He's wearing a ready-to-wear suit that was made to imitate certain Southern Italian tailoring details, typically done by bespoke tailors. Before I elaborate, I should note that there's nothing wrong with wearing RTW suits or machine-made versions of hand-executed details.
The pleating you see here is called a waterfall sleevehead. It's associated, but not exactly the same, with something called spalla camicia, which means "shirt shoulder" in Italian.
A normal suit will have a shoulder that looks like it's running under the sleeve (pic 1). A spalla camicia shoulder will look like the sleeve is running under the shoulder, not coming on top of it (pic 2). It's called a "shirt shoulder" because this is how your shirts are made.
This distinction has caused some confusion in my threads by people who may not be familiar with tailoring. They ask, "Why does he look like he has action figure arms?" It's because, in traditional tailoring, the sleevehead has a small ridge.
But in Southern Italy, and specifically Naples, you often see a very soft shoulder line combined with a spalla camicia construction, such that you don't get any ridge. The idea here is to make the jacket look a little more "natural" on the body
This has upsides and downsides. A slight ridge can help build up the shoulder without adding actual padding. It creates a more T shape. If you have narrow or rounded shoulders, a spalla camicia construction may not be flattering on you. (@SartorialNotes looks great here tho)
But this doesn't address why you see the pleating.
In Naples, great pride is taken to show a suit was handmade. On Savile Row, a suit is typically finished with a single row of handmade pick stitching. This prevents the edge from curling. The resulting dimples are very subtle.
In Naples, you will often see two rows of pick stitching, especially on more casual garments such as a linen suit or a casual sport coat. They will also do it with a thicker buttonhole twist thread to really make sure you can see it. The handmade quality here is unmistakable.
Sleeveheads are always cut larger than the armhole. A more conservative tailor will gently distribute that fullness around the armhole. But in Naples, some will push the fullness toward the top, so you get that waterfall effect seen here.
A small detour: this is not exclusive to Naples. Here is an Anderson & Sheppard sport coat from the 1980s or '90s. You can see how they put all the fullness under the arm (hence the pleating). This is called a "mutton leg." A&S doesn't do this anymore, but it was once done.
Back to Naples. The pleating is put into the top of the sleevehead to loudly announce that the garment was handmade. But the effect can be done better or worse, and whether someone likes the detail is a matter of taste. I'm ambivalent about it, but prefer subtly, like this:
About ten years ago, as Southern Italian became more popular, details such as this started to show up in ready-to-wear. And sometimes, they were just not very well done. You can tell Hawley's suit is ready-made bc the pick stitching looks like it was done with a nailgun.
It's very rare to see hand-executed pick stitching on a ready-made suit. The detail is typically done with a Complett or AMF machine bc most people can't tell the difference.
The shirring on Hawley's suit (pic 1) is a poor imitation of the real thing (pic 2).
Few people will notice these details. When shopping, it's more important to avoid things like this collar gap (see how the jacket collar does not touch his neck). But I thought I'd explain the weird sleevehead and why it looks like he has a pirate shoulder.
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Let's start with an experiment. Here are two men wearing tailored jackets with jeans.
Which do you think looks better?
If you choose the outfit on the right, then we have the same taste. But why does he look better?
The answer stems fro a basic rule of classic tailoring: the jacket needs to have a certain relationship with the trousers so as to form a harmonious whole.
On April 30th, Josh Smith of Montana Knife Company said you won't have to worry about tariffs if you buy American.
Last week, he realized his costs are going up bc he imports equipment and steel. And so do his suppliers.
IMO many people aren't aware of how much they import.
Genuinely not posting this to gloat, but hoping that people reevaluate how much of their life is connected to an international supply chain. Many small businesses, including artisans, will see their businesses shutter because of these tariffs, regardless of how they voted
Extremely long, but if you want to hear it, Josh breaks down the challenges he's facing. I hear similar stories in menswear (e.g., 3sixteen needing to import the best denim, which comes from Japan). All this now faces tariffs.
Glad I bought a Sebenza in MagnaCut before all this.
In this thread, I will tell you, definitively, whether Sydney Sweeney has great jeans.
This way, you will be more informed when shopping for your wardrobe . 🧵
I should state two things at the outset.
First, I never comment on womenswear because I don't know anything about it. This thread isn't actually about Sweeney's jeans (sorry, I lied). But in the last few days, I've seen grown men buying American Eagle jeans and I can't abide.
Second, while clothing quality matters, it's more important to develop a sense of taste. Buying clothes isn't like shopping for electronics — you don't "max out" specs. It's more like buying coffee — you sample around and identify what notes you like. Develop taste.
Sometimes I think about the closure of G. Lorenzi, a Milanese gentleman's shop that had been around for almost 100 years until their closure in 2014. The shop was special because it carried so many one-of-a-kind items from artisans — total handmade craft production, not factory.
At the time of their closure, they still carried over 20,000 items of 3,000 models, including speciality knives, picnic sets, and nutcrackers. They had over 100 styles of nail clippers and 300 different hairbrushes alone. Proprietor Aldo Lorenzi scoured the world for artisans.
There's nothing wrong with factory production. But as more of our lives get taken over by machines — including art and writing — this sort of production feels special.
Trailer for "A Knife Life," a documentary about the store by my friend Gianluca Migliarotti, available on Vimeo
I spent 15 yrs on a menswear forum. The longest argument I had was over a tiny detail that can be seen in this photo. For 6 months, I argued with the same five guys non-stop every day. The argument got so heated the forum owner banned one guy for life.
As I've mentioned before, there's a lot of coded language in menswear. Navy suits can be worn with black oxfords because this was the uniform of London businessmen. Brown tweeds go with brogues because these clothes were worn in the country. In this way, we get formal vs. casual.
The same is true for shoes. Tiny details come together to communicate something, much like how words form a sentence. Black is more formal than brown; calfskin more formal than suede or pebble grain; plain design is more formal than broguing. All of this stems from history.
The year is 2024 and you're browsing for a new shirt online. You come across a store selling shirts from Portuguese Flannel. You do your research and find they make quality garments: clean single-needle stitching, flat felled seams, quality fabrics, MOP buttons, classic designs
So you go ahead and purchase one. The shop charges 139 Euros and throws in free shipping. Given the exchange rate in 2024, that means you paid $163.19.