The design of a traditional cathedral is theologically based and instructive in the Faith. Though beautiful, its construction is not arbitrary – it wasn’t arranged simply to look pretty. The layout, artwork, statues, and stained glass windows all serve an edifying purpose. 🧵
The plan of a cathedral is cruciform in shape. The north and south transepts (“arms”) represent Christ’s right and left hands on the cross. The entrance at the West end corresponds with His feet; one enters at the foot of the cross and works upward as they approach the altar.
The church is usually oriented eastward – ad orientem. Worshippers are always facing the rising sun, symbolizing Christ rising from the grave. The layout is divided into three parts: the narthex/vestibule for catechumens, the nave for laymen, and the sanctuary for clergy.
Let’s now start at the foot of the cross and work our way up toward the top.
The Western entrance is the "porta coeli," or Heaven’s Gate. This entrance contains three arches representing a triune God. Under these arches are double doors signifying Christ’s dual nature.
Through the porta coeli is the narthex. Traditionally catechumens and penitents could worship here without entering the nave. In the early Church, catechumens and penitents were prohibited from entering the nave until they had been properly catechized or reconciled.
Passing beyond the narthex, the baptismal font sits to greet those entering the nave, symbolizing that communion with the Church is first achieved through the waters of baptism.
The main body of the church is called the nave, deriving its name from the latin "navis," meaning “ship.” Here congregants gather in the “arc of salvation.” As Noah’s Arc was the only way to be saved from the flood, so the Church is the only way to be saved from damnation.
It’s no coincidence that many churches flaunt ribbed vaulted ceilings which resemble the hulls of ships.
To the nave’s sides are confessionals, reminding Christians that the path to salvation requires contrition for one’s sins.
“Confess your sins to one another and pray for one another, that you may be healed.”
Moving toward the top of the cross, a casket of a saint sometimes rests in front of the altar, reminding believers that passing through death is a necessary step in becoming fully united with Christ. Most often, a saint’s relics are placed within the altar itself.
Finally at the back of the cathedral is the altar and tabernacle. The altar is where the sacrifice of the mass occurs, when bread and wine is transubstantiated into the body and blood of Christ, a replication of the Last Supper and Christ’s death on Calvary.
The tabernacle is directly behind the altar, and houses the literal body of Christ, or “Word of God” as precluded in the Old Testament Ark of the Covenant.
Often at the apse, or top of the cruciform, a circlet of radiating chapels represent the crown of thorns on Christ’s head.
The layout is not the only theologically significant aspect of a traditional cathedral. Its stained-glass windows act as a veil between the outside secular world and the inside – what has been set apart from the world.
Like the “Holy of Holies” in Solomon’s temple described in the Old Testament, the inside of a church is veiled from the outside. Stained glass windows create a separation from the secular world to keep the contents within the Church pure.
Statues, mosaics, and paintings help to illustrate important stories in scripture. These images often cover the walls, windows, and ceiling; no space is left bare. This makes it impossible to divert attention away from holy things.
Even if one becomes distracted, their eyes are drawn to the holy images of the Church building, guide one's mind back to God.
The physical aspects of a cathedral aid its congregants in growing closer to Christ by creating an environment rich with Christian symbolism and meaning. Unfortunately, contemporary churches fail to convey much theological significance with their often lackluster designs.
The focus in this thread was on Western churches; Eastern churches have their own rich architectural tradition and symbolism. Thanks for following along!
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The design of a cathedral is theologically based and instructive in the faith. Though beautiful, its construction is not arbitrary — it wasn’t arranged simply to look pretty.
The layout, artwork, statues, and stained glass windows all serve an edifying purpose🧵
The plan of a cathedral is cruciform in shape and is usually oriented eastward—ad orientum. Worshippers face the rising sun, a daily reminder of Christ’s resurrection.
The north and south transepts or “arms” represent Christ’s right and left hands on the cross.
The entrance at the West end corresponds with His feet; one enters at the foot of the cross and proceeds upward as they approach the altar.
The layout is divided into three parts: the narthex/vestibule for catechumens, the nave for laymen, and the sanctuary for clergy.
The Holy Roman Empire lasted ~1000 years, and it looked like this:
How did such a fractured political entity last so long?
It has to do with a concept called “subsidiarity”, and it holds the key to implementing responsible government today 🧵 (thread)
Voltaire famously derided the Holy Roman Empire (HRE) as “neither Holy, nor Roman, nor an Empire”, but what couldn't be denied was its longevity.
Existing from 800-1806, it was birthed before William the Conqueror invaded England and continued on after the American Revolution.
It’s considered one of the longest lasting empires in history, a feat of particular intrigue when one considers its central geographical location and lack of natural defensible borders.
Early Christians had a complete Bible by the 4th century—but that’s not the only thing they were reading to deepen their faith.
Here’s what books the early Church read besides the Bible🧵
1. The Didache, Anonymous, 1st cent.
The Didache is a brief discourse that contains moral and ritualistic teachings—a handbook for a Christian life.
It’s speculated the apostles wrote it, and contains the formulas for baptism and eucharist that are still used today.
2. The Shepherd of Hermas, Hermas, 2nd cent.
St. Iranaeus considered it to be canonical scripture. Though it missed the cut, it’s a fascinating work that centers around the life of a former slave who's given mystical visions and parables informing him how to live a faithful life
Historian Will Durant was not a religious man, but he believed faith was "indispensable" to a culture.
He delivered a dire warning to societies who traded faith for comfort…🧵 (thread)
Will Durant was a 20th-century American historian and philosopher most known for his 11-volume “Story of Civilization,” telling the history of both eastern and western civilizations.
His work led him to conclude that all cultures follow a predictable pattern…
Civilizations first begin with religious fervor, giving a nation strength to overcome great difficulty.
It’s their faith in a higher power that allows them to bear the initial “growth pains” that precede prosperity.
Kenneth Clark lamented that civilization was a fragile thing.
He observed three “enemies” that could topple even the mightiest cultures.
What are they, and how can we prevent them?🧵
The first enemy is fear:
“fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything.”
Fear paralyzes a people and stifles adventure, invention, and grand building projects.
Machiavelli promoted a *realistic* approach to governance.
It didn’t always involve being nice.
His work "The Prince" is packed with hard hitting truths for rulers — but there’s one lesson that modern leaders MUST pay attention to, or risk losing everything…🧵
Niccolò Machiavelli was a 15-16th century Florentine diplomat, philosopher, and author who’s best known for his political masterpiece “The Prince”.
Often called the father of modern political philosophy, he wrote the book as a guide for potential rulers.
The Prince is a practical work, covering topics like: the ideal qualities of a prince; military counsel; and how a prince should manage his state.
For example, Machiavelli proposes that two institutions are integral to a ruler’s legitimacy…