derek guy Profile picture
Sep 4 13 tweets 5 min read Twitter logo Read on Twitter
Something I find interesting here is how many Twitter trads frame business casual as "traditional dress." I suspect many of them are between the ages of 20 and 50, and grew up during a time when most men stopped wearing a coat-and-tie with any regularity. To them, this is trad 🧵 Image
But to an older generation, business casual is already a fall from grace. Much has already been written about the rise of business causal: the suit's slow slide into irrelevance as a result of the post-war culture wars, the '90s Casual Friday movement, and the rise of New Economy
In the early 1990s, Rick Miller and his PR team at Levis—parent company to Dockers—sent out a brochure to some 25k human resources departments. They marketed the idea of business casual as a way to give employees more freedom and comfort (and, in turn, more productivity). Image
And how should those employees dress? Why, in the types of clothes that Levis and Dockers sold, of course. That meant things such as chinos, jeans, button-up shirts, and polos. The key: no coat, so casual. Image
It would be wrong to frame business casual as having come about just because of this pamphlet. The suit was already coded as being too Establishment during the immediate post-war years, hence the rise of alternative aesthetics, such as the Rebel and Hippie Look of the 60s/ 70s
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Many business sectors also started moving away from the suit. In the 1960s, Hawaiian men wore Aloha shirts for Aloha Friday. In the 90s, Hewlett-Packard had "Blue Sky Days,” hoping that casual dress would encourage employees to think more creatively to solve business problems.
The 90s Casual Friday movement was perhaps the watershed moment. By the early aughts, the rise of digital tech and Silicon Valley framed hoodies and jeans as the new meritocracy, not like the dusty, old way of thinking in traditional Suit Sectors (e.g., East Coast finance).
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For people of an older generation, dressing like this to work would have been unthinkable. People wore a coat AND tie. Now, we rarely see either. Image
And if you go two generations back, you'll find another group who thought traditional meant something else. At the turn of the 20th century, British men in high positions—such as medicine, finance, and law—wore the frock coat. Working-class clerks and admins wore the suit.
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When Keir Hardie—a Scottish trade unionist and founding member of the Labour Party—first took his seat as a member of Parliament, he caused a stir because he showed up to work in a plain tweed suit and a deerstalking cap.
A "proper" MP uniform at this time included a black frock coat, black silk top hat, and starched wing collar. But Hardie wore his tweed suit to signal his allegiance to the working class. The press was scandalized, writing, "cloth cap in Parliament!"
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Anyway, all this is to say that our notions of what's "traditional" change, and it often does little than approximate the habits of the upper and middle classes. It's surprising to me that something like this can now be considered traditional bc it's just business casual Image
If you think this sort of aesthetic is a reflection on morality—and not just middle-classness—then know that people in previous generations would have thought you were a degenerate for wearing thing sort of thing. Image

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More from @dieworkwear

Sep 6
there are a few differences between the clothing of the past and the clothing we buy today. i will list three important ones 🧵
the first is complexity. clothing in the past was much more complex to make. a women's dress would have pleats, panels, and sometimes a self-belt tied around the waist. men's suits were made of haircloth, canvas, and padding. now we wear t-shirts (four panels and a collar)
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the second is materials. technology has improved materials in many ways, but has worsened some. in the past, men would have worn full-grain leather shoes. full-grain is called so because it shows the natural grain of the hide. it ages well and develops a patina Image
Read 13 tweets
Sep 6
one way to help curb the excesses of fast fashion is to encourage ppl to value the patina and wear-and-tear that good clothes develop. that way, they: 1) buy less, buy better; 2) buy vintage; 3) wear things. examples

1. King Charles' patched-up suit (see hem)

2. King Charles' patched-up shoes

3. Vintage Lee 101-J trucker jacket with a repaired collar (collar has been repaired by hand with a bit of oxford cloth). Vintage denim garments are also great in that they're softer and often have natural fades (rather than pre-distressed fades that don't always look very convincing)

4. Old sweatshirts (easy to find vintage; just search eBay and Etsy for vintage Russell Athletic). Looks great with old jeans and boots



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the NYT had an article about this earlier this year about how old beat-up Birkins are a bigger status symbol than new Birkins. this is a very old concept—people who signal generational wealth are considered "higher status" than nouveau riche

nytimes.com/2023/03/04/sty…
the idea of aping the signals of the upper-most class seems kind of crass, but ... whatever gets you there is fine IMO. valuing quality things as they age is good. the wear-and-tear becomes part of the item's beauty, like the Japanese concept of kintsugi Image
Read 4 tweets
Sep 6
one of the worst trends in men's tailoring in the last twenty years is how the buttoning point—the center button on a three button coat or the top button on a two button coat—has gotten pushed up over the years. you see this on desantis vs biden. 🧵 Image
when a bespoke tailor makes a coat, they place the buttoning point near the waist (the slimmest portion of your torso). this does a two things.

1. it allows them to create more waist supression, giving you that flattering V-shaped silhouette. Image
2. it creates a nice balance between the upper and lower halves of the coat. the buttoning point serves as the visual fulcrum for the jacket. it's the point from which the lapels bloom and the quarters sweep out. Image
Read 10 tweets
Sep 2
Some ppl have asked why anyone would spend a lot of money on a watch, except to signal status. Lately, I've been really into Dirty Dozen watches. The name refers to how 12 companies made watches for the British Ministry of Defense (MoD) during WWII 🧵 Image
During WWII, the MoD wanted a watch that would stand up to the rigors of war. So they spec'd out a specific watch: black dial, luminous markers, Arabic numerals, shatterproof crystal, and stainless steel case. Idea was that this could be easily read at all times and be durable. Image
Companies that fulfilled the order included some famous watchmaking names, such as Jaeger-LeCoultre, Omega, and IWC. And some lesser-known names, such as Record, Timor, and Vertex. Collectively, they made ~150k watches, which were worn by special unit & artillery staff members. Image
Read 12 tweets
Sep 1
PENNY LOAFER GUIDE

If I could only have three pairs of shoes, at lesat one pair would be a loafer. Easy to slip on, easy to slip off. Can be worn with casualwear and help dress down taioring. Lots of options: penny, horsebit, venetian, and tassel (among many others)


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However if you're just getting your first pair, I recommend a penny loafer. They're a little more neutral and will go with a wider range of wardrobes. Can be worn with suits or sport coats, and, depending on the styling, casualwear.

Some options in this thread:


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MEERMIN

At $195, the most affordable on this list. Full grain leather and Goodyear welted. But also unlined and made with a softer single leather sole, so they're more flexible than Meermin's other shoes (which can be a bit stiff at first)

meermin.com/collections/me…
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Read 15 tweets
Aug 28
any time someone on here talks about how it's super cheap to produce clothes and the fashion industry is all inflated markups, i think about this insightful Sole Review article on how much it costs to run a sneaker business

solereview.com/what-does-it-c…
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any article like this will necessarily have to be very stylized in its modeling bc it can't reasonably capture every single nuance and brand. but it more accurately reflects the contours of the clothing industry than twitter chatter
Permanent Style also had a useful breakdown some years ago on how much it costs to make a $6k bespoke suit on Savile Row. This does not include the cost of running a business (or travel for traveling tailors). Production cost alone is 33% of price.

permanentstyle.com/2014/10/bespok…
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Read 4 tweets

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