As WGA leaders meet today to finalize our deal, we begin a new era for writers — and for labor in our industry.
But we also begin to face the final and most insidious form of unionbusting propaganda: a years-long effort to sell the lie that our strike was not worth it.🧵
Over the coming days, months, and years, the studios, streamers, and their surrogates will take every opportunity to undermine what we have won together.
They will seize on the inevitable consessions and compromises made by our NegCom as proof that we “failed.”
They will urge us to overlook all that we won through hard work and unwavering solidarity.
They will claim it wasn’t enough, that we should have gotten X instead of Y, that we lost more by striking than we gained in this new contract.
And they will be wrong.
They will tell us that the strike was unnecessary, it was a waste of our time and our savings, that our agents or managers or lawyers could have gotten us everything we won through individual negotiations without anyone having to walk a picket line.
Well… then why didn’t they?
As hard as it is to believe right now, these lies can work. They’ve worked before.
During our 2017 strike authorization vote, it was shocking to discover how many members believed we lost the ‘07-08 strike, in which we went on strike for the internet — and won the internet.
This didn’t happen by accident. It was the result of years of whispering by studios and anti-union allies. And they don’t just do it because they’re bitter about losing.
They push the lie that we used our power and lost because they hope to stop us from using our power to win.
Our strike was necessary because, in our individual negotiations, our employers consistently refused to acknowledge our right and reasonable demands.
Because the profound changes we needed could only be won through the unique and overwhelming power of collective bargaining.
Our strike was necessary because our employers made it necessary by driving our income down 23% in 10 years.
Because they refused to address free work in features, streaming coverage in comedy-variety, the abuses of mini-rooms and the threat of AI until we withheld our labor
Our strike was necessary.
Our strike was effective.
Our strike is a victory.
If anyone tries to tell you otherwise, it’s ‘cause they never want to see us stand up for ourselves again.
Don’t believe it.
We won this fight.
We’re the WGA, and when we fight, we win. #WGAStrong
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Okay. This is some bullshit. This morning, all the CEOs “cleared their schedules” in order to make a deal. But now, some anonymous source says if we don’t take what they’re offering by end of day tomorrow — they’re just gonna trash the rest of the year? Absurd.🧵
Now that the WGA has confirmed the possibility of a meeting, I really hope this is the start of genuine good faith negotiations by the studios.
But if they’re following the old unionbusting playbook, which they have so far, it’s possible this is a trap.🧵 deadline.com/2023/09/writer…
With the caveat that I have no inside info about this negotiation, here’s how this unionbusting trap works:
They’ve already done the simple version on 8/22: Set a meeting, get everyone’s hopes up, then dash them.
But there’s an even more insidious version of this trap.
Here’s how this unionbusting trap works:
The companies signal that they want to talk, and the instant the union engages in scheduling, the companies “prematurely” put out a press release about new talks — getting everyone’s hopes up.
It is not too late for @DrewBarrymore to stop this and do the right thing.
If her concern is paying the crew, it seems like someone who was born rich and has starred in hit movies since childhood might be able to find a better solution than working with scab writers. #WGAStrong
And by the way, do you know why @DrewBarrymore was born rich and got richer?
Because her father, grandfather, great aunt, great uncle were all in UNIONS.
Without rights and residuals negotiated by unions, Ms. Barrymore would have just a fraction of the wealth she enjoys.
@DrewBarrymore I really hope @DrewBarrymore changes her mind and does the right thing, and I hope that @SAGAFTRA leaders like @frandrescher help her understand the irreparable harm she’s about to do both her own reputation and the labor movement. #SAGAFTRAStrong #WGAStrong #UnionStrong
After today’s WGA message called out the studios’ and steamers’ failure to get on the same page, the AMPTP has released a statement of their own — and they’re trying to rewrite the past. But there’s just one problem:
We have receipts.🧵
Two days after the AMPTP pulled their dirty trick of trying to go around our negotiators by releasing their version of their 8/11 counter directly to the public, the WGA released this detailed timeline of events: wgacontract2023.org/announcements/…
But now, a full 28 days after their one and only counter offer, the AMPTP has released their own timeline of events — one that conveniently omits their 8/22 dirty trick and tries to make it seem like the WGA is the problem rather than their own failure to agree on a counter.
Studio CEOs should be talking about their response to out 8/15 counter, but instead, they’re suspending big overalls. Why? Simple.
1. They need the money.
2. They’re hoping to trick a group of high-level writers into publicly criticizing the Guild. 🧵 deadline.com/2023/09/warner…
Through this strike, our biggest strength has been the unwavering solidarity of our membership. And this includes the overwhelming majority of showrunners — as demonstrated by their constant presence on the picket lines and generous donations to help people weather the strike.
But the studios don’t need all high-level writers to break ranks. They only need a few. And they know this.
In ‘08, it was just 30 writers who threatened to scab if we didn’t take the DGA deal, ending that strike prematurely & stopping us from getting higher streaming residuals.