derek guy Profile picture
Jul 17, 2023 19 tweets 10 min read Read on X
King of Spain at the final day of Wimbledon. This looks great.

Very rare to see this level of tailoring nowadays, even on the wealthy. So let's talk about some of the reasons why it's great. 🧵 Image
King Felipe consistently looks great, and it seems that all of his suits are cut by the same tailor.

Some basic points:

1. Collar always hugs the neck
2. No pulling anywhere. Things hang cleanly
3. Lapels end about halfway from collar to shoulder bone (nice proportion)
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His coat here also ends about halfway from the collar to the floor, which is again a very classic and flattering proportion. His sleeves hang very cleanly. His trousers are well-proportioned for his coat. Image
This contrasts with many stars nowadays, who wear short, tight coats. The sleeves grip their arms, which means they never hang cleanly. When the sleeves grip your arms like this, they are prone to riding up on you.
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Coats are often too short. On many men, this gives the the impression of wide hips
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King Felipe's trousers are also well-proportioned for his coat. The coat's lines flow into the trousers, making the outfit a coherent whole.
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A lot of guys nowadays insist on wearing very slim trousers. But when you don't have a very slim upper-body, you end up creating two separate awkward blocks for the top and bottom halves of your outfit. You look like a popsicle stick.
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Slightly fuller trousers also means the fabric hangs cleanly. King Felipe seems to prefer a single break on his trousers (I think either a single break or "no break" is fine, so long as the material at least grazes your shoes). Look at how clean the trouser hangs in second pic
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Compare that with the recent NATO summit. With the exception of Biden, all of these trousers are too long, and more than some are too slim to hang cleanly even when the wearers are standing still. The fabric clings to the back of their calves.
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King Felipe's shoulder line is also just slightly extended, the chest area a little fuller. There's a bit of "roundness" in the upper half of his jacket, which gives the illusion of a more athletic figure underneath.
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Many men nowadays wear very slim coats that do little more than reveal the actual shape of the body underneath. Or they wear a size too small.
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A small detour: while no one in real life will likely recognize this, the curvature you see in this lapel roll is a sign of very fine tailoring. Typically requires hand pad stitching and hand ironing to create this "springy" roll where the lapel folds over. Image
A lot of tailoring you see nowadays is quite flat in comparison. Does not have the same three dimensional shaping. Image
There's also something called "quarters," which refers to coat's front edge below the buttoning point. Here we see the King of Spain with the Bulgarian President. The King's quarters sweep away, creating a more dynamic line. President's quarters fall almost straight down.
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Bulgarian President's coat is also shorter and has narrower lapels. The trousers are a touch too slim for the coat. King's lapels are more classically proportioned, coat is longer, quarters open, and the trousers well cut for the coat. The effect is better. Image
The King's shirt collar is also long enough to reach underneath his lapels. This creates a smooth transition from his shirt to jacket, allowing the eye to move upwards and focus on the wearer. Many men nowadays wear small shirt collars that end up creating a mess under their chin
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This is almost impossible to get nowadays unless you go bespoke. But the gorge—the technical tailoring term for the seam that connects a coat's collar to its lapel—is positioned in such a way that lapel's notch sits even with the shirt collar points. Very classic.
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Finally, the King wears a four-in-hand. The four-in-hand (or the double four-in-hand) is the only knot you should wear. It is small, tasteful, and doesn't create a meatball sized knot underneath your chin. The asymmetry gives a sense of ease.

Very well done. Image
One more thing. These principles work for any body type: short, tall, large, slim. One of the great things about tailoring is what once you figure out some of these basic principles, you can apply them to your own dress: collar hugs neck, things hang cleanly, flowing lines, etc.


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More from @dieworkwear

Dec 27
I would be happy to.

Here are some well-dressed Indians. 🧵
The first person who comes to mind is Yashwant Rao Holkar II (full name Maharajadhiraj Raj Rajeshwar Sawai Shri Sir Yeshwant Rao II Holkar XIV Bahadur), who was the Maharaja of Indore. He occasionally wore beautiful garb that I can only assume is traditional to Indian culture. Image
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Unfortunately, I don't know much about non-Western forms of dress, so I can only speak to the Western forms of attire that he wore. Here he is in white tie. Everything here is impeccably tailored—collar hugs neck, no divots, perfect peak lapel and gorge. Image
Read 23 tweets
Dec 27
I understand the sentiment, but respectfully disagree. I don't think dress codes do much to improve aesthetics, largely because they don't change what has caused a decline in aesthetics. It is not about lack of personal pride but rather shifts in our commercial system. 🧵
First, I should say at the outset that I don't think dress reflects someone's deeper, more important qualities. Coaches will not coach better if they wear a suit. So for me, this is fundamentally just about aesthetics.

Let's review some coach outfits through the years.
Apologies if I get some of these wrong—I'm not an expert on basketball history. I pulled these photos from searching "basketball coach [decade]." So I'm counting that these are mostly correct.

Here are basketball coaches from the 1960s. Image
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Read 21 tweets
Dec 23
Have you ever felt a film scene was particularly memorable or beautiful? To be sure, much of this is about cinematography and acting, but I want to show how outfits also contribute to this impression. Hopefully, this thread will give you some ideas on how to dress better. 🧵
Fit and silhouette are the two most important qualities of any outfit. Even when Vittorio De Sica portrayed this poor family searching for a stolen bike in post-war Italy, the dad looked great bc the coat broadened his shoulders and flowed over his hips. The son also wore layers.
We see this same effect in The Linguini Incident (1991). In this scene, there is barely any color aside from the cotton candy. Yet, all the outfits are beautiful bc they turn the ppl into shapes. The hats, scarves, and outerwear give the people distinctive silhouettes.
Read 21 tweets
Dec 19
The New York Times, a publication I've worked for and love, recently published a guide on the best men's jeans. Included are $300 APCs and $50 stretch jeans from two different brands. I have a different view on how to find the perfect pair of jeans. So here's a thread. 🧵 Image
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I should start by saying that while I use the Wirecutter for all sorts of things, I don't think their format works very well for clothes. That's bc clothes are not like appliances or gadgets; they don't make for easy comparison. Matters of fit, silhouette, and taste are critical. Image
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A friend in the cashmere industry gave me a good analogy. "People who are into coffee have all sorts of ways to describe things," she said. "Coffee can be light or dark roast, washed or naturally processed, and have different notes. I wish ppl had the same language for clothes." Image
Read 25 tweets
Dec 19
IMO, single breasted peak lapel is often a bad idea. I'll show you why. 🧵
A peak lapel looks totally natural on a double breasted jacket because you get these long, sweeping lines that cross over the body in an armorial way. In fact, if you get a double-breasted, the lapel should only ever be peak or shawl—never notch. Image
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But on a single breasted, the peaks can end up looking short and stubby. They look less like the sweeping wings on a double-breasted and more like the nubby legs on a cooked chicken. Image
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Read 11 tweets
Dec 18
This is not true. The average person today has access to much higher-quality goods. I will show this with your first example: shoes. 🧵
It's true that prior to the industrial revolution, everyone wore "handmade shoes." This is true by definition because shoes were not yet put through an industrial production process. But you mistake quality with "handmade." In fact, there were two types of shoemakers. Image
In London, the lower working classes would have gone to a cobbler, which is someone who cut up old shoes and "cobbled" something together. In terms of quality, these were quite poor and didn't fit very well because of the scrap materials used and lack of a custom last Image
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Read 19 tweets

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