Something I find interesting here is how many Twitter trads frame business casual as "traditional dress." I suspect many of them are between the ages of 20 and 50, and grew up during a time when most men stopped wearing a coat-and-tie with any regularity. To them, this is trad 🧵
But to an older generation, business casual is already a fall from grace. Much has already been written about the rise of business causal: the suit's slow slide into irrelevance as a result of the post-war culture wars, the '90s Casual Friday movement, and the rise of New Economy
In the early 1990s, Rick Miller and his PR team at Levis—parent company to Dockers—sent out a brochure to some 25k human resources departments. They marketed the idea of business casual as a way to give employees more freedom and comfort (and, in turn, more productivity).
And how should those employees dress? Why, in the types of clothes that Levis and Dockers sold, of course. That meant things such as chinos, jeans, button-up shirts, and polos. The key: no coat, so casual.
It would be wrong to frame business casual as having come about just because of this pamphlet. The suit was already coded as being too Establishment during the immediate post-war years, hence the rise of alternative aesthetics, such as the Rebel and Hippie Look of the 60s/ 70s
Many business sectors also started moving away from the suit. In the 1960s, Hawaiian men wore Aloha shirts for Aloha Friday. In the 90s, Hewlett-Packard had "Blue Sky Days,” hoping that casual dress would encourage employees to think more creatively to solve business problems.
The 90s Casual Friday movement was perhaps the watershed moment. By the early aughts, the rise of digital tech and Silicon Valley framed hoodies and jeans as the new meritocracy, not like the dusty, old way of thinking in traditional Suit Sectors (e.g., East Coast finance).
For people of an older generation, dressing like this to work would have been unthinkable. People wore a coat AND tie. Now, we rarely see either.
And if you go two generations back, you'll find another group who thought traditional meant something else. At the turn of the 20th century, British men in high positions—such as medicine, finance, and law—wore the frock coat. Working-class clerks and admins wore the suit.
When Keir Hardie—a Scottish trade unionist and founding member of the Labour Party—first took his seat as a member of Parliament, he caused a stir because he showed up to work in a plain tweed suit and a deerstalking cap.
A "proper" MP uniform at this time included a black frock coat, black silk top hat, and starched wing collar. But Hardie wore his tweed suit to signal his allegiance to the working class. The press was scandalized, writing, "cloth cap in Parliament!"
Anyway, all this is to say that our notions of what's "traditional" change, and it often does little than approximate the habits of the upper and middle classes. It's surprising to me that something like this can now be considered traditional bc it's just business casual
If you think this sort of aesthetic is a reflection on morality—and not just middle-classness—then know that people in previous generations would have thought you were a degenerate for wearing thing sort of thing.
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Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.
The level of craftsmanship that goes into a lot of Japanese menswear simply doesn't exist in the United States. You can do this for many categories — suits, jeans, hats, etc.
In this thread, I will show you just one category: men's shoes 🧵
For this comparison, I will focus on Japanese bespoke shoemaking vs. US ready-to-wear. The level of bespoke craftsmanship shown here simply doesn't exist in the US, so a Japanese bespoke vs. US bespoke comparison would be unfair. US bespoke is mostly about orthopedic work.
So instead, I will focus on the best that the US has to offer: ready-to-wear Alden.
On a basic level, top-end Japanese shoes are better because they are handwelted, whereas Alden shoes are Goodyear welted. The first involves more handwork and can be resoled more often.
In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.