The African Human Rights Activist Who Pozzed Poland 🇵🇱
“The sordid and twisted tale of Simon Mol: The African Human Rights and anti-racist Activist who literally pozzed Poland’s leftists”
This Thread was first posted by the User Mencius Moldbugman 🧵
Born in Cameroon, Simon sought asylum in Poland in 1999 when he claimed he was being persecuted for his journalism on human rights. Before that he moved round several African countries seeking asylum. He claimed to have been arrested in 1996 for exposing government corruption.
In actual fact, It was later revealed that this “persecution” was entirely fabricated. He was never jailed, and his mother admitted that he had actually worked in a refinery. The only thing he had ever written about was some short articles about football.
After settling in Poland, Simon quickly became a rising star in Poland’s leftist scene. He wrote about racism, accusing his new country of engrained racism, filing reports to Amnesty about Polish racism, and was awarded “Anti-Facist of the Year” in 2003.
Here is one of his “poems” (in full) that won him critical acclaim and honorary membership of the International Pen Club:
“Life, Death, Life.
Light, Darkness, Light, Darkness;
Light, Life?
Nothing can stop nature.
Not even nature itself.”
His journalist & political career rocketed. In 2005 he organised a conference to protest about an article in a Polish paper that said African women were susceptible to AIDS ‘cos their husbands wouldn’t wear condoms. The author (Adam Lesvczynski) was accused of prejudice by Simon.
In 2006 reports started coming in from Leftist women in Poland’s human rights scene who claimed to have contracted HIV after sleeping with Simon. Polish police refused to arrest him out of fear of his connections.
Simon wrote articles denouncing his accusers of racism themselves:
“The accusation of being HIV positive is the latest weapon that as an African your enemy can raise against you.”
More women came forward. One witness stated that he had refused to wear a condom during sex and had accused her of being racist because asking him to wear a condom was racist as it implied all blacks had HIV. He also told women his sperm was sacred and had magical powers.
In 2007 he was finally taken into custody and charged with deliberately infecting people with HIV. It was discovered he was diagnosed with HIV in 1999 while in a Polish refugee shelter, but Polish law did not force a carrier to reveal their disease status and it was kept hidden.
Simon Mol had slept with over 300 Polish girls and infected over 40 of them with HIV. Many of them were activists in Poland’s human rights and antifa movements. Even after his arrest, Simon claimed no knowledge of his status and accused the police of racism.
His photo was publicly displayed with an epidemiological warning. MediaWatch, anti-racism body, decried the decision as institutional racism and called for international condemnation.
Simon Mol died in 2008, still claiming that accusations against him were politically motivated.
Several of the infected women contracted the virus from Simon during his visit to Gdansk in 2006 to organise the anti-racist “Music against Intolerance and Violence” festival.
After his death, reporters contacted his mother in Africa. Her response: “The White Man killed my son.”
One girl infected by Simon explained later:
“I was fascinated by human rights activists fighting with racial stereotypes. Soon we started to meet, went to bed. I didn’t suspect that he could infect me with the HIV virus and even less, hide from me that he is infected...”(cont.)
“...I also thought that suspecting him of being infected would equal my giving way to racist stereotypes. Thus we made love unprotected.”
To end this thread, Simon Mol’s most well-known poem “Polish Goddess”. Think about everything you have read so far and consider what Simon may have been really trying to say when he wrote this:
“Then - as the Moon lit the path
of the beautiful Goddess
illuminating the darkness of the night
two tears ran down her left eye
ending their journey
burying all the nightmares
healing wounds foisted upon me
and upon my Brothers
by those like her.”
You would think Singapore of all places would be safe from replacement migration dynamics but reports are that the Mainland Chinese migrants there are now displacing the older Singaporean Chinese and so ‘Chinese-ifying’ the country. Is it really just the same shit everywhere?
Lee Kuan Yew cautioned accepting too many migrants too quickly even if they are from the same ethnic background. Even with the limited number of Mainland Chinese arrivals they may still have arrived too quickly
Thing that strikes you is how often this Majority-Minority displacement dynamic comes up - again and again and again it is a huge driver of Politics capital P in many many places in the world, to different degrees. Little facile to say but history really is a story of migration
Video of singer holding concert during Brazil’s Carnaval going viral because of the difference in audience demographics - the centre is the paid concert tickets the sides are free
Every time I see a favela - especially where it’s a large one that stretches off into the distance - it’s always like staring into the abyss a little. See versions of ‘The Slum’ in many places in the world but have never quite gotten used to it, makes me feel existentially sick
As dystopian as Brazil’s favelas are it is difficult to not be drawn to their aesthetics as a ‘punk’ manifestation of, what could you say… globoslop culture. Just the concept of ‘The Favela’ it makes me a little existentially sick - but it’s almost because it makes me feel existentially sick that I became obsessed with favela culture in the same way I am obsessed with ‘Roadman’ culture. I use the word ‘globoslop’ here in the sense that, as have made the point many times before, it is ‘basically’ a version of the same thing IE a very accessible non-discriminatory lower common denominator culture - maybe you could say more generically ‘urban’ culture. By the way when I describe these culture like this this isn’t to say I emphatically ‘hate’ these cultures, more describing how they’re so pervasive at the lower levels of multiethnic, multicultural societies
Favela culture specifically has had a lot more time to mature than Roadman culture - I say mature in the sense of develop unique aesthetic variations (actually there are sub-divisions of favela culture too eg Carioca funk, Mandrake etc). Can talk about the history of the favelas another time but this culture has been around long enough that it is kind of aesthetically its own thing. You know all the Roadman globoslop cultures in Europe; in Germany, France, the Netherlands they all kind of look the same… ie basically just Moroccans or Nigerians in Niketech
Brazil though has a fun unique favelpunk flavour and I want to specifically talk about the stupid hair the favela people have here to show this. There is one famous rapper who is a good representative of the ridiculous hairstyles favelaoids have called ‘Oruam’, a skinny tattooed-up pardo guy… really the guy looks like a character out of THE FIFTH ELEMENT (1997), William Gibson’s NEUROMANCER, a Mega City One inhabitant from Judge Dredd etc… something like this - some kind of grimy sci-fi dystopia where they all have preposterous lurid hair. Imagine this guy in a Brazilian football t-shirt and shorts and a pair of havaianas threatening to rob you with a gun. Pure favelapunk, you can’t look away
There is one favela person hairstyle I see around occasionally, really sends me. I know it’s a favela style because the middle class Brazilians will recoil and say “oh it’s favela people hair” when I describe it to them (they say the term ‘favela people). Am talking specifically about ‘Hedgehog’ hair, I don’t know what its Brazilian name is (possibly ‘corte do jaca reflexo alinhado’) but it’s a kind of polka-dot colouring of the hair
This is what they do to produce the style - they put a plastic cap on with holes in it on their head and then they spray or dye the bits of hair that poke through. So the end result is so kind of spotty hedgehog hair style: white or blonde or blue or red or green dots on top of black hair. It’s almost always the younger pardos with it, you will not see a white Brazilian with this hair. If you go into a shitty McDonald’s or something you might spot a group of these MC Latroncinio guys sitting at the back being loud, yelling or playing phonk for whatever reason
First few times I saw it I could not stop staring, I thought I had seen it all before. It’s such a stupid hairstyle but at the same time they all seem to be so unselfconscious about wearing it. This is another thing about favelapunk globoslop culture, actually it’s a bit disarming at first too - even though they look stupid they seem to take themselves very seriously. Same way Roadmanism is absurd when you first encounter the subculture but then they keeping taking themselves seriously and then the whole thing eventually sticks. It’s an organic kind of no cultural guardrails Yookayfication-Lusotropicalification culture formation… as weird and non-sequitur as it looks at first this is how these new syncretic cultures form. The Lusotropical future will be very colourful
Anyway I love Brazil 🇧🇷
Rappers have always had stupid hairstyles but they get away with it because they’re celebrities. In certain poorer (not all of course) parts of Brazil though the culture seems to be many people just have stupid hairstyles
About the particularist and universalist formation of Roadman culture
Was speaking with Brazilian friend, talking about the ‘decline’ of Brazil - ‘decline’ as in Brazil’s fall from the cool ‘Girl from Ipanema’, ‘Oscar Niemeyer’, ‘Chico Buarque’ mid C20th Brazil to the Brazil it is today. ‘Decline’ in the sense of increased crime, favelisation, inequality, decreased soft power, freedom of speech etc
Accepting that framing he said a lot of change started with the incompetence of the ‘Retard Right’ military dictatorship but crystallises with the New Republic, especially under the Worker’s Party - really institutionalised Third Worldism so-called. Coming up to 40 years now of various kinds of left policies
I said is there a symbolic moment for that. He thought about it and said maybe the 2014 Brazilian World Cup
You may or may not remember… this was one of the most shocking results ever - Brazil was destroyed 7–1 by Germany in Belo Horizonte, a humiliating defeat and the worst in World Cup history for Brazil. It ended their campaign on home soil and became a symbol of national trauma
I remember watching this game and I am not even particularly big on football, had not been to Brazil in 2014 either. Was in Morocco at the time. Morocco has a big milling culture where people will just sit around on plastic chairs on the streets. Because it was the World Cup large groups of people would gather outside cafes or restaurants or houses where someone had a TV to watch the matches whenever they were on. So you would just be out walking around the cities and there were enough screens set up that you could follow the progress of pretty much every match. If there was an especially exciting goal scored you would hear cheers from down the street
8 July 2014 - the infamous Germany Brazil match. Just on the street and suddenly Germany score. And then they score again. And again. Moroccans were starting to pull off from their usual business and watch the screens. Was that dramatic - sounds like an exaggeration but really was like a movie, people stopped what they were doing to watch. I got really hooked at that point too, remember it vividly
And Germany just kept going and going. Teutonic mechanised precision, repeatedly slamming the ball into the goal. Watching it at the time really it just felt like watching someone get raped, some of the Moroccans you could tell felt like this too - looking at each other and shaking their heads. Was a sense someone needed to intervene, we were watching an entire nation die on screen
My Brazilian friend:
“I think in the 60s Brazil had a good balance. It was kind of a mystical Latino country, in the creative sweet spot inbetween Northern European Protestantism and African… what could you say… between the Apollonian and the Dionysian”
“Haha. And that changed as the government got more Third Worldist so-called?”
“You know we had some nice pardo players before, Ronaldo, Ronaldinho, Pele was black… this was fine, good actually but then it was like… it became too Africanised. The country became too Africanised - I mean in the sense of disordered. Politically, demographically, culturally… the standards dropped. The best football players in the world today, Messi, Ronaldo they’re Latino”
“You mean it lost that kind of Latino flair? In Spanish they say ‘Duende’, means like Latin flair and passionate intensity” [Don’t know Portuguese equivalent, maybe ‘Alma’]
“Maybe, yes. Was like there was no magic anymore. It gets replaced with… the disorganised mess of favela culture. Sure it has some ‘soul’ in a way but it’s chaotic, can’t coordinate. Brazil at the time, it was really putting its entire transforming national identity behind that team. Ok we’re a new more egalitarian Brazil not the elitist ‘Girl from Ipanema’ white European-coded Brazil we used to be. This is the new Brazil of the Pardo. You can look at the ethnic make-up of Brazilian teams over time, it changes… And then the German machinery sweeps in and obliterates it”
The real struggle for Brazil now is whether it can overcome Lula’s PT-Reich
If you are 🇧🇷 Brazilian 🇧🇷 please leave a comment below corroborating or qualifying this
Spend too long somewhere like Brazil you start to catch yourself slipping a little into the warm embrace of Lusotropicalism. I mean in the sense that you start to act more and more like a local, the Hajnali stiffness begins to melt away a bit. Here’s one way this happens - there is a sentiment in Brazil; ‘Já tô chegando’. Means something like turning up to things late or arriving late without guilt
Of course not all Brazilians but there is a stereotype that Brazilians always turn up to things 15 minutes late because of this ‘Já tô chegando’ - it’s Brazil, nobody cares it’s fine. No rush. This attitude existing broadly because Brazil is Brazil. To be sure, some Brazilians, again, will be offended by lateness but fair to say many others will not be assuming it is non-egregious lateness. Actually this is something I have always been predisposed to anyway, turning up ‘a little’ late - so when you get the green light to indulge that disposition it’s not that you intentionally lean into it but you’re less preoccupied with the Northern European gold standard over time
Really this is the Lusotropicalification of you own mental space. Maybe it is just the path of least resistance to embrace the Lusotropicalism, Brazil is after all the best worst country in the world. Imagine how good it could be with a Basically Finest government. You don’t want to go back to Yookayian hollowed-out legacy industriousness culture with Babel-maxxed dystopian clown customs characteristics you could stay in Brazil, being as it is ‘a version’ of the same thing. This is a ‘Bronze Age Pervert’ point - in hyper-Yookay you have these nagging puritan Protestant social mores on top of the dysfunction of Brazil. In Brazil you have the dysfunction of Brazil but you don’t have these nagging puritan Protestant social mores and at least the weather is nice
Met an American friend in Brazil, turned up about ten minutes late
“Been here for ten minutes man”
“It’s just five minutes”
“It’s ten minutes”
He seemed a little bothered by it, had almost forgotten that in ‘his culture’ this kind of thing was considered rude. Time and tide wait for no man
Also above when I say ‘not all Brazilians’, I want to stress this is not all Brazilians - this is just Brazilian concept that some have explained to me. You can see this when you describe ‘Já tô chegando’ to say someone from São Paulo. They sort of huff and puff; “we are Pualistas we’re not like those frivolous macoco Cariocas from Rio de Janeiro who turn up two hours late for everything and can’t go two days without cheating on their partner oh no not us”. My experience with them is this isn’t always true but still it makes me laugh, it is funny to say it as a ‘troll’