First, there are some immutable things about tailoring regarding fit. These are technical things—not having to do with style or silhouette, but just whether the clothes actually fit you.
The jacket's collar should always stay seated on your neck, even when you move. In the first photo, the distance between the jacket's collar and Kimmel's neck is known as a collar gap. This is bad. Aim for the second photo. It should stay like this even as you shift around.
There are a bunch of technical things regarding fit that can be collapsed into the general advice: avoid pulling, wrinkles, and weird lines. Gaetz here is wearing a jacket that's far too trim. If you see the waist button pulling, your coat is too slim.
Lastly, get your trousers hemmed so they either have a single break or the hem is just grazing the top of your shoes. Get your sleeves hemmed so you're showing about a quarter inch of shirt cuff. It's shocking how often you see guys with fabric puddling around their ankles.
This sets the groundwork for how a suit should fit in technical terms. The rest is about style—or the language of what a suit expresses. Tailoring has gone through many iterations in the last 150 or so years. Knowing that history can help you express what you want.
A lot of what you see in that original video draws from the 1970s. So we're talking big lapels, lower gorge (the seam that connects the collar to the lapel), big shirt collars, tiny belts, higher trouser rise, and sometimes a flared leg.
This is the opposite of what we've seen in the last 20 years, which is thin lapel, tiny shirt collar, trim pants, low rise, short jacket, etc. This look, which started with designers such as Hedi Slimane and Thom Browne, is now on Main Street.
This means you have to search for clothing made in the correct proportions if you want to channel that 1970s energy. One good starting place is Husbands Paris. They do ready-to-wear and made-to-measure.
If you can afford to spend a little more, check out Edward Sexton (Nina Penlington is now the firm's head cutter since Edward passed away) and Kyosuke Kunimoto (a Japanese tailor). Both are really good at doing this look.
Here is a video of Leon Bridges in velvet suit made for him by Kyosuke Kunimoto. Notice wide, slightly curved lapels (the curvature is known as a "belly") and taped edges. While fashion-forward, the collar still hugs his neck. This is the technical part of fit.
In the 1970s, suits were made from materials like wool gabardine and ribbed calvary twill. They were often made in dusty colors, such as taupe, making them look less "serious" and "business" than a navy worsted.
Start with an understanding of how materials/ colors were used, and then ask how you plan to use the suit. **Don't buy stuff just bc it looks cool.** Ask: How do I plan to use this suit? What's the season and time of day? This informs your choice.
OK, so we've nailed
1. How a suit should fit 2. What the proportions should be 3. What materials you might want to use
Let's move on to the rest.
If you're wearing a fashion-forward suit, you're prob wearing this to a non-business setting. So you prob want to dress this down. Try wearing it with a snap-button denim Western shirt, rayon shirt, camp collar shirt, long-sleeve polo, or a retro-style knit (like in the vid)
Bryceland's, Scott Fraser Simpson, Todd Snyder, Gitman Bros, and Proper Cloth can be helpful retailers here. If you want, you can try to splay the collar outside of the jacket, although I find some guys pull that off better than others. Experiment.
Next, get the right pair of shoes. Loafers—penny, tassel, or horsebit—will be a relatively low-risk purchase, as you can use those for other things in case you move from this style. You can also try Chelseas or side zip boots. Oxfords only with suits, please.
Finally, accessories. A thin gold chain and some large eyewear frames will give this look some umph. I like Jacques Marie Mage and Moscot's Shtarker for eyewear. Daniel Jewelry in Hialeah Gardens, Florida has nice gold chains.
Idea is to know some basic things about tailoring, then use proportions, materials, shirts, shoes, and accessories to express what you want. Even things traditionally seen as stodgy, such as a brass button double-breasted blazer, can be made to look cool, like IG ethanmwong here
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After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare:
If you mainly wear suits and sport coats, then you will want a simple dress watch on a leather strap. Remember that the spirit here is elegance, so the watch should also be elegant. Certain dress chronos can also work, such as the Vacheron Constantin 4072 in pic 4
If your wardrobe leans a bit more rugged — bombers, boots, raw denim — then you'll want a similarly rugged tool watch. Something like a dive watch or G-Shock. These larger watches will look more at home with your visually heavy clothes. Although small military watches also work