A few years before "Covid Times A.D." I learned that Kaczynski's writings were glowingly reviewed by prominent people and "captains of industry", like the founder of Sun Microsystems.
Some people seem to have read him but didnt talk about it publicly.
It seemed odd to me (at the time) that people wrote glowing reviews and that he popped up so frequently in other reading, so I added him to my reading list.
Other than the name "Unabomber" I didnt actually know any details of what he'd done. Neither did anyone I asked.
He seems to exist in most peoples' heads as a memory-hole that usually hide something else entirely in plain sight.
In a very brief "paid subscriber" chat a year or two ago
with @JimmyFalunGong about
data visualizations, I learned more about Susanne Treister's art work. Note the title of this one:
At the time of my chat with @JimmyFalunGong, I didn't realize Suzanne Treister's art wasn't just crazy para-political infographics. suzannetreister.net/HEXEN2/HEXEN_2…
They were more like those maps you'd find as a kid in the early pages of scifi or fantasy novels.
Each part of the map blossoming in your mind the more you read. This is especially the case for her coverage of Kaczynski.
Anyway, so when lockdowns came-around I had him in my reading list. "Technological Slavery" was the most popular so I started with the least popular "Anti-Tech Revolution"
In the past I'd flirted with some of his shorter essays. And was immediately struck by how clear the voice was.
I expected incoherent rantings. sclerotic. no citations. no synthesis.
It was the exact opposite.
(Also, he really was a nerd, writing his essays in LaTex? lol).
but it wasnt till I got into his longer reads that I was also struck by how erudite it was.
He danced from "deep-cut" historical events to mathematics...he did it unpretentiously so you learn stuff along the way.
His observation of trends were surprisingly usually backed-up with historical trend analysis.
He draws political trends together across national boundaries and historical time periods, like a Political historian. At times it read like "Modernization & Postmodernization" (by Englehart) or something by Caroll Quigley.
Earlier I mentioned how the math bubbles up in his writings, but he does it in a such a way that you dont "hear" ego in his writing. He's not humble-bragging.
You can tell he GENUINELY thinks this way and naturally draws connections back to Mathematics.
He regularly observed things so succinctly sometimes that you have those "hey, I've noticed that too"
Larry-David/Seinfeld moments.
He has lots of keen observations about the time we are living in. But, it doesn't read like a madman living in the woods. It reads more like a social philosopher who writes MacroEconomic pieces for Stratfor or the FT London. Like this bit on our folly of nuclear proliferation
Lots of objective political "faction" observations.
He calls out the slow incremental creep of technocratic authoritarianism hiding behind utopian "marketing"
Anyway, reading him was quite a surprise.
Here is full pdf of "Industrial Society and Its Future", his books are on amazon,
and many of his essays (and full books sans formatting are free) on .
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The biggest international news story (no one knows about) broke in May of 1981. A radio broadcaster named Mae Brussell broke it down in real-time. Like a savant she connects dots that will COMPLETELY change how you look at history: From Watergate to JFK to Jonestown.
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She reveals in her broadcast that news stories we all know individually: assassination of JFK, RFK, John Lennon, Bangladesh's and Ecuador's President, attempt on Reagan, King of Spain, and Pope John Paul II are actually all connected and occurred in rapid succession
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She called it "A State WITHIN a State".
Mae Brussell did all this without the benefit of decades of retrospective research, like books written today. She did it AS it happened in May of 1981.
synthesizing tons of newspaper articles and dozens of books for us.
23 years after airing, I gave BBC's "Neuromancer" a try. (I didnt want to ruin my memory of the books).
If you (re)listen today, it's amazing what holds up : use of AI, the oligarchs, political intrigue of megacorps. And (of course) first use of the word "cyberspace" (🧵1 of 5)
William Gibson wrote amazing prose, but this BBC version misses some of his more poetic details, like this favorite scene of mine. In the book, Case isnt just laughing, his cheeks are streaked with tears of release. One of my favorite scenes as a teen/young adult
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The tech bits not only hold up, but the way society USES the tech does also. Amazing tech is ultimately just leveraged for surveillance, military, and hedonistic "bread and circus" for the masses. Pretty amazing to be that prescient in the first years of the 1980s.
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The BBC Radio play "Medici" is a good listen. A concise history of the banking Dynasty from Cosimo and his father down through Alessandro the black (Moor) Duke of Florence, down to Catherine the "Serpent Queen" of France.
The music is great and the show has small bits of historical references woven into the script for you to catch. the show also has lots of good one-liners like:
"you have ancient blood and modern hopes"
"you carry your own end within you"
"take time for your revenge"
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The show also gives the historical timeline in a clever way: by reading off P&L statements so the listener gets an idea of the size of the Medici wealth relative to other European powers, families, and rulers.
It just came out that the CCP hacked a buncha U.S. voting systems in 2020. U.S. Intel knew it and hid it from the public! This should be the biggest new story but:
The official logo of OPERATION Warpspeed that quickly deployed the coronavirus shots, had a strangely occult symbol in it, called the Antahkarana.
Anti-corona. Antekarana.
That antekarana looks curiously like something else also... (🧵 1 of 12)
The repeating Antekarana looks suspiciously like the "Greek Key" or "Meander" pattern found in lots of Greek and Roman architecture and Greek pottery (amphoras, wine flagons, etc).
A variation of Greek Key called "Enigma" is also on the seats of the US Capitol.
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If that pattern on the seats at the US Capitol look (to you) curiously like something else, you are not alone ;-)