First, there are some immutable things about tailoring regarding fit. These are technical things—not having to do with style or silhouette, but just whether the clothes actually fit you.
The jacket's collar should always stay seated on your neck, even when you move. In the first photo, the distance between the jacket's collar and Kimmel's neck is known as a collar gap. This is bad. Aim for the second photo. It should stay like this even as you shift around.
There are a bunch of technical things regarding fit that can be collapsed into the general advice: avoid pulling, wrinkles, and weird lines. Gaetz here is wearing a jacket that's far too trim. If you see the waist button pulling, your coat is too slim.
Lastly, get your trousers hemmed so they either have a single break or the hem is just grazing the top of your shoes. Get your sleeves hemmed so you're showing about a quarter inch of shirt cuff. It's shocking how often you see guys with fabric puddling around their ankles.
This sets the groundwork for how a suit should fit in technical terms. The rest is about style—or the language of what a suit expresses. Tailoring has gone through many iterations in the last 150 or so years. Knowing that history can help you express what you want.
A lot of what you see in that original video draws from the 1970s. So we're talking big lapels, lower gorge (the seam that connects the collar to the lapel), big shirt collars, tiny belts, higher trouser rise, and sometimes a flared leg.
This is the opposite of what we've seen in the last 20 years, which is thin lapel, tiny shirt collar, trim pants, low rise, short jacket, etc. This look, which started with designers such as Hedi Slimane and Thom Browne, is now on Main Street.
This means you have to search for clothing made in the correct proportions if you want to channel that 1970s energy. One good starting place is Husbands Paris. They do ready-to-wear and made-to-measure.
If you can afford to spend a little more, check out Edward Sexton (Nina Penlington is now the firm's head cutter since Edward passed away) and Kyosuke Kunimoto (a Japanese tailor). Both are really good at doing this look.
Here is a video of Leon Bridges in velvet suit made for him by Kyosuke Kunimoto. Notice wide, slightly curved lapels (the curvature is known as a "belly") and taped edges. While fashion-forward, the collar still hugs his neck. This is the technical part of fit.
In the 1970s, suits were made from materials like wool gabardine and ribbed calvary twill. They were often made in dusty colors, such as taupe, making them look less "serious" and "business" than a navy worsted.
Start with an understanding of how materials/ colors were used, and then ask how you plan to use the suit. **Don't buy stuff just bc it looks cool.** Ask: How do I plan to use this suit? What's the season and time of day? This informs your choice.
OK, so we've nailed
1. How a suit should fit 2. What the proportions should be 3. What materials you might want to use
Let's move on to the rest.
If you're wearing a fashion-forward suit, you're prob wearing this to a non-business setting. So you prob want to dress this down. Try wearing it with a snap-button denim Western shirt, rayon shirt, camp collar shirt, long-sleeve polo, or a retro-style knit (like in the vid)
Bryceland's, Scott Fraser Simpson, Todd Snyder, Gitman Bros, and Proper Cloth can be helpful retailers here. If you want, you can try to splay the collar outside of the jacket, although I find some guys pull that off better than others. Experiment.
Next, get the right pair of shoes. Loafers—penny, tassel, or horsebit—will be a relatively low-risk purchase, as you can use those for other things in case you move from this style. You can also try Chelseas or side zip boots. Oxfords only with suits, please.
Finally, accessories. A thin gold chain and some large eyewear frames will give this look some umph. I like Jacques Marie Mage and Moscot's Shtarker for eyewear. Daniel Jewelry in Hialeah Gardens, Florida has nice gold chains.
Idea is to know some basic things about tailoring, then use proportions, materials, shirts, shoes, and accessories to express what you want. Even things traditionally seen as stodgy, such as a brass button double-breasted blazer, can be made to look cool, like IG ethanmwong here
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Although it's rarely expressed in outright terms, people often use a very simple heuristic when solving fashion problems: they wish to look rich, which is often disguised as "respectable."
I will show you why this rarely leads to good outfits. 🧵
In 1902, German sociologist Georg Simmel neatly summed up fashion in an essay titled "On Fashion." Fashion, he asserted was simply a game of imitation in which people copy their "social betters." This causes the upper classes to move on, so as to distinguish themselves.
He was right. And his theory explains why Edward VIII, the Duke of Windsor, was the most influential menswear figure in the early 20th century. By virtue of his position and taste, he popularized soft collars, belted trousers, cuffs, Fair Isle sweaters, and all sorts of things.
It's funny to see people imbue traditional men's tailoring with their own prejudices. They assume every man who wore a suit in the far past must be a staunch conservative like them. The truth is much more complicated. 🧵
This bias, of course, stems out of the 1960s and 70s, from which many of our contemporary politics also spring. I don't need to belabor this point because you already know it. The framing is neatly summed up in this Mad Men scene — the rag tag hippie vs man in a suit.
Thus, people assume that men in suits must always be part of the conservative establishment. But this was not always so. The suit was once a working man's garment. When Keir Hardie, founder of the Labour Party, arrived for his first day in Parliament, he wore a suit.
There's no "right" or "wrong" answer here, so feel free to go with your gut. I will then give you my views below. 🧵
In men's tailoring, the area below the jacket's buttoning point is colloquially known as the "quarters" among menswear enthusiasts. Or the "front edge" by actual tailors. These terms refer to the edge of the coat, connecting to lapels.
Some suit jackets have very closed quarters, such as you see on the left. In this way, the jacket forms a Y-shaped silhouette.
Other suits have open quarters, such that the front edge sweeps back on the hips, as you see on the right. This forms an X-shaped silhouette.
We will start with the most formal and work our way down, so that you can adjust things in ways that make sense for you.
The first and most obvious choice is to wear a soft-shouldered suit rendered in a material such as linen or seersucker. Seersucker can even be tonal (pic 4)
However, when it comes to dressing for the heat, it's important to remember that the fabric's weight and weave are more important than fiber. A 10oz tropical wool — known for its open weave — will wear cooler than a densely woven 14 oz linen because it allows air to pass through
Let's first start with some terms. The term oxford refers to a footwear style where the facings have been sewn into the vamp. By contrast, the term derby refers to a style where the facings sit on top of the vamp.
On the left, we see an oxford. On the right, we see a derby.
I believe that men wore tailored clothing best from the 1930s through '80s. If you share this premise, there are certain ideas about how an outfit should be put together, such as how oxfords look best with suits, while derbies go with suits or sport coats
I interviewed a clothing factory once who said he's excited to implement robotics AI. He said this will make US manufacturing more competitive against China. I asked, "And what happens when Chinese factories also implement robotics AI?" He said, "Oh, I hadn't thought of that."
Chinese factories also have these machines. All you've done is deskill the worker, making it harder for their wages to grow. Your land and labor costs are still higher than China, India, or any other place where they can pay someone to do this simple manual operation.
If you want to reshore US manufacturing in apparel, you have to move up the value chain. Look at other successful countries: France, Italy, and Japan. They don't make crappy t-shirts. They make high-end leather goods, suits, and denim. Requires skills that can't be automated