derek guy Profile picture
Dec 27, 2023 24 tweets 8 min read Read on X
A lot of people confuse fast fashion with cheap clothing. It's true that fast fashion is cheap, but not all cheap clothing is fast fashion. The two terms are not synonymous. Fast fashion is a very distinctive thing. 🧵 Image
Let's start at the beginning. Before the mid-19th century, most clothing was made by women in the home or by a tailor. Ready-made clothing was largely limited to cheap workwear, such as what would have been worn by slaves, miners, and sailors. Image
In 1849, Brooks Brothers invented the first ready-made suit. Soon after, they also produced ready-made uniforms for both sides of the American Civil War. In the early days of ready-made manufacturing, clothing quality was quite poor, esp when compared to tailor-made clothes Image
In fact, Brooks Brothers ran into trouble when their military uniforms fell apart in the rain. Facing a shortage of wool, the uniforms were made from shredded bits of decaying rags, sawdust, and glue, which were pressed into a semblance of cloth. US gov took them to court later. Image
Over time, ready-made manufacturing improved. The first big jump came when the US military gave factories their data on the measurements of enlisted soldiers (chest size, neck size, arm length, etc). This is how they made clothes that mostly fit the average person.
I will spare you the details of how various technologies improved, such as how pad stitching, traditionally done by hand, was eventually done with a single thread rollpadding machine, saving hours from production time. Video below shows how it's done at some factories now.
Suffice it to say that clothing production went from being one item made for a specific person to multiple garments made for the masses.

This created a new business model. For much of the 20th century, clothing production went like this:
A designer would come up with an idea, create samples, take those samples to a trade show, and show the collection to store buyers, who would then place orders. These orders would go into production and, about six months later, show up in stores. That's when you see them. Image
Then something happened in the 1980s. Faced with stiff competition and cheap imports, US companies developed something called the "quick response system." In this new model, a store would only stock a limited number of items in each clothing style.
If those items did well during the season, they would quickly restock. This is different from the old system, where you went to a tradeshow, bought a bunch of stuff, and then sold them six months later. You kept tighter reins on inventory supply & manufacturing. Image
So instead of ordering 100 blue shirts and 100 red shirts, and then selling through, you might only order 50 blue shirts and 50 red shirts. If blue shirts do well that season, you quickly re-up. This limits your risk and allows you to quickly respond to demand.
This shift requires digital technology, new inventory systems, and tighter control over the manufacturing supply chain. The system was later perfected by companies like Zara and H&M. Image
This is the start of fast fashion. Fast fashion is about quickly responding to trends in the market and meeting demand with cheap clothing. It requires very specific inventory and supply chain management systems.
Remember, in the old system, a designer might debut a look on the runway, and it shows up in stores about 8 months later. In the new system, a fast fashion brand looks at the runway, copies the look, and it's in stores maybe a week later—before even the designer's collection. Image
The lack of thought in design and the rapidity of production allow these companies to drop many more collections. Designers typically do 2-5 collections per year. H&M does 16. Zara does 24. Shein has new drops hourly. The sheer number of options at these stores is staggering. Image
The real problem with fast fashion is that it speeds up the trend cycle. Oh, fleece and motorcycle jackets are trending? Mash them together and sell fleece moto jackets. The sudden ubiquity of these designs means they become "burnt," and no one wants to wear them anymore. Image
The rapidity of fashion is certainly not limited to fast fashion. When he left Dior, Raf Simons complained that fashion moved from doing 2 shows per year to 6 shows (spring/ summer, fall/winter, mid-seasons, pre-seasons, and resort). This leaves no time for the creative process. Image
But fast fashion has sped this up to a breakneck pace. Online content creators encourage huge shopping hauls. Many run out of things to say. Hungry for new content, they talk about quickly evaporating trends. Image
Fast fashion works in this entire ecosystem where consumers with limited budgets are trying to keep up with rapidly vanishing trends, so they buy new stuff that they wear once, sometimes not even at all, before throwing stuff away. The result is an ecological disaster.
This system puts a strain on workers who have to produce cheap, trendy clothing. Last month, I interviewed one of these workers. She makes $50 for a 12-hour shift. She shares a 2 bedroom room apartment with 6 other ppl. She sleeps in the kitchen.

thenation.com/article/archiv…
There are certainly problems with cheap clothing. Workers involved are often not making enough to live. But fast fashion is a distinct sub-category of cheap clothing. It's about bringing the hottest, trendiest looks as quickly as possible. Hence the term "fast fashion."
There are a lot of cheap brands that are not fast fashion. Hanes, Dickies, Carhartt, Camber, Lands' End, Vans, Wrangler, Lee, and Clarks are not about bringing the hottest trends off the runway to the store ASAP. I would include The Gap, Old Navy, and Uniqlo in that.
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One can quibble. Uniqlo has collaborated with Lemaire, Jil Sander, and Engineered Garments; The Gap famously collaborated with Kanye and Balenciaga. These are designer-ish looks for less money. But I think this is still different from what Shein is doing.
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Mostly, I think a lot of people online conflate "cheap clothing" with "fast fashion," and don't make some important distinctions. IMO, fast fashion is a unique system that should be couched in the context of the evolution of fashion production. Image

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More from @dieworkwear

Nov 23
Here is the very nerdy, deep in the cut menswear take on white dress shirts. 🧵
The very basic Menswear 101 view is that white dress shirts are classic. Magazines will often say: "White shirts are a blank canvas! They're classic, so stock up on them. Every man should have a stack of white shirts bc they go with everything." Image
In fact, you might not need a stack. And they do not, in fact, go with everything. Or at least, they're not the optimal choice in every situation.

The main reason why white shirts aren’t that versatile is because they’re inherently formal.
Read 15 tweets
Nov 22
Any time you're wondering whether you should purchase something, I encourage you to think about how you want to dress. That's because every aesthetic is guided by its own unique set of "rules." Let me give you an example. 🧵
What is the aesthetic you're going for? What are you inspired by? Are you inspired by a more classic aesthetic, such as the tailored clothing worn in the 1930s through 80s? Image
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If you're inspired by that style, you don't have to dress like you stepped out of a 1950s film. You can identify the basic contours of the aesthetic and communicate it in a way that feels natural today. IMO, these look perfectly modern: Image
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Read 14 tweets
Nov 20
IMO, if you want to dress creatively, there are better and worse ways to do it. 🧵
Of course, no one cares about any of this stuff anymore and few people will recognize the subtle differences listed in this thread. So much of this will be for your private pleasure. But I want to encourage you to take a more thoughtful approach to creativity.
When men try to make an outfit look more creative or expressive, they often tack some unexpected element onto the ensemble. If we're talking tailoring, that might be a pair of "fun socks." Or adding things like elbow patches and contrast buttonholes to the jacket. Image
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Read 20 tweets
Nov 19
Barbour has always been vaguely conservative coded, esp in Western Europe. But this doesn't mean you can't wear it if you don't share those political views. It's all about knowing the different levels of Barbour. 🧵
There are two main models: the Bedale and the Beaufort. They differ in some small ways, such as the Bedale having ribbed cuffs. But the main difference is length. The shorter Bedale is better with casualwear; the longer Beaufort is better for layering over sport coats. Image
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Given Barbour's rustic heritage, it sits naturally alongside things such as five-pocket cords, Aran sweaters, Shetland knits, roughout suede boots, and Brady fishing bags. IMO, this sort of outfit is unassailable and can be worn by anyone. Image
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Read 17 tweets
Nov 19
I often get asked if there's a "womenswear version" of me. Here's a thread addressing that, which includes a caveat and some resources. 🧵 Image
First, I think it's a bad idea to go into this looking for a "womenswear version" of me. You'll never find this, just as you won't find a menswear version of a womenswear content creator. Everyone has their unique voice and perspective, which is what makes this space interesting. Image
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Instead, I think you should judge each person on their own terms. Do you find their output useful? By listening and following a bunch of people, you will get a richer, more interesting experience.

In this thread, I'll list some womenswear voices I follow. But there's a caveat! Image
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Read 21 tweets
Nov 17
I don't know anything about womenswear and have no opinion on how women dress. But for menswear, it's true that connecting time and color can be a useful way for thinking about how to dress. 🧵
To understand why, we should first go back to the early 20th century when men's dress was more heavily governed by TPO (time, place, and occasion). This is where we get the terms morning dress, dinner suit, and smoking jacket.

Pics below: morning dress vs dinner suit Image
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It's important to note this wasn't for all of society. In the early 20th century, our notions of dress were more heavily dictated by the ruling class. As the century marched forward, dress influence switched from just those with financial capital to those with cultural capital.
Read 17 tweets

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