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Jun 20, 2023 22 tweets 9 min read Read on X
#Kapardeeswarar #Vellai_Pillaiyar #Shweta_Vinayakar Thiruvalanchuzhi, Thanjavur

Cauvery which was enshrined in the Kamandalam of sage #Agasthiyar liberated by Vinayakar and she started flowing towards Chola Nadu. When informed of the arrival of the holy river, King Haridhwajan Image
received her with pujas and prayers. The river took a right turn around Lord Siva, circumambulating him (valan-chuzhi) and entered a hole near the Lord (called the piladwaram). The king tried his best to block it but was unsuccessful. He took the help of sage Herandar, who took Image
the shape of a bee as ordained by Lord Siva and blocked the hole. The Kaveri started flowing again, out of the earth. Since the Kaveri came up from here, this place is also called Melakaveri. The temple is primarily a Chola period construction, and has some beautiful architecture Image
and intricately carved pillars and walls. This temple is more popular for Vellai Pillaiyar and recognised for the crafted stone (palagaNi) at the Pillaiyar sannidhi. Vinayakar was made the froth from the ocean when parkadal was being churned by devas and asuras. Indra visited Image
many Siva temples carrying the Vinayakar made of froth, to get rid of the curse he received from Ahalya. When he reached this place, Vinayakar requested Lord Siva to let him stay here permanently. Acceding to his request, Lord Siva appeared in the form of a small boy in front of Image
Indra, who requested the boy to carry the Vinayakar till he returned. But the boy kept the murti on the ground as soon as Indra left. On returning, Indra found the murti under the bali peetham but could not move it. He called Mayan to create a chariot in stone resembling his own, Image
and tried to pull the murti away. Then Vinayakar appeared and told him to worship him every Vinayaka Chathurti day and undertake prayers here. It is believed that Indra visits even today. The shrine at Thiruvalanchuzhi started out as a Shiva temple. The principal deity here is
Kapartheeswarar (kapartham refers to the matted locks of Lord Shiva) and his consort is Brihan Nayaki. Over time, however, it has come to be known as a Vinayaka Sthala. There are 24 Vinayaka idols in the temple, but the best known of them is the tiny, white one in the shrine Image
straight ahead of the entrance. Made from a kind of sea sponge, the idol is coated with pacchai karpooram (edible camphor) and is said to absorb all the honey that is poured on it on Vinayaka Chaturthi. Yet, the deity retains his pristine white colour. The white Vinayaka of Image
Thiruvalanchuzhi is said to be that primordial Ganapati. The idol also has its trunk curling right (and that is why it is called Valan Chuzhi Vinayagar). The temple is famous for its fine stone-work, the finely carved pillars, and the tall, multi-tiered stone lamps. There are Image
coconut groves around the temple and it is an extraordinarily peaceful setting. The temple faces east with a majestic five tiered gopuram. As we enter we can see the beautiful temple tank called Jada theertahm.
The sanctum where Swetha Vinayagar presides is beautifully Image
architected in granite with intricate works. The entrance on both its sides has large panes carved out of stones (could be granite or some soft granite-like stone). The Swetha Vinayagar idol is pure white and is placed in a silver and gold mandap. The mandapam next to the sanctum Image
is called Gayathri Mandapam, with 24 beautifully carved pillars with intricate designs, depicting the 24 akshars of the Gayathri manthram. It is beleived that sitting in this mandap and chanting Ganesha gayathri mantra will bring you releif from all the difficulties in the life, Image
and you will be blessed by Ganesha with all prosperity. Another interesting factor is that in the sanctum of Kabartheeswarar, we can see Surya (Sun) and Shani (Saturn) are facing each other which is very rare. It is said that once a king who was visiting here ordered abhishekam
to be done to Vellai Pillaiyar.
The priest prayed to Vinayakar to save him. Vinayakar in turn cursed the king to be dissolved in abhishekam waters. The king realized his folly and begged for mercy. He was asked to build a mandapam before night fall to be relieved of the curse. Image
Mannipu (forgiveness) manadapam stands witness to this. Sage #Durvasa once conducted a yagam here, at which many sages were present. Some of them installed lingams on their own, for their worship. About 20 of these lingams can be seen in the outer prakaram. It is believed that on Image
#MahaSivarathiri Adiseshan comes through the piladwaram and worships Lord Siva at this temple and also at Tirunageswaram, Tirupampuram and Nagai Karonam.
Amman is to the right of the Lord, in kalyana kolam. Kali here is special because she is seen with eight arms (astha-bhuja- ImageImage
kali). Similarly, Bhairavar at this temple is considered special and also aggressive. To reduce his malevolent effects, it is believed that Bhairavar’s murti here is slightly cracked, on purpose. #Arunagirinathar has sung Tiruppugazh hymns here.
This temple is one of the Image
Kumbakonam Sapta Sthanam temples. This temple is considered one of the parivara sthalams (Vinayakar sthalam) of the Tiruvidaimaruthur Mahalingaswamy temple. This temple is part of the Pazhayarai Pancha Krosha Sthalams, which is one out of four sets of Pancha Krosha Sthalams in Image
Tamil Nadu. It is believed that visiting these six temples (Pazhayarai, Nallur, Tiruvalanchuzhi, Sakti Muttram, Patteeswaram and Avoor) along with this temple in a single day is be beneficial to devotees. Tiruvalanchuzhi Is located about 7km from Kumbakonam, and 2km from
Swamimalai. This temple normally opens daily from 5 a.m. To 12 p.m. And 4.30 p.m. To 8: 00 p.m.
Let us create an opportunity to visit this temple and the neighbouring ones.

Sarvam Sri Krishnarpanam🙏🏻 Image

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#Vasishtha_Kavyakantha_Ganapati_Muni (1878 1936)
He was a valiant soldier in the cause of Truth and Divinity. Even highly learned people of our time wonder at his indubitable versatile genius, keenness of perception and understanding of our modern problems, though he had never been to school all his life. His powers of intellect and intuition had solved and untied many mystic knots. His wide scholarship and studies in religious lore harmonized in him all religions and schools of philosophy. He was a master of metaphysics and his gift transported him into regions where he could see the entire manifestation. In fact, he belonged to the order of the Rig Vedic seers who were gods among men.
The Muni's life story is sweet and all absorbing and has been beautifully rendered in the famous biography #Vashistha_Vaibhavam by his foremost disciple, Sri Kapali Shastriar. Ganapati Muni was born in Kalavarayi near Bobbili in Andhra Pradesh on 17th November1878. He belonged to a family of Sri Vidya initiates (in vashishtha gotram), which had actually migrated from a village near Kumbakonam in Tamil Nadu in the late 16th or early 17th century (later the family was wellknown as the Ayyalasomayajulu family). His parents, Narasimha Sastry and Narasamamba, had 3 sons, Ganapati being the middle one. Nearly a year before his birth, on the holy day of rathasaptami, his mother had been to the famous Surya (Sun) temple at Arasavalli (near Srikakulam in Andhra Pradesh) to offer her prayers and worship. She stayed overnight in the temple after the traditional worship to the Lord. In the next early morning she had a dream in which a beautiful woman with golden divine radiance emerged from the corridors of the temple, approached her with a shining pot of fire and giving it in her hands vanished. To her utter astonishment, the moment the fire pitcher came into contact with her, it entered her womb and assumed the form of a child.

Soon after her return to home from Arasavalli, she showed signs of pregnancy. She believed that her child was a divine gift of God Agni (fire). While she was waiting to deliver the child, her husband, Narasimha Sastry, had gone to the holy city of Kashi (Benares in Uttar Pradesh) in November 1878, where he also had a unique experience. When he was performing tapas in the Dhundiganapati temple (near Visweswara Ghat) he had the vision of a little child emanating from the Deity and coming near him. After these wonderful experiences by both parents, Ganapati was born in the parental home of his mother on 17th November 1878.

The father appropriately named his second son Ganapati, rooted in his conviction that the child was an emanation of God Ganapati himself. It may be noted that the Vedic deity Agni (Fire) is none other than Ganapati described in the puranas and worshipped in the tantras. Ganapati himself was conscious of his divinity. He has expressed this in his most famous poem #Umasahasram and has said that he was born as an amsa (portion) of God Ganapati. He has also expressed his conviction about the identity between him and God Ganapati, the guiding spirit of his corporeal existence, in his work #Herambopasthanam (Glory of Ganapati).Image
Ganapati was educated entirely at home. His father, Narasimha Sastry, like his ancestors, was an expert and well versed in mantra shastra, astrology and ayurveda. With this traditional family background, proficiency in these subjects came naturally to Ganapati. When he was only 10 years old, he was able to prepare the pañchamgam (almanac). He finished studying the classical Sanskrit poems and then devoted himself to the study of grammar and poetics. At the same time he delved deep into the writings of Vyasa and Valmiki. Again and again he read the Mahabharata. His horizon widened and his intellect mellowed with an everdeepening perception. Like the ancient Rishis, Ganapati wanted to experience immense strength and power by the practice of tapasya through mantra japa and meditation. Although married at an early age to Srimati Vishalakshi, he started visiting one sacred place after another for his tapas when he was 18 years old.

He used to stay in one place for a few days or even months. In one such visit to Bhubaneswar (in Orissa, where the famous Lingaraj temple of Lord Siva is located), during his tapas, Ganapati had a vision, in which Goddess Lalitambika (bhuvaneshwari) appeared before him, offering divine nectar. As Ganapati tasted this heavenly nectar, the Goddess watched him with a sweet smile, full of grace. From then onwards, the sweetness of the nectar became an integral part of him. After this incident, Ganapati's intellect developed a rare sharpness and he attained complete mastery over poetry. Indeed, the literary work composed after this incident is endowed with a distinct sweetness and grace.

When Ganapati was staying in Kashi, he came to know that an assembly of scholars (harisabha) would be held in the famous city of Navadwipa in Bengal. On the advice of his friends he got a letter of introduction and went to Navadwipa. There he excelled in all the difficult tests that he was put to with an effortless ease that stunned his examiners, who unanimously conferred the title #kavyakantha (one who has poetry in his throat voice of poetry) on him forthwith. He was only 22 years old then (details are in Volume 11).
Ganapati repaired to the south of the country in his 25th year. From Kanchipuram he came toArunachala (Thiruvannamalai) in 1903 to perform tapas. He visited twice #SriBrahmanaSwamy (who was later named as Bhagavan Sri Ramana Maharshi by Kavyakantha himself) before he accepted a teacher's job at Vellore in 1904. Later in 1907, he resigned his job at Vellore and returned to Arunachala. It was at this stage that he sought and gained the grace of Sri Brahmana Swamy (Bhagavan Sri Ramana Maharshi). An intellectual and spiritual giant who had high achievements to his credit and a host of followers as well, Kavyakantha still felt that his life's purpose was not fulfilled. He remembered Brahmana Swamy whom he had met earlier and approached him for his grace and gain inner realization, peace and true import of tapas that he still lacked. On 18.11.1907 Kavyakantha approached Brahmana Swamy, who was staying in the Virupaksha cave, and prostrating himself at his feet said in a trembling voice: “All that has to be read I have read, even Vedanta Sastra I have fully understood. I have performed japa and puja to my heart's content. Yet I have not up to this time understood what tapas is. Hence have I sought refuge at thy feet, pray enlighten me about the nature of tapas.” For quite some time Brahmana Swamy gazed silently at Kavyakantha. He broke his 11 years of long silence and spoke gently, “If one watches where his notion of `I' springs, the mind will be absorbed into that. That is tapas. If a mantra is repeated and attention is directed to the source where the mantra sound is produced, the mind will be absorbed in that. That is tapas.”Image
The scholar poet was filled with joy to have found his guru, and announced that the upadesha (teaching) was original, and that Brahmana Swamy was indeed a maharshi and should be called so thereafter. He gave the full name #BhagavanSriRamanaMaharshi to Brahmana Swamy, whose original name was Venkataraman. Thus, the meeting was of profound significance not only for Kavyakantha but also for the world at large, which could learn from such a high authority about the real stature of Bhagavan Sri Ramana Maharshi, the Silent Sage of Arunachala. Following this momentous meeting, Ganapati composed his great devotional poem, #Umasahasram, a thousand verses in praise of Uma, the Divine Mother, as a part of his tapas in gratitude to the great Goddess for having given him the Maharshi as his Guru (Master). This work is the magnum opus of Sri Vasishta Ganapati Muni.

The Muni had the unique experience of kapalabheda. In the summer of 1922 at the Mango cave of the Arunachala hills, the Muni had several yogic experiences, arising from deeper parts of his being and invading his physical consciousness (resulting in great physical pain). During this, he visited his Master and told him of his inner and physical experience. His most compassionate Master, Sri Maharshi, comforted him by placing his lotus hands on his head. On the very night, he had the experience of the culmination of kundalini sadhana, resulting in the most unique experience of kapalabheda. His cranium was broken into two parts; a distinct sound caused by the breaking arose from the passage, which joins the two holes of the ears. A line of smoke going out of the head was perceived there. The Muni later spoke to his disciples about this yogic experience and that this has been mentioned in the sixth chapter of the Taittrriyopanishad, quoting vyapohya shirshakapale bhurityagnau prati tishati (“having separated the two parts of the cranium, he stands established in Fire as Bhuh, the earth element”) and mentioned several great effects of the power of yoga experienced at this time with their secrets. It is usually believed that the physical effects of this great experience are such that the body cannot sustain long following this event. However, in his case, with the strength of his own tapasya and the Grace of his most compassionate Master, he lived for 14 long years (although he had to observe certain physical restrictions, such as that he could not shave his head nor could put his bare feet on the ground) after this experience. This event speaks volumes on the extraordinary nature of his tapasya and the fact that he was perhaps the greatest Master of tantra born on this earth. In fact, the final revision of his magnum opus Umasahasram after this experience, remains, testimony not only to his supreme mastery over the tantras but also his ability to find the reconciliation and concordance between the Vedic, Upanishadic and the Tantric schools of thoughts. The kapalabheda experience also reconfirms the conviction that he was the direct aWsha (portion) of the Vedic deity agni (who resides as the power of kuKoalinn in the muladhara of human beings).

The poet seer Kavyakantha Ganapati Muni met #Sri_Aurobindo on 15th August 1928. He stayed at the Sri Aurobindo Ashram for about a fortnight. During this stay at the Ashram, the Muni meditated with The Mother a few times. After one such meditation, The Mother expressed that the Muni was a real yogi who could plunge into great depths the moment he started meditation and that she had not so far found any person abiding in Her spiritual consciousness as Ganapati Muni did.Image
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#அழகியசிங்கபெருமாள் #திருவேளுக்கை திவ்ய தேசம் - 46
மூலவர்: முகுந்த நாயகன், அழகிய சிங்கர்
தாயார்: வேளுக்கை வல்லி
தீர்த்தம்: கனக சரஸ், ஹேமசரஸ்
பழமை: 500-1000 வருடங்களுக்கு முன்
புராண பெயர்: திருவேளுக்கை, வேளுக்கை
ஊர்: காஞ்சிபுரம்
மாநிலம்: தமிழ்நாடு
மங்களாசாசனம் : பேயாழ்வார் Image
புராண வரலாற்றின் படி பிருகு முனிவருக்கு கனக விமானத்தின் கீழ் கிழக்கு நோக்கி நின்ற திருக் கோலத்தில் காட்சி கொடுத்ததாக ஐதீகம். பேயாழ்வார் இத்தலத்தினை, உப்பிலியப்பன் கோயில், கும்பகோணம், திருப்பதி போன்ற தலங்களுக்கு இணையாகப் பாடியுள்ளார். இதிலிருந்து இத்தலத்தின் சிறப்பை அறியலாம். Image
ஆழ்வார்களைத் தவிர சுவாமி தேசிகனும் இப்பெருமாளை #காமாஸீகாஷ்டகம் என்ற ஸ்லோகத்தால் போற்றியுள்ளார். இதை தினமும் பாராயணம் செய்தால் நரசிம்மரின் பரிபூரண அருள் கிடைக்கும். இதனை ‘காமாஷிகா நரசிம்ம சன்னதி' என்றும் அழைப்பார்கள்.
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#பஞ்ச_நரசிம்ம_க்ஷேத்ரம்
தமிழ்நாட்டின் சீர்காழியில் 5 நரசிம்ம ஆலயங்கள் தோன்றக் காரணமே திருமங்கை ஆழ்வார். அந்த 5 உத்தமமான நரசிம்மத் பெருமாள் ஆலயங்களை ஒரே நாளில் சென்று வழிபட்டால் கடன் தொல்லை குறையும், எதிரிகள் தொல்லை விலகும், தடைப்பட்ட திருமணம் நடைபெறும், மன அமைதி கிடைக்கும்Image
என்பது ஐதீகம். ஓரிரு கிலோமீட்டர் தள்ளித் தள்ளி ஒரே இடத்தில் அமைந்துள்ள இந்த 5 ஆலயங்களும் திவ்ய தேச ஆலயங்கள் ஆகும். திருமங்கை ஆழ்வார் கள்ளர் பிரிவில் பிறந்தவர். சீர்காழி நகரின் அருகில் உள்ள மங்கை மடம் எனும் ஊரில் இருந்து 5 கி.மீ தொலைவில் உள்ள திருக்கறையலூரில் பிறந்தவர். சோழ Image
மன்னர்கள் ஆட்சியில் இருந்தபோது மங்கை மடம் எனும் பகுதிக்கு குறுநில மன்னராக திருமங்கை மன்னன் இருந்தார். திருமங்கை மன்னன் பகவான் விஷ்ணுவின் வில்லின் அம்சம். அவருக்காகப் பிறந்தவர் குமுதவல்லி நாச்சியார். பல நிகழ்ச்சிகள் நடந்தேற அதன் இறுதியில் அவர்கள் இருவரும் திருமணம் செய்து
Read 20 tweets
Nov 17, 2024
#Thiruthanka #Thoopul #SriDeepaPrakasar_Temple Kanchipuram Divya Desam - 45
This is the Avathara Sthalam of Sri Vedantha Desikar.
The Moolavar of this sthalam is Sri Deepa Prakasar. He is also called as #Vilakkoli_Perumal, #DivyaPirakasar Moolavar is in Standing position facing Image
West Direction. Prathyaksham for Lord Saraswathi.
Thaayar : Maragathavalli Thayaar
Sannadhis: Separate sannadhi for Vedantha Desikar, where he is found with Gnana Muthirai, was built by his son, Nayina Varadachariyar and separate sannadhi for Lakshmi Hayagreevar.
Mangalasasanam: Image
Image
ThiruMangai Azhwar – 2 Paasurams.
Pushkarani: Saraswathi Theertham.
Vimanam: Srikara Vimanam.
This is a big temple with a huge Vaagana Mandapam.

As per puranas, once there was an argument between Saraswathi, the consort of Brahma and Lakshmi on superiority. They went to Indra, Image
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