer, is the most important of all bodhisattvas. Embodying compassion, he is the presiding deity of the present kalpa (eon).
Brooklyn Museum
Nepal
DATES 12th-13th century
24/ #Archaeology #Hindutva #janeu
25/ Seated Tara, 9th century with #janeu
#Archaeology
26/ Mother Maya Devi wears a 'Janeu' while an attendant cradles Shishu Buddha in this sculpture from Bihar, 9th Century ce.
27/ Isrumuniya lovers
4th -6th Century.A-D. Gupta style carving represent Dutugemunu's son Saliya wearing a #Janeu and the special class (Sadol Kula) maiden Asokamala whom he loved, in Anurâdhapura Museum, Temple d'Isurumuniya.- Sri Lanka.
#Archaeology
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Beyond ancient docks, lies advanced metrological wisdom.
From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.
Bookmark this thread.
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As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.
The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE
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The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.
Inspired by Shaivism, the temple stands as a significant testament to this tradition.
The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.
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This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.
Brahma, Shiva, Vishnu, and other gods and goddesses blessing Guru Nanak Ji as a child
Paiting at Baba Atal Gurdwara, Amritsar.
Bābakalasī Gurū Nānak Jī Nali'ā Paḍata | ਬਾਬਕਲਸੀ ਗੁਰੂ ਨਾਨਕ ਜੀ ਨਲਿਆ ਪੰਡਤ (Translated using Google Translation. Please correct me if there are any errors).
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Another wall painting were Hindu God and GOdesses are praying before Gurudwara
"Sansarik" is imprinted on the cow. Can someone elaborate its significance.
Paiting at Baba Atal Gurdwara, Amritsar.
2/5
A community feast probably celebrating the auspicious moment. Hindu Gods and Godesses are also witnessing the event.
In 1770, the British Invasion on Australia's native territories, along with the determined original Australian opposition, was thoroughly documented by both James Cook and Joseph Banks, the British botanist who journeyed with the Endeavour expedition. In his journals, which can be found on the State Library of NSW website, Banks described the efforts of Aboriginal fighters to block the expedition's landing at Botany Bay.
Cook similarly recorded the armed resistance to the British landing party, writing in his journal on April 30, 1770, that "all they seem'd to want was for us to be gone."
British colonial settlement, which officially began in 1788, was far more violent. Hundreds of massacres were carried out against Aboriginal communities that resisted European encroachment.
The Ṛgveda is believed to originate from the early 3rd millennium BCE., with some hymns possibly tracing back to the late 4th millennium BCE.
Its compilation likely ended around 1500 B.C., not in 1500 BCE as commonly believed, just as the Indus Valley civilization was fading and Mesopotamia was undergoing a time of uncertainty and turmoil (Levitt 2003: 356b).
Here in this thread, a commonality between Sumerian and Bhartiy text.
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The argument links an Indo-European view with the Vedic origin of the god Indra's name from the Sanskrit "indh-" meaning "to kindle." However, this doesn’t explain all of Indra's traits, which resemble those of the Sumerian god Enlil.
Both Indra and Enlil lead their pantheons, surpass higher moral gods, separate heaven from earth, and are storm gods in both literal and figurative senses. Indra's defeat of Aryan enemies parallels Enlil's conquests.
In Vedic and 3rd millennium B.C. Sumerian traditions, major natural forces were personified. Both have chief gods of air and storm—Indra for the Vedic and Enlil for the Sumerian—showing the significance of rain and storms in their cultures (Dandekar 1958: 13, Jacobsen 1949: 150). This connection is clear.
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Enki is often seen as cunning and crafty, much like rivers that skillfully navigate around obstacles. Víṣṇu’s three steps may parallel Enki’s journey through the civilized world and his establishment of world order and earth’s fertility, as depicted in "Enki and the World Order" (Kramer 1963: 171-174). The name Nārāyaṇá, explained by the Mānavadharmaśāstra 1.10 as 'moving in the waters' (with nāra meaning 'waters'), typically refers to Víṣṇu, although in this context it refers to Brahmā.
Víṣṇu is associated with Garuḍá, the sun-bird, while Enki is linked to Imdugud, an eagle-like thunderbird. It is important to note that the Ṛgveda provides limited information about Víṣṇu, as he is incidental to its primary purpose.