A lot of people confuse fast fashion with cheap clothing. It's true that fast fashion is cheap, but not all cheap clothing is fast fashion. The two terms are not synonymous. Fast fashion is a very distinctive thing. 🧵
Let's start at the beginning. Before the mid-19th century, most clothing was made by women in the home or by a tailor. Ready-made clothing was largely limited to cheap workwear, such as what would have been worn by slaves, miners, and sailors.
In 1849, Brooks Brothers invented the first ready-made suit. Soon after, they also produced ready-made uniforms for both sides of the American Civil War. In the early days of ready-made manufacturing, clothing quality was quite poor, esp when compared to tailor-made clothes
In fact, Brooks Brothers ran into trouble when their military uniforms fell apart in the rain. Facing a shortage of wool, the uniforms were made from shredded bits of decaying rags, sawdust, and glue, which were pressed into a semblance of cloth. US gov took them to court later.
Over time, ready-made manufacturing improved. The first big jump came when the US military gave factories their data on the measurements of enlisted soldiers (chest size, neck size, arm length, etc). This is how they made clothes that mostly fit the average person.
I will spare you the details of how various technologies improved, such as how pad stitching, traditionally done by hand, was eventually done with a single thread rollpadding machine, saving hours from production time. Video below shows how it's done at some factories now.
Suffice it to say that clothing production went from being one item made for a specific person to multiple garments made for the masses.
This created a new business model. For much of the 20th century, clothing production went like this:
A designer would come up with an idea, create samples, take those samples to a trade show, and show the collection to store buyers, who would then place orders. These orders would go into production and, about six months later, show up in stores. That's when you see them.
Then something happened in the 1980s. Faced with stiff competition and cheap imports, US companies developed something called the "quick response system." In this new model, a store would only stock a limited number of items in each clothing style.
If those items did well during the season, they would quickly restock. This is different from the old system, where you went to a tradeshow, bought a bunch of stuff, and then sold them six months later. You kept tighter reins on inventory supply & manufacturing.
So instead of ordering 100 blue shirts and 100 red shirts, and then selling through, you might only order 50 blue shirts and 50 red shirts. If blue shirts do well that season, you quickly re-up. This limits your risk and allows you to quickly respond to demand.
This shift requires digital technology, new inventory systems, and tighter control over the manufacturing supply chain. The system was later perfected by companies like Zara and H&M.
This is the start of fast fashion. Fast fashion is about quickly responding to trends in the market and meeting demand with cheap clothing. It requires very specific inventory and supply chain management systems.
Remember, in the old system, a designer might debut a look on the runway, and it shows up in stores about 8 months later. In the new system, a fast fashion brand looks at the runway, copies the look, and it's in stores maybe a week later—before even the designer's collection.
The lack of thought in design and the rapidity of production allow these companies to drop many more collections. Designers typically do 2-5 collections per year. H&M does 16. Zara does 24. Shein has new drops hourly. The sheer number of options at these stores is staggering.
The real problem with fast fashion is that it speeds up the trend cycle. Oh, fleece and motorcycle jackets are trending? Mash them together and sell fleece moto jackets. The sudden ubiquity of these designs means they become "burnt," and no one wants to wear them anymore.
The rapidity of fashion is certainly not limited to fast fashion. When he left Dior, Raf Simons complained that fashion moved from doing 2 shows per year to 6 shows (spring/ summer, fall/winter, mid-seasons, pre-seasons, and resort). This leaves no time for the creative process.
But fast fashion has sped this up to a breakneck pace. Online content creators encourage huge shopping hauls. Many run out of things to say. Hungry for new content, they talk about quickly evaporating trends.
Fast fashion works in this entire ecosystem where consumers with limited budgets are trying to keep up with rapidly vanishing trends, so they buy new stuff that they wear once, sometimes not even at all, before throwing stuff away. The result is an ecological disaster.
This system puts a strain on workers who have to produce cheap, trendy clothing. Last month, I interviewed one of these workers. She makes $50 for a 12-hour shift. She shares a 2 bedroom room apartment with 6 other ppl. She sleeps in the kitchen.
There are certainly problems with cheap clothing. Workers involved are often not making enough to live. But fast fashion is a distinct sub-category of cheap clothing. It's about bringing the hottest, trendiest looks as quickly as possible. Hence the term "fast fashion."
There are a lot of cheap brands that are not fast fashion. Hanes, Dickies, Carhartt, Camber, Lands' End, Vans, Wrangler, Lee, and Clarks are not about bringing the hottest trends off the runway to the store ASAP. I would include The Gap, Old Navy, and Uniqlo in that.
One can quibble. Uniqlo has collaborated with Lemaire, Jil Sander, and Engineered Garments; The Gap famously collaborated with Kanye and Balenciaga. These are designer-ish looks for less money. But I think this is still different from what Shein is doing.
Mostly, I think a lot of people online conflate "cheap clothing" with "fast fashion," and don't make some important distinctions. IMO, fast fashion is a unique system that should be couched in the context of the evolution of fashion production.
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A lot of attention is paid to craft traditions in Western Europe and North America, such as handsewn Hermes leather goods and bespoke Savile Row suits. But the uneven focus leads some to believe that things made outside of these places are low quality.
This is not true. 🧵
When I was on a menswear forum, there was a guy whose style I greatly admired. Like others on the forum, Niyi Okuboyejo loved men's tailoring. He had a technical understanding of how a jacket should hang from the shoulders. He also knew how to put things together in a classic way
At the same time, he also knew how to do things in his own voice and style, but in a way that looked good and not haphazard. Sometimes this was about adding a funky tie; other times, it was playing with materials and silhouette. All of these are still suits and sport coats!
I think "fun socks" should be used judiciously, as a lot of what's worn today feels more childish than whimsical. IMO, most men should avoid them entirely.
But if you insist on wearing them, here are some suggestions on how to make them look less bad. 🧵
Any time this topic comes up, people invariably bring up George HW Bush, who was known to wear fun socks later in life. While I wasn't a fan of those socks, I agree that Bush was well-dressed. I also think when you reach a certain age, you have license to wear whatever you want
There are a few reasons why most outfits look bad with these sorts of socks. First, most men are not at that senior age where these socks become charming.
Second, most of these socks look like something you acquire by sending in a proof-of-purchase from a cereal box.
Most people think of black tie as the most formal kind of menswear, but technically speaking, it's semi-formal evening attire. Historically, men wore this kind of outfit to dinner or evening shows, such as going to the opera or ballet. Or celebrations such as NYE parties.
White tie is true formalwear. It differs from black tie primarily in how it requires a long tailcoat (black tie originated when men cut the tails off their coats to create a more casual garment for dinner). Also requires a white waistcoat, white tie, and wing collar.
If you're interested in bespoke tailoring and based in the United States, I have some trunk show announcements to share with you. Since Twitter recently changed their formatting options, I will be doing this as a thread. 🧵
Matthew Gonzalez
There's a long history of cross-border influence and immigration in tailoring, but as far as I know, Matthew Gonzalez is the first American to operate under his own banner on Savile Row. Born and raised in Southern California, he moved to London about twenty years ago to pursue a degree in bespoke tailoring from the London College of Fashion. Thereafter, he climbed the ranks — moving from undercutter at Thom Sweeney to cutter at Dunhill and eventually Huntsman, where he achieved his longtime goal of cutting on Savile Row.
Today, he runs his own firm, where he merges his California sensibility with his training in British bespoke craftsmanship. He recently told me he admires a photo of JFK staring out of a window. The President dressed in a dark worsted suit, white button-up shirt, and dark silk necktie, but everything about the photo looks very casual and relaxed. This, he told me, is what American style means to him.
Gonzalez cuts suits and sport coats inspired by that mid-century American tailoring, although he's adamant about not wanting the clothes to look like historical costumes. Thus, while the jackets have a soft, natural shoulder line, he sticks with front darts and prefers side vents (rather than the dartless front and hook vent characteristic of Ivy Style). The lapels have a moderate width and minimal belly (the curve sometimes distinguishing an older style of British tailoring). The garments are designed so they can be teamed with a dress shirt and tie, or something more casual such as a chambray button-up.
Given Gonzalez's penchant for slightly more relaxed, casual attire, it's no surprise that he also offers made-to-measure suede jackets, wool-cashmere shawl collar cardigans, and denim Western shirts (made without the contrast stitching, so they look more at home with tailoring). He's also one of the few bespoke tailors I've met who "gets it" when it comes to the polo coat, arguably the most iconic of American overcoat styles. Gonzalez tells me he thinks a polo coat should have letter box patch pockets, a half belt, gauntlet cuffs, an inverted back pleat, and a center button vent. But crucially, he also thinks the split-sleeves should be made with a lapped seam. To my eye, this makes the garment more casual and sporty—truer to its original roots—and allows the tailor to shape the sleevehead.
Consider Gonzalez if you share the same sensibilities: a love for classic American tailoring, but a suspicion of styles that are too anachronistic, and a bias towards clothes that feel more relaxed and casual. The point about Gonzalez using a split-sleeve with a lapped seam demonstrates that he takes care of details that may not occur to a client, but will be appreciated years down the road.
Taillour
In bespoke tailoring, there's a generally accepted rule that most clients would do well to observe: choose a company based on their house style and stay close to it. The term "house style" refers to the tailor's established methods, which combine to create clothes with a distinguishable fit and feel. Just as you wouldn't order burritos from a ramen chef, you shouldn't ask an English tailor for an Italian jacket (or vice versa).
Taillour is one of the few exceptions. Co-founder and head cutter Fred Nieddu has worked in the bespoke tailoring industry for decades, cutting for firms such as Thom Sweeney and even teaching pattern drafting courses at the London College of Fashion. A good percentage of his current workload involves making clothes for films and TV shows. In fact, you may have seen his creations. He made all the menswear for the Netflix series The Crown, the suits in the film The Phoenician Scheme, and one of the colorful costumes for Wonka. Given this experience, he's more flexible than most tailors regarding what he's willing and able to make.
Still, I think it's always a good idea to stay close to the house style. I think of Taillour's house style as very soft but architectural in its lines. Nieddu uses a full body canvas and only a bit of laptair near the wearer's collar bone to prevent the jacket from sinking. The shoulders are minimally padded, giving the garments a very light feel. While Neapolitan tailors are known for a similar construction, Taillour's jackets have a bit more room and shape. The shoulder line is very straight, and the chest is slightly full. When combined with those characteristically straight lapels and larger jacket collar, I find Taillour's jackets have an angular appearance reminiscent of Apparel Arts drawings.
Consider Nieddu if you want a tailor who's a bit more flexible in terms of what they're willing to make (although, again, I recommend tweaking at the margins, not bringing in a photo of something and asking for it to be copied). He has also made clothes for women, which will be useful if you're looking for someone who can make a women's suit, sport coat, or overcoat.
Summer is around the corner and soon you'll read a bunch of tweets about how every man should have a pair of loafers.
I don't think anyone needs anything, but if you're shopping for a pair, let me show you how to think about loafers. This applies to any wardrobe item. 🧵
When it comes to choosing loafers, a simple answer will go something like this: "Such-and-such brand makes the best pairs." Or "Here's a hierarchy of loafers." IMO, such approaches are reductive and often devolve into trend or status pursuits.
Let me show you another approach.
As always, it's helpful to start at the beginning.
There are a few origin stories for loafers, but most lead back to Norway. If menswear lore is to be believed, then the penny loafer comes from a simple slip-on shoe known as the teser, which was once worn by Norwegian peasants.
Someone asked if I could tell them where to buy a pair of good chinos. In this thread, I will tell you, but my answer is not simple. On the upside, I think this is a better approach when shopping for clothes and you can apply it to any kind of item. 🧵
A simple answer will go something like this: "Such-and-such makes the highest quality chinos." Or "this brand provides the best value." While potentially useful in some respects, I don't think this gives you the fullest picture.
Instead, let's start at the beginning.
During the 1898 Spanish-American War, US troops stationed in the Philippines wore sand-colored pants made from a heavy cotton twill woven in China. Since the Philippines had been under Spanish colonial rule at this time, the locals call these "pantalones chinos" (Chinese pants).