πππππππ ππ π΄ππππππ‘ πΌπ‘πππ¦
Part 2: The Villanovan Age
Continuing on our analysis of the evolution of ancient warfare in the Italian peninsula, we arrive at the Early Iron Age, also known as the Villanovan period, following the Late Bronze Age collapse.
At first glance, Italy doesn't seem to have changed dramatically since the Bronze Age.
The peninsula is still dotted by seemingly rudimentary settlements, lead by a warrior aristocracy, decked out in Urnfield-descendant bronze equipment.
There are however several developments:
The first of which is the stratification of troops.
Romulus is said to have first organized the army into a set 3000 infantrymen and 300 cavalrymen.
One third of the force came from each of Rome's three founding ππππ , the π πππππ , πππ‘πππ and πΏπ’πππππ .
The 300 horsemen, known as the πΆππππππ (the swift), are proof of the development of equestrianism in this period, be it with the adoption of stronger horse breeds or use of saddle-like pads.
Cavalry units, like their chariot antecedents, were made up of the richest men.
Other north-central Italic peoples are assumed to have adopted similar models, with some variation.
The Etruscans retained a preference for their ππππ₯π’ππ‘ππ (chariots), as well as implementing specialized flanking infantry known as the π πππ’ππππππ (axe-bearers).
In the south, Hellenic influence manifested itself in the "proto-hoplites" of the Greek Homeric (Dark Age) and Archaic periods.
The self-supplied men of the πππππ would organize themselves in broad shield formations, which would develop into the renowned πβπππππ₯ππ .
In regards to technology, the advent of ironworking was initially relegated to tools, daggers and spearheads, with the distinct Urnfield-style bronze antennae swords, circular shields and rhomboidal crested helmets keeping their aristocratic associations.
The spread of metalworking techniques did make armor less "exclusive" to the ruling warrior elite, as seen with the use of less ornate "pot" helmets and πππππππβπ¦πππ₯ chestplates.
Men were still expected to fund their armaments through the spoils garnered in war.
One should note two distinctly italic shield types developed in this period;
The first is a peculiar Etruscan "buckler", ~25-30 cm in diameter, with central boss and hand grip.
Only three specimens have been found, each interred in male tombs.
With Mycenaean dueling practice having spread throughout Italy in the Bronze Age, these shields may have been specifically made for ritual single combat.
Another theory supposes these bucklers to have had ceremonial functions in "war dances", similar to the Greek Pyrrhic dance.
The second is the bilobate shield, believed to have developed from the Mycenaean 8-figure shield.
These shields consisted of two round bodies of wicker, over which one or more layers of ox skin or bronze were superimposed and which were held together by a wooden plank.
This shield would eventually evolve into a new model: The central wooden plank that served as an assembling element became a sort of "backspine", with a horizontal handle being placed in the center.
This is the ancestor of both the π ππ’π‘π’π and π‘βπ¦ππππ
shields.
It is important to remember that it is in this Villanovan context that Romulus founded the city.
It was not the later legions of professional soldiers that laid the groundworks for the greatest empire the world has seen, but brave warbands of glory-seeking farmers and warriors.
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Venice is deservedly famed for its history vis-Γ -vis the Middle Ages and the Renaissance, yet this focus often eclipses the regionβs earlier history, as is the case with todayβs object of study; the Veneti
The Veneti are unique in their being placed at convergence of 3 distinct cultures, the Celts, the Illyrians and the Etruscans.
This has however lead to several conflicting claims regarding their origins:
Prior to the 'colony rush' of the archaic period, Greek presence in the region was known through several foundation myths attributed to Achaean heroes returning from the sack of Ilium, namely Nestor, Epeios, Menestheus, Philoctetes and Diomedes.
Many are the legacies the Etruscans imparted unto Rome, most notable of which being their understanding of the Gods, the fashion of their veneration and the manner in which to ascertain their will;
The 'religion' of the Rasenna, that is the method of their worship of the Immortals, is based on a series of scriptures referred to as the πΈπ‘ππ’π ππ π·ππ πππππππ in latin.
This corpus of texts is based on the revelations of two prophets; Vegoia and Tages.
π ππ‘π’ππ πππ πππ :
Part 3: The afterlife
Continuing our overview of the foundational principles of the ancestral faith, today we cover the oft-discordant and misinterpreted concept of the afterlife.
Prior to the debilitating restrictiveness of semitic scripture, there were as many perceptions of the after-life as there were differing schools of philosophy.
There is however a generally agreed upon outline of the journey of the soul and the geography of the underworld;
Anatolian influence in Italy begins with Aeneasβ exodus from Ilion.
This Trojan heritage would make way for a number of later cultural imports from Asia Minor into the peninsula.
Most notable of these would be the Phrygian cult of the Great Mother.
Known as Ops, Rhea, Cybele, Agdistis, Kuvava and Dindymene among other names, she is the 'Mother of the Immortals' and goddess of fertility and of the wilds.
She is daughter of Tellus (Gaia) and Caelus (Ouranos), primordial gods of the earth and sky and wife to Saturn (Kronos).
Pop-history often erroneously simplifies pre-roman southern Italy as a random collective of greek colonies spattered around amidst a conglomerate of 'historically irrelevant' tribes.
Let us thus broach the contentious matter of the far too often overlooked Iapygians of Apulia;
The aforementioned contention surrounding the study of these peoples stems from the difficulty of finding unbiased/accurate research about Illyric populations without falling into the schizophrenic shithole that is modern Albanian pseudohistory.