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Oct 4, 2023 20 tweets 10 min read Read on X
I constantly get DM’d asking for Fashion Theory recs, so I made a short thread 🫡 Image
Fashion education is still very much inside baseball, so if there’s any way I can flatten that knowledge gap for you, LMK. You can absolutely learn all this stuff for free — it’s out there if you look for it (or if you DM me, hint hint) 👀

Anyways, in no particular order:
001 | “THE FASHION SYSTEM,” Roland Barthes (1967)

If you’re going to read one thing on this list, read this one. Barthes digs into semiotics; fashion as a visual language; and the fashion magazine as a kind of art object. Impenetrable language, though, but that’s all of Barthes.
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002 | “THINKING THROUGH FASHION: A GUIDE TO KEY THEORISTS,” Agnès Rocamora and Anneke Smelik (2016)

Good overview of fashion-as-theory in general, with selected writings from Marx, Foucault, Derrida, etc. (and does an excellent job marrying those writings with runway visuals).
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003 | “WHO IS THE CELEBRITY ENDORSER?,” Grant McCracken (1989)

Why do we need Kendall Jenner to sell us Pepsi? Will Lady Gaga doing migraine commercials convince us to switch prescriptions? Not entirely about fashion, but you should know about McCracken’s Meaning Transfer Model.
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004 | “FASHIONING IDENTITY: STATUS AMBIVALENCE IN CONTEMPORARY FASHION,” Maria MacKinney-Valentin (2017)

Explorations of normcore, fashion-as-seduction, blue-collar chic, + if there’s any kind of “right” zeitgeist. Plays off of Fred Davis’ book “Fashion, Culture, and Identity."
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005 | “DIFFUSION MODELS AND FASHION: A REASSESSMENT,” Diana Crane (1999)

I ♡ everything Diana Crane touches but this is one of the best. Examines how Paris created (and destroyed) top-down fashion diffusion, and how luxury fashion doesn’t actually mirror bourgeois tastes.
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006 | “FASHION,” Georg Simmel (1904)

Despite it being (almost) 120 years old this essay is STILL essential to any popular understanding of fashion and political power — from Simmel’s view of the practice as imitation, to social equalization, to a method of class distinction.
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007 | “REVISITING THE GAZE: THE FASHIONED BODY AND THE POLITICS OF LOOKING,” Morna Laing and Jacki Wilson (2020)

Divisive, but some lovely chapters in here on fashion in post-revolutionary Iran, boudoir photography, etc.
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008 | “THE EMERGENCE OF TRENDSETTERS FOR FASHIONS AND FADS,” Tadashi Suzuki and Joel Best (2003)

Explores the Kogaru subculture (stylish high-school girls) in 1990s Japan — as well as the consequences of ephemeral fashion objects and desirability as a commercial selling point.
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009 | “FASHION: A PHILOSOPHY,” Lars Svendsen (2004)

Very refreshing to read philosophical considerations around fashion that don’t punch down. I come back to this one a lot, especially Svendsen’s writing on *taste* as a central concept in the formation of identity.
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010 | “FASHION AND THE FLESHY BODY: DRESS AS EMBODIED PRACTICE,” Joanne Entwistle (2000)

JOANNE! THE WOMAN IN QUESTION! She rules so hard actually. So much fantastic writing here, especially her ideas on modesty, sexuality, + the misogynistic underpinnings of office dress codes.
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011 | “FASHION VICTIMS: ON THE INDIVIDUALIZING AND DE-INDIVIDUALIZING POWERS OF FASHION,” Bjørn Schiermer (2010)

Excellent reading on the advent of the “fashion victim” and the garment as an inherently powerful force — one that can incarnate the loss of individual autonomy.
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012 | “FASHION THEORY: A CONCEPTUAL FRAMEWORK,” George B. Sproles (1974)

More into the mechanics of the fashion process, a la McCracken — and defines fashion behavior as a unique tentpole of consumer behavior writ large. Short and sweet.
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013 | “ENCLOTHED COGNITION,” Hajo Adam, Adam D. Galinsky (2012)

A very cool study in here on the mental effects of non-doctors donning lab coats and how their personalities changed.
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014 | “FASHION: THE GAME OF SOCIAL MEANING AS THE CYNICAL STRATEGY OF CONSUMPTION,” Valeriya V. Petrenko (2015)

What has fashion consciousness to do with transformation? How does fashion force our hands and seduce as as consumers? I think about this piece 24/7.
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015 | “ADORNED IN DREAMS: FASHION AND MODERNITY,” Elizabeth Wilson (1985)

Can’t begin to describe how wonderful this is! But if you read anything, you should read Wilson’s chapter on fashion and eroticism — from fashion-as-fetishism to corsetry to pornography.
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016 | “TOWARD FORMALIZING FASHION THEORY,” Christopher Miller, Shelby McIntyre, Murali Mantrala (1993)

Fashion theory etc but the best part of this is on preference selection — how do we attach symbolic meanings to styles and use those meanings, however subconsciously, to dress?
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I could’ve listed a billion more but this feels like a good starter pack for anyone even vaguely interested in fashion theory. I also write about theory at @HALOSCOPEMAG, so subscribe to our mailing list <3

haloscope.org
tagging everyone interested btw: @molllyelizabeth @pacino_girl @calmdagarcons @jzs2004 @chloesposts @apron_dress 🤧

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More from @savbrads

Mar 22, 2024
I get asked this question a lot because good-quality women’s basics are soooooooo hard to come by now. A quick thread 🧵
001 / I’m not joking when I say THE GAP. The quality isn’t as good as it was in the ‘90s, so I recommend thrifting an old tag — but their fabric quality and cuts are probably the best you can find on a smaller budget. Makes me curious to see what Zac Posen does with the brand.Image
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002 / Two is Universal Standard. Very impressive seeing Veksler & Waldman grow the brand since 2015 + it’s become even more affordable as the years have passed. Strongly rec their outerwear in particular — most people wear jackets and coats that are too snug and US has a nonpareil size range.Image
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Read 8 tweets
Dec 2, 2023
People keep asking me why women’s trenches and overcoats don’t look like they did in the 80s and 90s and I have answers baby 🧵
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The obvious problem is with fit. The looseness of a pre-2000 trench was much more subtle. These aren’t baggy coats by any means, but they also have a good amount of breathing room at the upper arm, the shoulder, and the waist, even when belted.


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And another thing — a lot of modern brands are pattern-making without the entirety of the bust in mind, leading to more and more women being pretty much forced to wear their coats open or over the shoulder. It’s also much harder to find an affordable double-breasted coat now IMO.
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Read 13 tweets
Oct 12, 2023
By popular demand… FASHION HISTORY BOOK RECS, a thread 🗝 Image
Will say I’m focusing on unsung titles across eras&spheres instead of academic basics. If you’re looking for a foundational overview, start with Seeling’s FASHION: 150 YEARS OF COUTURIERS, DESIGNERS, LABELS, or Racinet’s COMPLETE COSTUME HISTORY.

Anyways, in no particular order:
001 | “GODS AND KINGS: THE RISE AND FALL OF ALEXANDER MCQUEEN AND JOHN GALLIANO,” Dana Thomas (2015)

Dana Thomas (@DanaThomasParis)’ work made me want to become a fashion writer. Beautifully written — and I absolutely love seeing two iconoclasts in conversation with one another.
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Read 20 tweets

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