Someone asked how to get wrinkles out of tailored garments, such as suits, sport coats, and tailored trousers. I'll tell you how tailors do it, and then talk about how you can do it. 🧵
As ever, I think it's helpful to first understand that a suit (or sport coat) is not like casualwear. It's built up from many layers of material—haircloth, canvas, and padding—which are sewn together using techniques like pad stitching to give them a three-dimensional shape.
In a tailor's workshop, this shape will also be pressed in with a heavy industrial iron (which weighs about 15 lbs).
Pressing trousers is relatively straightforward. A tailor presses down on the fabric using a pressing cloth.
A pressing cloth is a midweight fabric that protects your tailored garments from an iron's hot plate. A tailor will use a pressing cloth because a hot iron can create shiny spots on dark worsteds, like navy suit pants, or burn marks on light-colored fabrics.
Pressing the legs is easy, as Liverano's workshop demonstrates in the video above. You lay the pressing cloth down and then press down with the iron. But the area around the hips is more complicated, especially if there are pleats.
For this, a tailor will use what's called a tailor's ham, which is basically a round pillow. The waistband and hip area are laid around the pillow, and then the tailor will again press down with the iron. This way, they can create fullness where they need.
These trousers have not been freshly pressed, but you can see how the combination of skilled pattern drafting, sewing, and pressing creates a garment that hangs perfectly. The waistband goes straight across. Pockets don't flare. Everything is perfect.
The same idea applies to jackets, but more so. A jacket is much more complicated than trousers, as it has more shaping through the shoulders and chest. Look at the roundness around the chest area. And the way the conical sleeves hang perfectly.
On a well-made jacket, the lapels will also have a nice roll, making them look like they're blooming out of the waist. This is created by skilled pad stitching and proper hand pressing. Gaetz's jacket has no roll bc the construction is not good & lapels have been pressed flat.
This is why pressing a jacket is much more complicated. A tailor will rely on a variety of tools to create the fullness and curves they need. Pressing a jacket properly is quite a skill and requires years of practice and training. Unlikely something you can do at home.
So where does that leave you?
Knowing how this is done in a workshop allows you to think about what you might want to do with your garments at home. If you're just trying to get the wrinkles out of the back of your knees, that's easy.
Get a pressing cloth from craft stores such as Michaels or Joann Fabrics. They are also available online. Wet the cloth a little with a spray bottle, or soak it and wring it out. Place it between your iron and pants (don't place an iron directly on your pants. Right pic is bad).
A tailor will have a very heavy industrial iron that weighs about 15 lbs. Your iron is much lighter, so you will need to apply some elbow grease. Press DOWN.
For the hips, you can use the tip of your ironing board (pic 1) or sleeveboard (pic 2).
Why would you buy a sleeveboard? Because they're useful for pressing sleeves, which is often the first area of a suit jacket or sport coat that loses its shape (particularly the sleevehead). They can also be good for touching up lapels.
The chest is a bit more complicated, and I would leave that to the pros. If you don't have someone near you who can hand press garments, consider sending stuff to Rave FABRICARE in Arizona. They're the best dry cleaner in the US. They do everything, including a sponge & press.
The reason you don't want to use devices such as a steamer is because you can wreck your clothing. All this is explained in this thread:
But let's talk practicality. The info above is about how a top-end tailor would get wrinkles out of your garment. This is most important on high-end tailored garments, which already have a lot of shape built in. Hand pressing is important because you want to preserve that shape.
But your garments at home may be simpler. It might be a J. Crew suit, which is more of an industrial product. A hand press may not have as much of an effect because the innards aren't the same. You may also be in a pinch (wedding day) or don't want to pay for a hand press.
In such cases, maybe you use a steamer. If you do, keep it away from things like the lapel, chest, and shoulders, where it can do real wreckage. Keep it to the bottom half of the garment and steam lightly. Be judicious with the steam. If you go overboard, you can get this:
If you press your trousers, at least use a pressing cloth, so you don't shine up your dark worsteds or create burn marks on light-colored fabrics. Use the tip of the ironing board for hard-to-reach places. Know that some areas of trousers benefit from having some fullness.
The other thing is to just buy garments that don't wrinkle as easily (except for linen, where wrinkles are part of the charm). Again, heavier fabrics wrinkle less than lightweight fabrics. And they can still wear cool.
A 14oz tropical wool, for example, is very breathable and will wear cooler than a 10oz cotton drill. When it comes to how "cool" something wears, the weave is more important than the weight. This stuff below is like a mesh screen.
With these sorts of materials—heavier flannels, high-twist wools, whipcord, etc.—you can get wrinkles out simply by hanging your garments up for a few days. The wrinkles will mostly fall out on their own. Everything really starts at the purchasing stage.
If you really want to go deep into this, here are two resources.
A video showing how you can press your jacket and trousers at home, according to a bespoke tailor
People keep asking me whether they can hang their garments in a steamy bathroom. You don't want to do this for two reasons.
First, steam in any form can distort the garment. Look at the two photos below, which show a jetted pocket on the same suit. The first photo shows the garment after a fresh press. The second photo shows what happens when you run a hot iron's steam over it. This distortion comes because the materials–the wool, canvas, and stitching—can shrink at different rates. You get a puckered mess. You can fix this with a good hand press, but sometimes the damage is permanent.
Second, to the degree that the steamy bathroom will make your garment lose its wrinkles, it can also lose its shape. Think of how a woman shapes her hair with a hot curling iron. The curls are created through a combination of heat *and* pressure (sort of like hand-pressing a garment with a hot iron).
But what happens if you run hot steam through her hair? Her hair would relax, and it would lose all the shape she put into it. This is the same as hanging your garment in a steamy bathroom. Yes, you may lose some wrinkles, but you may also lose some of the shaping. This shaping is what makes tailoring so unique. Suits and sport coats are not like casualwear because they can create very distinctive silhouettes. If you hang your garment in a steamy bathroom, you can wind up with a limp garment.
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I should first emphasize this thread is not meant to body shame. I mean that sincerely. Few men are built like Adonis, so when shopping for clothes, most will have their own fit challenges, including muscular figures. This thread is only meant to highlight a tailoring issue.
Let's first do an experiment. Which suit do you think looks better?
But first, let's play a game. Here are two men wearing gray tailored jackets with blue pants. Which outfit looks better to you? Ignore physical attributes of the people underneath and focus on the outfits. Then reply with your answer.
If you said the right looks better, then we have the same taste. In this case, we can again go back to history to understand our views.
As I've said before, our notions in traditional men's tailoring largely derive from Britain, where suits and sport coats were invented.
If you're looking for fabrics that you can wear in the summer, it's useful to consider three things: weight, weave, and fiber. If you only pay attention to one of these dimensions (say, linen), you will miss the bigger picture.
If you're shopping for shirts, then some of the better summer materials include linen, seersucker, madras, and very lightweight, open weave cottons. In the photo below, you can see a swatch of voile, which is a featherweight 2/3oz cotton that's so open, it's almost sheer.
You can see here why most men don't wear it. Without a jacket, the material can almost be indecent (although it's more forgiving in non-white colors like light blue). For this reason, some tailors double up the front, like you see on the right, but this limits the breathability.
As a general matter, my advice isn't really "go to this store" or "buy this brand." Rather, I encourage people to think about clothes in a certain way.
My advice isn't really about brands or stores because everyone has unique fit challenges they have to solve. Perhaps you have forward pitched shoulders or a barrel chest. Or maybe you have big thighs and a prominent seat. No single suit will work for everyone.
When shopping for a suit, it helps to know how they're made. Suit jackets and sport coats are unique in that they're made from layers of haircloth, canvas, and padding, which are shaped through darts, pad stitching, and ironwork. This is how you get the 3D shape.
A lot of attention is paid to craft traditions in Western Europe and North America, such as handsewn Hermes leather goods and bespoke Savile Row suits. But the uneven focus leads some to believe that things made outside of these places are low quality.
This is not true. 🧵
When I was on a menswear forum, there was a guy whose style I greatly admired. Like others on the forum, Niyi Okuboyejo loved men's tailoring. He had a technical understanding of how a jacket should hang from the shoulders. He also knew how to put things together in a classic way
At the same time, he also knew how to do things in his own voice and style, but in a way that looked good and not haphazard. Sometimes this was about adding a funky tie; other times, it was playing with materials and silhouette. All of these are still suits and sport coats!
I think "fun socks" should be used judiciously, as a lot of what's worn today feels more childish than whimsical. IMO, most men should avoid them entirely.
But if you insist on wearing them, here are some suggestions on how to make them look less bad. 🧵
Any time this topic comes up, people invariably bring up George HW Bush, who was known to wear fun socks later in life. While I wasn't a fan of those socks, I agree that Bush was well-dressed. I also think when you reach a certain age, you have license to wear whatever you want
There are a few reasons why most outfits look bad with these sorts of socks. First, most men are not at that senior age where these socks become charming.
Second, most of these socks look like something you acquire by sending in a proof-of-purchase from a cereal box.