Let's compare the tailoring in two film scenes. Here is Fred Astaire dancing in Broadway Melody of 1940. Pay attention to how his clothing moves with him. 🧵
Here's the opening scene of Spectre. Daniel Craig is basically just walking in this scene.
Despite his more extreme movements (dancing vs walking), Astaire's tailoring moves with his body, rather than fighting against him. You can see this first with how Craig's jacket lifts off his neck when he raises his arm (collar gap). No lifting on Astaire.
Before someone suggests that Astaire's jacket collar may be pinned down, you can see it's not when he flies into the air. The jacket collar shifts up and down, but still stays glued to his neck throughout the scene. This is the result of high armholes and good tailoring.
Astaire's lapels always lay flat on his chest. Craig's lapels buckle away from his chest because his jacket is too small for him.
More of a stylistic matter, but Craig's shirt showing beneath his jacket's buttoning point ruins the visual fluidity of the suit, breaking things into distinct pieces. Astaire's high-rise pants and longer jacket achieve continuity.
Craig's jacket is too tight across the upper back. His sleeves are also too tight for his arms. As a result, the sleeveheads often have a divot. Astaire's sleeves don't have divots. They fall cleanly.
You can see the tightness towards the end of the scene. The side seams are straining on him. Whoever worked on this film tailored this suit within an inch of its life. The armholes are also quite low.
Since the suit is so shrunken, the scene opens with a collar gap and ends with a collar gap. The suit fights against Craig's body the whole time.
IMO, a lot of tailoring in films looks bad because:
1) Brand placement deals force actors into ready-made designer suits, rather than quality bespoke suits made for their body.
2) The trend towards shrunken silhouettes in the last 20 years. Does not work for everyone.
3) Questionable costume direction. A bespoke tailor told me that he made suits for a famous actor with a muscular build, but was told to keep taking in the seams because the costume dept wanted to show off the person's muscular figure. The result is bad from tailoring POV.
I would slim up Astaire's trousers just a tad in the original clip, but the quality of the tailoring is much better. Suit should allow for movement. At the very least, it should fall cleanly. This can be done even on muscular builds.
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the problem with very slim tapered, low rise trousers, particularly on certain men, is that they can emphasize your hips. see matt gaetz below. tristan tate suffers from a similar problem, although to a lesser degree.
there are no universal rules in fashion. everything is contingent on aesthetics, which is contingent on culture. skinny jeans make sense in a rock and roll aesthetic bc the look is rooted in cultural history. but they look terrible with a tailored jacket bc that makes no sense
Kash Patel runs an "America First" clothing line with t-shirts that say "Protect our People" and "American Pride." But the t-shirts are printed on Next Level blanks ... which are made in Central America and Haiti.
Turning Point USA makes things easy by simply labeling things for us. In the corner of their product page, they say these are made on Next Level blanks. Thanks!
this is one of the worst trends to emerge in men's tailoring in recent years. any clothier who offers you this option doesn't have your best inerest in mind. they simply want to give you a bunch of customization options you can tick to feel special, so they can make a sale.
Some people asked me to elaborate. So here is my attempt.
What is the point of a contrast buttonhole? Whimsy? Personalization? A way to show off workmanship? I encourage you to pinpoint your motivations before getting one.
If your answer is whimsy or fun, I encourage you think more about the total outfit. There are lots of ways to have fun with tailoring. You can get suits in cotton, linen, Thornproof, corduroy, or wool-mohair blends (nice at night). The outfits below are fun.
I should note that I know not everyone can afford a $500 sweater. That's why my Black Friday post includes things such as this $80 J. Crew sweater. In the past, I've also written guides on how to to get top-of-the-line vintage Scottish cashmere knits on eBay for ~$50.
But since I appreciate craft and wish to see craftspeople be able to earn a living, I'm also happy to promote things that I think help keep these traditions alive.
So, why is this Chamula sweater $500? It's because of how it was made.
Sometime during the early 20th century, American outdoorsman Leon Leonwood Bean faced a problem: how do you keep your feet dry while hunting in wilderness of western Maine? Waders are fine in the water but you don't always want to be wearing those on dry land.
So he came up with a hybrid: a hunting boot that had the flexibility of a traditional leather upper but with the water-resistance of rubber footwear. First made in his basement, the two parts were combined with triple-line stitching to ensure they'd never separate.
IMO, once you think of dress as social language, it's very easy to understand everything else, such as how to put together outfits and how trends emerge. 🧵
In his 1904 essay "On Fashion," German sociologist Georg Simmel observed a very basic principle of fashion: people tend to copy their "social betters." Once they've successfully done so, the original group moves on.
At the time when he wrote this, "social betters" meant those of "high birth," so monarchs, aristocrats, moneyed elites, and such. The most influential style figure of this era was the Duke of Windsor, who popularized belts, zippered flies, cuffed trousers, and the "drape cut."