John Rogers Profile picture
Jul 19 17 tweets 3 min read Twitter logo Read on Twitter
1) A moment at the Teamsters/UPS rally this morning clarified our current struggle with the studio CEO's (among other bosses). Teamsters got a lot of wins, but one of the main sticking points is the pay for the 65% of local UPS workers who are part-time ...
2) If you read the SAG-AFTRA demands, a truly STUNNING amount of their points involve protecting background actors, and trying to improve conditions for the 87% of their union who makes less than $26,000 a year.
3) As WGA members know, this is not a strike for the showrunners. We're trying to fix the fact the the current younger generation of writers can't even afford housing and their pathway to advancement has been cut off.
4) Like ... folks, I'm fine. There are maybe two proposals in there that affect me. I'm walking in 90% weather and losing over 50% of my income for the year because I want the younger writers to get what *I* got at this stage of their careers.
5) Our unions and the CEO's and various negotiators have a fundamental cognitive disconnect. Because CEO's types only succeed by FUCKING THEIR PEERS.
6) Zaslav, Iger , those types of execs, etc have never gone without so a fellow exec or a junior exec could thrive. A fellow exec failing is the moment to use your own leverage to advance past them, if not destroy them.
7) Part of it is the money but part of this, I think, is a genuine inability to grasp even the concepts of any labor action. Because it is always other-directed.
8) So many people treat capitalism as part of nature red in tooth and claw, but it's not. It's a human construct. There are different rules you can play by -- but not if you want to *win*.
9) The greatest gift capitalism ever granted was the ability to validate selfish behavior as a virtue because that's "just what's necessary, I don't make the rules!" (Look ma, it's reification!)
10) This is where I usually point out that Adam Smith wrote that you have to overpay workers to keep your labor force up, and you need to take into account the psychic damage of capitalism to the workers, and that admiring the rich is the greatest source of moral corruption ...
11) But I'll stave off that diversion to just land with ... this is a discontinuity of attitudes which I think was once breached by the fact that management USED to come from people who loved building their company or their trade, even if they eventually did management shit.
12) Now, even that thin thread of SYMPATHY (Adam Smith joke, get it? People?) is gone. The CEO's are working off a different scorecard, practically and morally. We're not just playing by wildly divergent rules, our lives and careers are DEFINED by those wildly divergent rules.
13) To them, we are IN FACT being "unreasonable", as our behavior does not make sense in their moral framework. They don't think they're being evil, they think they're playing by the actual rules, and we're nuts.
14) There's not great conclusion to this, other than to note that the bit about making writers homeless was described as "cruel but necessary" because they genuinely don't understand the meaning of cruel, because they are always on the other side of the power dynamic.
15) And if they're ever NOT on the top of the power dynamic, they're not suffering, they're dead. They are un-people in their own eyes.
16) These men are not irrational, but they are deranged. This isn't about money, it's about identity. And in a fight about identity ... they will set billions on fire.

Because they can always get more money. But they'll never shed the stink of losing to their lessers.
17) For those who know me ... PEP TALK!!
(/fin)

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More from @jonrog1

May 7
1) Okay, we did "You have writers on set for dialogue" and now we're going to do "we have writers on set for TRAINING."
2) My Dad, on his first visit to a set, after an hour of watching, said "Oh, it's like a construction site, but once an hour good looking people wander through" and goddam I have never topped that.
3) I have written this before: a showrunner is both the lead creative voice of a piece of art and is the head of a company with a burn rate of $3-10 million a week, 200 -500 employees, with unmissable deadlines. Always at the same time.
Read 23 tweets
May 7
1) There have been a couple threads today about the importance of having writers on set, and a lot of them have focused on last minute changes to to physical locations, story continuity, etc, but there are two other reasons I want to hit a) dialogue and b) training
2) It's not just "don't say X, we find out Y three episodes from now", props, etc, but dialogue is art coming out of unpredictable humans. I always say I choose both writing staffs and actors like a jazz combo -- you're here to play an instrument *I can't play*.
3) There are shows where the writers are considered automatons -- play the score, etc, there was one show where you had to call upstairs to change a "cannot" to a "can't", but I like it when you play one by the text, and then find the reason we cast YOU and not ... not You.
Read 17 tweets
May 4
1) Non-members ask how they can show solidarity with the Writers Strike. The most effective way is to donate to the Entertainment Community Fund. It's NOT for us, it's to support fellow Hollywood employees, crew who may suffer hardship due to the strike. secure2.convio.net/afa/site/Donat…
2) Choose "Film and Television" in the drop down menu. *This donation is tax deductible*. We writers have our Strike Fund, and the Good and Welfare fund. We're asking supporters to aid those we work with.
3) If you would like to make a more substantial donation, DM me and I'll send you that contact info. Thank you all, I'm pleasantly surprised by all the interest from those not in the industry in this strike.
Read 4 tweets
May 4
It was a great night, stunning to see every labor union in Hollywood represented in the room, but if there's one message from the night, when Lindsay Dougherty of Teamsters Local 399 runs for Governor, people are gonna go to the barricades for her. Damn, what a speech.
Joking aside, it was a memorable night, and the NegComm spoke eloquently about the open disdain with which our reasonable demands were treated. We don't want to be here, but here we are, just like the writers who came before us.
Writers didn't start this fight, but we'll damn sure finish it. #WGAStrong
Read 4 tweets
May 2
An under-rated part of our current media company dynamic, that's led to this strike, is how miserable the execs *within* these companies are. They hate this new system as much as we do.
The plural of anecdote is not data, but the advantage of being in the business 25 years is that I have exec friends who have risen through the ranks. We have lunches. And I sit there and listen.
Each one explains the unbelievable dysfunction at their particular workplace, the bosses who don't understand or even like scripted entertainment, the open scorn with which they hold the execs who've actually made television.
Read 9 tweets
May 2
1) Something (very stupid) you’re going to see over the next weeks are people arguing that screenwriters are being unreasonable. “Times have changed”. No. Times WERE changed. By SOMEBODY. By PEOPLE, making CHOICES.
2) There’s an unfortunate tendency in modern American thought to write about economies, or markets, like they’re the weather. Like they’re natural phenomena, you know, “ market forces”, the invisible hand, etc, shit just happens, can’t be helped!
3) Bullshit. Economies, markets, are products of human thought. They are shaped by the rules we place upon them and distorted by the will of those who operate within them.
Read 16 tweets

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