Let's compare the tailoring in two film scenes. Here is Fred Astaire dancing in Broadway Melody of 1940. Pay attention to how his clothing moves with him. 🧵
Here's the opening scene of Spectre. Daniel Craig is basically just walking in this scene.
Despite his more extreme movements (dancing vs walking), Astaire's tailoring moves with his body, rather than fighting against him. You can see this first with how Craig's jacket lifts off his neck when he raises his arm (collar gap). No lifting on Astaire.
Before someone suggests that Astaire's jacket collar may be pinned down, you can see it's not when he flies into the air. The jacket collar shifts up and down, but still stays glued to his neck throughout the scene. This is the result of high armholes and good tailoring.
Astaire's lapels always lay flat on his chest. Craig's lapels buckle away from his chest because his jacket is too small for him.
More of a stylistic matter, but Craig's shirt showing beneath his jacket's buttoning point ruins the visual fluidity of the suit, breaking things into distinct pieces. Astaire's high-rise pants and longer jacket achieve continuity.
Craig's jacket is too tight across the upper back. His sleeves are also too tight for his arms. As a result, the sleeveheads often have a divot. Astaire's sleeves don't have divots. They fall cleanly.
You can see the tightness towards the end of the scene. The side seams are straining on him. Whoever worked on this film tailored this suit within an inch of its life. The armholes are also quite low.
Since the suit is so shrunken, the scene opens with a collar gap and ends with a collar gap. The suit fights against Craig's body the whole time.
IMO, a lot of tailoring in films looks bad because:
1) Brand placement deals force actors into ready-made designer suits, rather than quality bespoke suits made for their body.
2) The trend towards shrunken silhouettes in the last 20 years. Does not work for everyone.
3) Questionable costume direction. A bespoke tailor told me that he made suits for a famous actor with a muscular build, but was told to keep taking in the seams because the costume dept wanted to show off the person's muscular figure. The result is bad from tailoring POV.
I would slim up Astaire's trousers just a tad in the original clip, but the quality of the tailoring is much better. Suit should allow for movement. At the very least, it should fall cleanly. This can be done even on muscular builds.
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Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare:
If you mainly wear suits and sport coats, then you will want a simple dress watch on a leather strap. Remember that the spirit here is elegance, so the watch should also be elegant. Certain dress chronos can also work, such as the Vacheron Constantin 4072 in pic 4
If your wardrobe leans a bit more rugged — bombers, boots, raw denim — then you'll want a similarly rugged tool watch. Something like a dive watch or G-Shock. These larger watches will look more at home with your visually heavy clothes. Although small military watches also work
Within the part of the menswear industry that I operate in, Roopa Knitting Mills is widely regarded as one of the best hoodie manufacturers. Founded in 1991 by an Indian immigrant named Nat Thakkar, they do every production step after yarn spinning in Ontario, Canada.
That means knitting, dyeing, cutting, sewing, embellishing, and finishing. They knit fabrics on high-end German machines at 22 revolutions per minute, whereas fast fashion brands may use materials knitted at 30 revolutions per minute (or more).
Not true. Both Joe Biden and Gavin Newsom wear ready-to-wear or factor-made clothes produced on a block pattern.
I'll show you how I know. 🧵
First, what do you notice about this jacket?
For me, the glaring issue is how far the sleeve comes down.
In a 1966 essay titled "The Secret Vice," Tom Wolfe wrote about men obsessed with custom tailoring. He talked about "marginal differences" such as working buttonholes.