Have you ever wondered why people seemingly dressed better in the past? There are many reasons, such as the wide availability of skilled tailors. But an overlooked one has to do with how fabrics have changed over time. 🧵
Fabrics come in a variety of weights. In Europe, this is measured in grams per square meter (GSM). In the US, it's measured in ounces per square yard. At a traditional tailor's workshop, midweight fabrics are 14oz. Lightweight is 12oz and below; heavy is 16oz and above.
When you look at photos of men in the past, they are typically wearing at least 14oz for their suits and sport coats, and 24oz for overcoats. It was not uncommon for winter suits to be made from fabrics as heavy as 18oz and overcoats to be 32oz Melton wool.
Even in the summer, it was not uncommon for men to wear fabrics in the 12 to 14 ounce range. They dealt with the heat by wearing fabrics with more open weaves. The more open the weave, the more easily your body heat can escape, and every breeze can be felt.
As the 20th century marched forward, two things happened. First, the growing availability of central heating meant that offices were warmer. Second, for men who could afford it, luxury tailoring became obsessed with finer, lighter, and silkier materials.
In the industry, fabrics are often given a number, which corresponds with how many spools—or "hanks"—can be spun out of a pound of raw wool. So if a fabric is said to be "60s," that means a pound of wool yielded 60 hanks. The finer the fiber, the more hanks—and softer to touch.
For generations, 60s was considered the best wool, but through selective breeding, farmers were able to produce sheep with finer fleeces. Then we got 70s and 80s wool. Although consumers were unaware of these numbers, people in the industry were obsessed with hitting 100.
When this was finally achieved in the 1960s, two British companies—Joseph Lumb & Sons and H. Lesser—decided to market their fabrics as “Lumb’s Huddersfield Super 100s.” The word "Super" conveyed that this stuff was the best. The marketing really took off, esp in Japan and Italy.
Italian brands have especially embraced lightweight Super fabrics. The soft, silky, and lightweight materials often complement their unconstructed tailoring, sleek styles, and, of course, warmer Italian weather. It's la dolce vita!
The problem is that lightweight fabrics have no "guts." They don't hang very well. They are also hard to tailor. In a bespoke workshop, a tailor will take great care to make sure the shoulder slope of your jacket follows your shoulder slope, etc.
When done well, this is how you're able to get these beautiful garments that hang perfectly, like the photo below. However, this is aided by slightly heavier fabrics. Lightweight fabrics will show every teeny, tiny imperfection (think of how your dress shirts look).
Any mismatch between your shoulder slope and the jacket's shoulder slope will show up as a wrinkle going from the middle of your back to your armpit. The garment will be harder to press, so you won't get those crisp lines. The slightest humidity will also cause it to pucker.
Trump buys his suits from Brioni, and they are almost certainly made from lightweight wools. Look at how his trousers wrinkle, especially as the cloth shifts from his seat to the front of his shoe. This is what is meant by "doesn't hang well." Compare to 2nd pic with heavy fabric
His clothes also hold their wrinkles more. This is most evident around his crotch, where the fabric often looks like used tissue paper.
By contrast, look at these linen suits. Linen, as you know, holds wrinkles—that's part of the charm. But since these suits are made from heavier 14oz linen fabrics, they rumple more than they wrinkle. You don't see those hard creases like on Trump's worsted wool pants.
It's harder to get clothes made from these fabrics nowadays. Among guys obsessed with tailoring, there are "cloth clubs" where members organize special runs of custom fabrics made to Old World specs. Stuff tailors beautifully.
In the ready-made market, there are still a lot of clothes made from midweight 14oz fabrics. A good rule of thumb: wear the heaviest fabric you can bear. Look for stuff with "guts." See how the trousers hang. This is the secret sauce in those old pics.
Please don't turn this thread into another annoying debate about respectability, the past, retvrn, conservative vs liberal politics, etc 😞 it's a thread about how different fabrics tailor
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In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare: