Have you ever wondered why people seemingly dressed better in the past? There are many reasons, such as the wide availability of skilled tailors. But an overlooked one has to do with how fabrics have changed over time. 🧵
Fabrics come in a variety of weights. In Europe, this is measured in grams per square meter (GSM). In the US, it's measured in ounces per square yard. At a traditional tailor's workshop, midweight fabrics are 14oz. Lightweight is 12oz and below; heavy is 16oz and above.
When you look at photos of men in the past, they are typically wearing at least 14oz for their suits and sport coats, and 24oz for overcoats. It was not uncommon for winter suits to be made from fabrics as heavy as 18oz and overcoats to be 32oz Melton wool.
Even in the summer, it was not uncommon for men to wear fabrics in the 12 to 14 ounce range. They dealt with the heat by wearing fabrics with more open weaves. The more open the weave, the more easily your body heat can escape, and every breeze can be felt.
As the 20th century marched forward, two things happened. First, the growing availability of central heating meant that offices were warmer. Second, for men who could afford it, luxury tailoring became obsessed with finer, lighter, and silkier materials.
In the industry, fabrics are often given a number, which corresponds with how many spools—or "hanks"—can be spun out of a pound of raw wool. So if a fabric is said to be "60s," that means a pound of wool yielded 60 hanks. The finer the fiber, the more hanks—and softer to touch.
For generations, 60s was considered the best wool, but through selective breeding, farmers were able to produce sheep with finer fleeces. Then we got 70s and 80s wool. Although consumers were unaware of these numbers, people in the industry were obsessed with hitting 100.
When this was finally achieved in the 1960s, two British companies—Joseph Lumb & Sons and H. Lesser—decided to market their fabrics as “Lumb’s Huddersfield Super 100s.” The word "Super" conveyed that this stuff was the best. The marketing really took off, esp in Japan and Italy.
Italian brands have especially embraced lightweight Super fabrics. The soft, silky, and lightweight materials often complement their unconstructed tailoring, sleek styles, and, of course, warmer Italian weather. It's la dolce vita!
The problem is that lightweight fabrics have no "guts." They don't hang very well. They are also hard to tailor. In a bespoke workshop, a tailor will take great care to make sure the shoulder slope of your jacket follows your shoulder slope, etc.
When done well, this is how you're able to get these beautiful garments that hang perfectly, like the photo below. However, this is aided by slightly heavier fabrics. Lightweight fabrics will show every teeny, tiny imperfection (think of how your dress shirts look).
Any mismatch between your shoulder slope and the jacket's shoulder slope will show up as a wrinkle going from the middle of your back to your armpit. The garment will be harder to press, so you won't get those crisp lines. The slightest humidity will also cause it to pucker.
Trump buys his suits from Brioni, and they are almost certainly made from lightweight wools. Look at how his trousers wrinkle, especially as the cloth shifts from his seat to the front of his shoe. This is what is meant by "doesn't hang well." Compare to 2nd pic with heavy fabric
His clothes also hold their wrinkles more. This is most evident around his crotch, where the fabric often looks like used tissue paper.
By contrast, look at these linen suits. Linen, as you know, holds wrinkles—that's part of the charm. But since these suits are made from heavier 14oz linen fabrics, they rumple more than they wrinkle. You don't see those hard creases like on Trump's worsted wool pants.
It's harder to get clothes made from these fabrics nowadays. Among guys obsessed with tailoring, there are "cloth clubs" where members organize special runs of custom fabrics made to Old World specs. Stuff tailors beautifully.
In the ready-made market, there are still a lot of clothes made from midweight 14oz fabrics. A good rule of thumb: wear the heaviest fabric you can bear. Look for stuff with "guts." See how the trousers hang. This is the secret sauce in those old pics.
Please don't turn this thread into another annoying debate about respectability, the past, retvrn, conservative vs liberal politics, etc 😞 it's a thread about how different fabrics tailor
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hope this chart demonstrates that you can't approach style in this pseudo-scientific way. you have to think of it as cultural language. if you wear 90% of these combos, you will look bad not bc of color theory but because of social norms
why do white dress shirts look good with grey wool trousers? and light blue chambray shirts look good with blue denim jeans? has nothing to do with color theory but rather cultural history.
"What about X color with Y color?"
You can't talk about color combinations without talking about aesthetics, which is in turn rooted in culture. Are you into a classic tailored aesthetic? Workwear? Prep? Avant-garde? Etc. Have to start with culture -> aesthetic -> color.
look at a photo where someone looks good in a t-shirt. what do you notice?
to me, there's often a certain ratio between their torso and legs. 🧵
sometimes this is achieved by the person tucking in their t-shirt. sometimes the person in the photo is sitting down, so you can't really tell what's going on. but there's always a specific ratio between torso and legs: slightly cropped torso, long legs.
sometimes a long t-shirt can look great, as long as its part of an intentional aesthetic. see rick owens, evan kinori, 90s hip hop aesthetics, skater style, etc.
Affordable stylish stuff you can find on eBay and elsewhere 🧵
Note that not everything on this list is going to fit your criteria for affordability because I didn't write this list specifically for you (as I don't know you). It's for a general audience. Take what's helpful; leave what's not.
Carhartt Double Knees (~$60)
Tough, durable, and handsome. Also a little fuller through the leg, which looks better than skinny chinos. Wear with denim trucker jackets, chore coats, and bombers. Black and brown are good colors.
Who dresses better? Alpha males or little dogs? Let's explore. 🧵
Tate's leather trenchcoat has crumpled lapels and is not very practical for the rain.
Pepsi's plastic coat is both functional and stylish. The baby blue trim and little snap button keep this from looking like a tarp. The sneakers are also a nice touch!
Pool fastened the bottommost button on his suit, thus causing the jacket's front edge to drag. Also, he's missing a tie, and most notably, wearing a beanie.
Blitz knows that beanies are for casualwear, so he wears a charcoal flannel. Black tonal coloring is very death metal. A+
there's a theory that when you wear something bold, you have to tone everything down so that you don't look like a clown. in fact, depending on the item, you should lean into the look. 🧵
if you're going to style metallic gold sneakers, think about who would have worn such things in history. i think of guys like rick james and elton john. thus, grey suit is totally wrong—you have to go tiger striped jacket and leather pants, or short shorts with gold bomber
reasonably, rep. nehls is not going to show up for work in such an outfit. not because it would be inappropriate, but because he doesn't have the personality to pull it off. the outfit would overpower him. he needs to keep it somewhere in the realm of tailoring.
— Jacket is shorter than halfway from collar to the floor (most evident in the third pic)
— A bit too tight through the waist
— No structure inside, so the garment wears like a cardigan. There is no shape like the jackets in the first tweet
The most egregious is this jacket. Sometimes, these short jackets can work in very casual outfits (see the Engineered Garments Bedford in the second pic). But Poilievre's jacket is still too small. Plus, the unique cut and fabric require that it be styled in very specific ways