King of Spain at the final day of Wimbledon. This looks great.
Very rare to see this level of tailoring nowadays, even on the wealthy. So let's talk about some of the reasons why it's great. 🧵
King Felipe consistently looks great, and it seems that all of his suits are cut by the same tailor.
Some basic points:
1. Collar always hugs the neck 2. No pulling anywhere. Things hang cleanly 3. Lapels end about halfway from collar to shoulder bone (nice proportion)
His coat here also ends about halfway from the collar to the floor, which is again a very classic and flattering proportion. His sleeves hang very cleanly. His trousers are well-proportioned for his coat.
This contrasts with many stars nowadays, who wear short, tight coats. The sleeves grip their arms, which means they never hang cleanly. When the sleeves grip your arms like this, they are prone to riding up on you.
Coats are often too short. On many men, this gives the the impression of wide hips
King Felipe's trousers are also well-proportioned for his coat. The coat's lines flow into the trousers, making the outfit a coherent whole.
A lot of guys nowadays insist on wearing very slim trousers. But when you don't have a very slim upper-body, you end up creating two separate awkward blocks for the top and bottom halves of your outfit. You look like a popsicle stick.
Slightly fuller trousers also means the fabric hangs cleanly. King Felipe seems to prefer a single break on his trousers (I think either a single break or "no break" is fine, so long as the material at least grazes your shoes). Look at how clean the trouser hangs in second pic
Compare that with the recent NATO summit. With the exception of Biden, all of these trousers are too long, and more than some are too slim to hang cleanly even when the wearers are standing still. The fabric clings to the back of their calves.
King Felipe's shoulder line is also just slightly extended, the chest area a little fuller. There's a bit of "roundness" in the upper half of his jacket, which gives the illusion of a more athletic figure underneath.
Many men nowadays wear very slim coats that do little more than reveal the actual shape of the body underneath. Or they wear a size too small.
A small detour: while no one in real life will likely recognize this, the curvature you see in this lapel roll is a sign of very fine tailoring. Typically requires hand pad stitching and hand ironing to create this "springy" roll where the lapel folds over.
A lot of tailoring you see nowadays is quite flat in comparison. Does not have the same three dimensional shaping.
There's also something called "quarters," which refers to coat's front edge below the buttoning point. Here we see the King of Spain with the Bulgarian President. The King's quarters sweep away, creating a more dynamic line. President's quarters fall almost straight down.
Bulgarian President's coat is also shorter and has narrower lapels. The trousers are a touch too slim for the coat. King's lapels are more classically proportioned, coat is longer, quarters open, and the trousers well cut for the coat. The effect is better.
The King's shirt collar is also long enough to reach underneath his lapels. This creates a smooth transition from his shirt to jacket, allowing the eye to move upwards and focus on the wearer. Many men nowadays wear small shirt collars that end up creating a mess under their chin
This is almost impossible to get nowadays unless you go bespoke. But the gorge—the technical tailoring term for the seam that connects a coat's collar to its lapel—is positioned in such a way that lapel's notch sits even with the shirt collar points. Very classic.
Finally, the King wears a four-in-hand. The four-in-hand (or the double four-in-hand) is the only knot you should wear. It is small, tasteful, and doesn't create a meatball sized knot underneath your chin. The asymmetry gives a sense of ease.
Very well done.
One more thing. These principles work for any body type: short, tall, large, slim. One of the great things about tailoring is what once you figure out some of these basic principles, you can apply them to your own dress: collar hugs neck, things hang cleanly, flowing lines, etc.
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Most people think of black tie as the most formal kind of menswear, but technically speaking, it's semi-formal evening attire. Historically, men wore this kind of outfit to dinner or evening shows, such as going to the opera or ballet. Or celebrations such as NYE parties.
White tie is true formalwear. It differs from black tie primarily in how it requires a long tailcoat (black tie originated when men cut the tails off their coats to create a more casual garment for dinner). Also requires a white waistcoat, white tie, and wing collar.
If you're interested in bespoke tailoring and based in the United States, I have some trunk show announcements to share with you. Since Twitter recently changed their formatting options, I will be doing this as a thread. 🧵
Matthew Gonzalez
There's a long history of cross-border influence and immigration in tailoring, but as far as I know, Matthew Gonzalez is the first American to operate under his own banner on Savile Row. Born and raised in Southern California, he moved to London about twenty years ago to pursue a degree in bespoke tailoring from the London College of Fashion. Thereafter, he climbed the ranks — moving from undercutter at Thom Sweeney to cutter at Dunhill and eventually Huntsman, where he achieved his longtime goal of cutting on Savile Row.
Today, he runs his own firm, where he merges his California sensibility with his training in British bespoke craftsmanship. He recently told me he admires a photo of JFK staring out of a window. The President dressed in a dark worsted suit, white button-up shirt, and dark silk necktie, but everything about the photo looks very casual and relaxed. This, he told me, is what American style means to him.
Gonzalez cuts suits and sport coats inspired by that mid-century American tailoring, although he's adamant about not wanting the clothes to look like historical costumes. Thus, while the jackets have a soft, natural shoulder line, he sticks with front darts and prefers side vents (rather than the dartless front and hook vent characteristic of Ivy Style). The lapels have a moderate width and minimal belly (the curve sometimes distinguishing an older style of British tailoring). The garments are designed so they can be teamed with a dress shirt and tie, or something more casual such as a chambray button-up.
Given Gonzalez's penchant for slightly more relaxed, casual attire, it's no surprise that he also offers made-to-measure suede jackets, wool-cashmere shawl collar cardigans, and denim Western shirts (made without the contrast stitching, so they look more at home with tailoring). He's also one of the few bespoke tailors I've met who "gets it" when it comes to the polo coat, arguably the most iconic of American overcoat styles. Gonzalez tells me he thinks a polo coat should have letter box patch pockets, a half belt, gauntlet cuffs, an inverted back pleat, and a center button vent. But crucially, he also thinks the split-sleeves should be made with a lapped seam. To my eye, this makes the garment more casual and sporty—truer to its original roots—and allows the tailor to shape the sleevehead.
Consider Gonzalez if you share the same sensibilities: a love for classic American tailoring, but a suspicion of styles that are too anachronistic, and a bias towards clothes that feel more relaxed and casual. The point about Gonzalez using a split-sleeve with a lapped seam demonstrates that he takes care of details that may not occur to a client, but will be appreciated years down the road.
Taillour
In bespoke tailoring, there's a generally accepted rule that most clients would do well to observe: choose a company based on their house style and stay close to it. The term "house style" refers to the tailor's established methods, which combine to create clothes with a distinguishable fit and feel. Just as you wouldn't order burritos from a ramen chef, you shouldn't ask an English tailor for an Italian jacket (or vice versa).
Taillour is one of the few exceptions. Co-founder and head cutter Fred Nieddu has worked in the bespoke tailoring industry for decades, cutting for firms such as Thom Sweeney and even teaching pattern drafting courses at the London College of Fashion. A good percentage of his current workload involves making clothes for films and TV shows. In fact, you may have seen his creations. He made all the menswear for the Netflix series The Crown, the suits in the film The Phoenician Scheme, and one of the colorful costumes for Wonka. Given this experience, he's more flexible than most tailors regarding what he's willing and able to make.
Still, I think it's always a good idea to stay close to the house style. I think of Taillour's house style as very soft but architectural in its lines. Nieddu uses a full body canvas and only a bit of laptair near the wearer's collar bone to prevent the jacket from sinking. The shoulders are minimally padded, giving the garments a very light feel. While Neapolitan tailors are known for a similar construction, Taillour's jackets have a bit more room and shape. The shoulder line is very straight, and the chest is slightly full. When combined with those characteristically straight lapels and larger jacket collar, I find Taillour's jackets have an angular appearance reminiscent of Apparel Arts drawings.
Consider Nieddu if you want a tailor who's a bit more flexible in terms of what they're willing to make (although, again, I recommend tweaking at the margins, not bringing in a photo of something and asking for it to be copied). He has also made clothes for women, which will be useful if you're looking for someone who can make a women's suit, sport coat, or overcoat.
Summer is around the corner and soon you'll read a bunch of tweets about how every man should have a pair of loafers.
I don't think anyone needs anything, but if you're shopping for a pair, let me show you how to think about loafers. This applies to any wardrobe item. 🧵
When it comes to choosing loafers, a simple answer will go something like this: "Such-and-such brand makes the best pairs." Or "Here's a hierarchy of loafers." IMO, such approaches are reductive and often devolve into trend or status pursuits.
Let me show you another approach.
As always, it's helpful to start at the beginning.
There are a few origin stories for loafers, but most lead back to Norway. If menswear lore is to be believed, then the penny loafer comes from a simple slip-on shoe known as the teser, which was once worn by Norwegian peasants.
Someone asked if I could tell them where to buy a pair of good chinos. In this thread, I will tell you, but my answer is not simple. On the upside, I think this is a better approach when shopping for clothes and you can apply it to any kind of item. 🧵
A simple answer will go something like this: "Such-and-such makes the highest quality chinos." Or "this brand provides the best value." While potentially useful in some respects, I don't think this gives you the fullest picture.
Instead, let's start at the beginning.
During the 1898 Spanish-American War, US troops stationed in the Philippines wore sand-colored pants made from a heavy cotton twill woven in China. Since the Philippines had been under Spanish colonial rule at this time, the locals call these "pantalones chinos" (Chinese pants).
One day, "It" will happen, by which I mean sudden and unexpected news that you want to celebrate. In such cases, you will want the right outfit. 🧵
What do I mean by "It?" I mean that joyous moments are not always something you can plan for. Perhaps you received a pay raise or got accepted at a waitlisted school. Perhaps a loved one is now cancer-free. Such moments can be sudden and unexpected — and you want to be prepared.
Of course, you can always celebrate in the same clothes you wear to bed. But IMO, this diminishes the moment. Thus, it's nice to special outfits for "It," even if you don't wear them all the time. It's similar to toasting a special glass of champagne and drinking water.
In the 1950s, Irving Penn traveled across London, Paris, and NYC to take portraits of workers in their work clothes. These clothes at the time were not considered glamorous — they would not have shown up on fashion runways — but they demonstrate a simple aesthetic principle 🧵
Consider these outfits. How do you feel about them? Are they charming? Repulsive? Stylish?
If you consider them charming and stylish, as I do, then ask yourself: what makes them charming and stylish? Why are you drawn to the outfits?
As I've mentioned before, I think outfits look better when they have "shape and drape." By shape, I mean the outfit confers a distinctive silhouette. If these men took off their clothes, we can reliably guess their bodies would not be shaped like this: