Heimrich Himmler inside the Cheka (communist torture and execution installation) Vallmajor, Barcelona 1940.
Why is there some kind of pattern on the wall?
These were cells inspired by the Bauhaus and Surrealist art movements. Let's see who built them and how they worked
1/17🧵
This Cheka was designed by the Austro-Hungarian Slovenian Alfons Laurencic, also the designer of the Zaragoza Cheka. His main inspirations were the paintings of surrealist Salvador Dalí and the color theories of Wassily Kandinsky.
It was located inside the Convent of Les Magdalenes Agustines, built using forced labor by prisoners such as painter Víctor Ripaux, accused of aiding priests hiding from the red terror. He and other Conservatives were forced to destroy all of the sacred elements of the church.
Within these chekas, administratively known as "preventorium D", members of the Republican factions introduced their prisoners into a world of pain.
The cells featured beds at a 20-degree angle that were almost impossible to sleep on.
They also had irregularly shaped bricks on the floor that prevented prisoners from walking. The walls in the 2 m x 1 m cells were covered in surrealist patterns designed to make prisoners distressed, and lighting effects were used to make the artwork even more dizzying.
Some of them had a stone seat designed to make occupants instantly slide to the floor, while other cells were painted in tar and became tremendously hot in the summer.
Circles and a board were painted and some greenish crystals were installed that filtered a diffused light, bringing out a strange aspect to the drawings. Laurencic chose the color green, he said, to produce in the prisoner “the effect of a sad, rainy and hopeless day”
At night a red light was turned on, making the shapes vary considerably. The spirals and dice forms implied points of suggestion for the prisoners while the circles and lines produced an irritation on the nervous system.
A clock was also placed in these cells, arranged in such…
…a way that during a whole day it would not mark more than four or five hours, with the aim of causing disorientation in the prisoner.
Laurencic and his closest collaborators designed a firing squad wall in the courtyard of the Cheka…
…in which a kind of big grave had also been erected. There, a large number of mock executions were carried out on almost all the prisoners. The objective was to create a climate of permanent panic among the inmates.
For the more resistant prisoners "La Campana", or “The Bell”, was used. Its diameter was about fifteen feet and the walls were deep black, with a layer of tar. In the center of the ceiling, a very powerful spotlight had been installed, covered with a metal frame…
…to prevent the prisoners from breaking the lamp. Laurencic built this cell with a double wall, which contributed to increasing the resonance of the stimuli. There was no ventilation of any kind.
The inmates only ate twice a day and their menu consisted of a ladle of some kind of broth with a few beans or chickpeas, a piece of black bread and a daily glass of water. This diet would soon cause diseases among the inmates that would end the lives of many of them.
Before being executed, Laurencic publicly acknowledged that he had designed this Cheka at the request of the Popular Front government, the order came from the 23-year-old PSOE member Santiago Garcés, head of the SIM (Military Information Service) at the time.
Historian Stanley G. Payne has suggested that Garcés, who was one of the men involved in the assassination of opposition leader Calvo Sotelo, might be an agent of the Soviet NKVD. He was, therefore, one of the people directly responsible for the instigation of the war.
The night before his execution, Laurencic stated: "Although I know I'm going to die, long live Generalissimo Franco." After confessing and receiving Communion, he was transferred to Campo de la Bota at 4 in the morning of July 9, 1939.
In front of the firing squad, he refused…
…to have his eyes covered and just before receiving the shots, he raised his arm and performed the Fascist salute.
Himmler also visited the Montserrat monastery, were 23 monks were killed by anarchists, some burned alive…The rumour is that he asked them about the Holy Grail.
@FeanorSSS Also, foreign historians also call them Cheka.
@FeanorSSS This topic is universally known. The soviets were paid in Gold.
Just read Stanley G. Payne or Bolloten who was a communist and was there. Everybody knows that the Soviet police and intelligence was working for the Republic.
@FeanorSSS Here Burnett Bolloten explains in his book The Spanish Civil War why they were called Checas or Chekas.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
- "It may be true that in a 5-year period I transitioned from NRX to judaism, then to becoming a commie, being ordained a protestant minister and finally to Paganism, but when you notice this it is woke cancel cultcha!"
- "The woke are more correct than the mainstream”
1/17🧵
I already talked about this guy, and now he is seething about his weird story being posted in english. First, he hides that his surname is García because it is Spanish (actually Basque) and calls himself by his mother's surname, a former Catalan Government Minister.
He even hides it in his wikipedia article.
Maybe his well connected family could have done something about the "globalist replacement" he legitimatly complaints about. Instead, he blames "spanish colonial replacement" like some Catalans do. They also love blaming Franco for it.
Calling himself Shinnō (new Emperor), he led the first uprising against the central government, an enterprise for which he was deified by the locals.
Legends abound about his severed head, which was said to have come back to life…
In 9th century Japan (Heian period 794-1185) Heian-kyō (Kyoto) was the centre of government. The country was divided in 68 provinces, each ruled by a regional governor appointed by the Emperor.
Masakado was a magnate (gōzoku) from the powerful Taira family, centered in Shimosa. The samurai class had not yet risen to prominence. He has been called “the first samurai”, but he can be better described as a Bushi (warrior) and warlord.
“Autorretrato (accidente)” by Alfonso Ponce de León, this self-portrait was first exhibited June 1936.
A member of Falange, he was shot three months later in the Checa Fomento (a prison controlled by CNT anarchists and later by the Communist party)
1/6 🧵
He was friends and collaborator with the top artists at the time: Buñuel, Picasso, Neville, Ros, Lorca…and was a student at the San Fernando Academy with Dalí.
Was a founding members of Falange in 1933 and became its Chief of Propaganda.
When the Red militias took over Madrid he stayed and walked regularly around Paseo Castellana whistling the hymn of Falange. Dionisio Ridruejo said that he was “inviting death.”
I read this same take about Saint Francisco Franco again and again, and I have to say that this amounts to a complete whitewashing of the revolutionary aims of the Spanish left and the success of Franco's counter-revolution. Let me explain:
Franco stopped a genocide of "conservative" people (just normal people who went to church or were resented by their leftist neighbors for whatever reason) that would have come as a result of the inevitable sovietization of Spain; hundreds of churches were destroyed by the left…
…because they were seen as symbols of "reactionary thought," and around 70,000 were annihilated during their revolutionary terror.
The anarchists ruled in catalonia and many other places (yes, we Spaniards are the only ones to take that ridiculous meme ideology seriously)…
1. Finally saw The Batman and I am flabbergasted that they turned another franchise into a blackexplotation film. “Batman lives matter”, his role in the film is literally protecting “Chaaange” Mayor QUEEN Lakisha from the white revolutionary ringleader The Riddler.
2. This is a prime example of new left deconstruction and deterritorialisation, the CRIMINAL Wayne family is thrown into the mud. No beautiful 50s or 80s america, there is always DARKNESS behind WASP heritage. Wayne’s life history is shameful and thus he has to REJECT IT.
3. EVERY white person in this film is a madman, a narcissist, corrupt or a psychopath. Blacks are positioned in all the respectable rules in the movie: the good policeman, the female Obama and the doctor who saves Alfred from death. The racial casting can’t be more obvious.