Much of tailoring has to do with the shoulder. Many things go into the construction of a shoulder line. The most obvious is padding, which determines how built up the shoulder looks. The other element is how the sleeve has been attached to the body.
Here are three suits with similarly sloped shoulders. They must be the same right? But when you reveal the sleeveheads, you can see how the expression changes.
Left: roped shoulder with a stronger T-shaped line
Right: soft shoulder with a rounded line
Another element is whether the shoulder is extended or not. An extended shoulder will help you avoid that "bobblehead" effect that Molly mentioned. It can also give you a stronger V-shaped silhouette. This can be especially useful if you don't naturally have this figure.
The problem with a very soft, extended shoulder is that the end is likely to droop over time. The older man here is the head of Rubinacci in Naples, one of the most respected bespoke tailoring houses. Notice that the end of the shoulder droops a little. This is the extension.
Many men go into a suit shop and have a very clinical view of how a suit should fit. They think, "OK, does the shoulder seam sit on my shoulder bone?" "Does the body hug my body?"
But good tailoring is not meant to recreate the lines on your body. It should flatter your body.
Here, we see a man in two different coats. Notice how different he looks. The very soft coat on the left gives the impression of a diminutive figure. The coat on the right is a little built up: slightly more padding, a bit of roping, and an extended shoulder. IMO, looks better
Gaetz has the same issue with his suits. He buys very soft suits with shrunken silhouettes. So here, we see three things:
1. A very soft, unpadded shoulder 2. Sleevehead has little ridging, so the shoulder line curves off the body and goes into the sleeve 3. No extension
This is not an apples-to-apples comparison because we're comparing two different bodies. But see how Gaetz is wearing that same silhouette. Bobblehead effect. Karl is wearing a slightly extended shoulder with a roped sleevehead. No bobblehead effect.
Not everyone will want to wear a roped or extended shoulder. Much depends on your body type. But a lot of tailoring nowadays is very slim and shrunken with no padding underneath. The effect is something like what you see below, which is not flattering on many guys.
Will add a little more for those curious about tailoring. But the following will not be relevant if you buy ready-to-wear; it's only applicable if you get clothes custom-made (and primarily through a bespoke process, rather than made-to-measure).
Every seam has a bit of seam allowance because you can't sew fabric right at the edge. If you look inside your trousers, you'll see the seam allowance running along the inside leg. If you have partially lined suit jackets or sport coats, the back seam will also show the seam allowance. Typically, both of these seams are pressed open.
The area where the sleeve attaches to the shoulder is the same. The seam allowance looks something like picture 1. The sleeve here is green. The shoulder is red. The black line is the stitching that joins these two pieces.
Once they're joined, the tailor has to figure out what to do with the seam allowance. They can press it open, as they do with the back seam on your coats or the leg seam on your trousers. That will push the sleeve's seam allowance towards the sleeve. And the shoulder's seam allowance towards the neck. See picture 2.
Or the tailor can press both seam outlets towards the neck. Depending on how the sleeve is cut, inserted, and finished, this can create the very rounded shoulder line and waterfall effect you see in picture 3. Note how the sleeve basically drops right where the sleeve seam starts. This creates a very rounded look.
If you are working with a tailor and they're making a very soft shoulder, and you want a bit of shoulder extension, you can ask them to press both seam outlets towards the sleeve. This will create a bit of support for the sleeve and "prop" up the material, creating the illusion of an extended shoulder without actually changing the shoulder measurement. Italian tailors call this mappina. See picture 4.
This avoids the droopy shoulder that can sometimes happen with a very soft, extended shoulder. You won't get that much of an extension, but you will get a little. For guys with very narrow or rounded shoulders, it can give you a more flattering silhouette.
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One day, "It" will happen, by which I mean sudden and unexpected news that you want to celebrate. In such cases, you will want the right outfit. 🧵
What do I mean by "It?" I mean that joyous moments are not always something you can plan for. Perhaps you received a pay raise or got accepted at a waitlisted school. Perhaps a loved one is now cancer-free. Such moments can be sudden and unexpected — and you want to be prepared.
Of course, you can always celebrate in the same clothes you wear to bed. But IMO, this diminishes the moment. Thus, it's nice to special outfits for "It," even if you don't wear them all the time. It's similar to toasting a special glass of champagne and drinking water.
In the 1950s, Irving Penn traveled across London, Paris, and NYC to take portraits of workers in their work clothes. These clothes at the time were not considered glamorous — they would not have shown up on fashion runways — but they demonstrate a simple aesthetic principle 🧵
Consider these outfits. How do you feel about them? Are they charming? Repulsive? Stylish?
If you consider them charming and stylish, as I do, then ask yourself: what makes them charming and stylish? Why are you drawn to the outfits?
As I've mentioned before, I think outfits look better when they have "shape and drape." By shape, I mean the outfit confers a distinctive silhouette. If these men took off their clothes, we can reliably guess their bodies would not be shaped like this:
If you're just dipping your toes into tailored clothing, start with a navy sport coat. This is something you can wear with a button-up shirt and pair of trousers, or something as casual as a t-shirt and some jeans. It's easily the most versatile jacket.
Key is to get something with texture so it doesn't look like an orphaned suit jacket. Spier & Mackay has great semi-affordable tailoring. Their navy hopsack Moro is made from pure wool and a half-canvas to give it shape. Classic proportions and soft natural shoulder
There's a pervasive belief that we no longer produce clothes in the United States. This is not true. In this thread, I will tell you about some great made-in-USA brands — some that run their own factories, while others are US brands contracting with US factories. 🧵
I should first note this thread focuses on well-made, stylish clothes produced in ethical conditions. For me, producing in the US is not enough. It means nothing if the clothes are ugly, crappy, or produced in sweatshop conditions. My article for The Nation below.
JEANS
Gustin produces MiUSA jeans using raw Japanese denim. "Raw" means the fabric hasn't been pre-distressed, allowing it to naturally fade with use, reflecting your actual body and lifestyle. I like their fuller 1968 Vintage Straight fit. They also do lots of other stuff.
Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.