Why the first Starship Troopers movie failed as a parody, a thread:
Watching the movie, it was clear the director was aiming for a campy, over-the-top depiction of the Terran Federation. Perhaps not an outright mockery, but certainly a drastic departure from the serious novel.
First, let's tackle a writing pitfall that irks Leftists to this day. If you make your characters naturally handsome, fit, and well-groomed, then it becomes increasingly difficult to properly mock them. Beauty is self-evident, and all the characters in ST are good looking.
This extends to the overall Terran Federation as well. We see clean, beautiful streets. Life seems good for Rico in his polite high school. This is a far cry from the crime ridden and drug addicted cities we know today. Where are the homeless encampments, the ghettos?
Can we nail the Terran Federation for being cruel? I guess. But when you play off cruelty as a joke, you are undermining your own message. This isn't a dialogue about the brutal conditions for training soldiers in a futuristic setting. This is a gag, and it's hilarious.
All right, what about a critique of comparison? Perhaps the enemies of the Terran Federation have a better system. Oh wait, no, they're bugs. I've seen people genuinely argue that the bugs are supposed to be sympathetic. But they're still bugs...
THIS is not a face I can relate to, sympathize for, or even have a dialogue with. This screams at me to kill it with fire. Even IF I didn't want to kill this thing, I want to be in orbit, far away from this creature. It's horrific, and only a contrarian can argue against that.
The only thing you can really critique about the Terran Federation is the propaganda and incompetence. But when everything is so slapstick, it fails at landing a serious point. These guys are badasses in a funny movie, not a warning about the dangers of fascism.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Okay, so what is masculine literature? I bet if I asked the Rightwing, I would receive responses like stories with themes of tradition, honor, courage, etc. etc. These are very superficial and vague answers and overlook a critical divide between masculine and feminine art. /1
We have to get at the fundamental way the sexes think to understand how they relate to art. Women (on average) see art as interior self-expression. Men see art as subcreation. Hence the example why girls want to put Batman in a dress and boys conceptualize Batman as an ideal. /2
Why does every woke movie suck and in the same ways? It's because Hollywood is effeminate. It's similar to why TradPub turned into a porn industry. The stories aren't meant to exist independently--they are instead the artist's interior fantasies. Mary Sue Fanfiction. /3
Upon request, I'll write this thread. FMA:B isn't a Christian story, but it's something I recommend every Christian artist in the West to take notes from. Fullmetal Alchemist Brotherhood is the virtuous pagan stumbling into Christian themes without realizing it. /1
The story follows the brothers Ed and Al. Prodigal scientists (or alchemists in the story's fantasy setting), they set out to resurrect their dead mother. They are struck down for their hubris by the setting's God, and they go on a spiritual journey to redeem themselves. /2
Layered in this story is a country undergoing the cataclysmic shifts of modernity, the consequences of a brutal war of extermination, and the conspiracy of a devil who positions himself against humanity. It's easy to botch this many moving parts, but FMA:B succeeds. /3
If they were to tell stories like they teach in public schools, the message would be: humanity is an accident, we aren’t going anywhere, if we do it doesn’t matter, and you’re all going to die someday. Also you’re monkey spawn.
That’s not inspiring. /2
The atheists of the Carl Sagan variety needed something transcendental, a story that affords mankind dignity, a future, something to live and die for.
“We are stardust, and we’re going to meet God (as long as he’s not Christian)” was the message they settled on. /3
Conservatives can complain about wokeness all day long, but even if we snapped our fingers and magically retook the institutions, most stories would still be hot garbage. The reason is most authors fundamentally misunderstand storytelling. 1/
I've found most modern authors are led by tropes rather than using tropes to craft a coherent vision. For example, they dump dragons and elves and even a cool thieves' guild in the setting with really intricate lore without first thinking *why* those things should be there. 2/
And this becomes a problem when we get to endings--the bane of every modern author. They throw a bunch of cool stuff into the narrative without any thought of how it all fits together. Watch Season 8. It's not just the writers, even the other characters can't process S8 Arya. 3/
I will always point to the X Files as the most important *modern* text for RW writers. It's about the American Empire trying to contain spiritual realities--which is a far stranger, more dangerous world than anyone wants to admit. It's a story set right before the collapse. 1/
The sword hanging over nearly every episode is either our protagonist Mulder breaking the news to the public or the monster getting out. In either case, American normalcy dies. The world of consumerism is traded for a plunge into reality. No one wants this to happen but... /2
If we were to take the show seriously, it's practically inevitable. The government (as villains) in the story aren't overlords. They are one bad day away from the whole thing falling into shambles. The empire is crumbling. Those not blinded can feel it in their bones. /3
This is a worthy critique. Why do I insist on creating my audio dramas, even though I'll never pull the same numbers as Critical Drinker? Why does a RW artist swim against the algo, even though there's no tangible benefit?
Because existing in perpetual reaction is hell. 1/
Last year, the entire Conservative movement was subjected to The Acolyte, an awful show designed to humiliate SW fans and RW'ers.
And every Conservative influencer watched it. They had to, in large part because it was their paycheck. They tortured themselves effectively. /2
I can't imagine a worse hell that still caring about Star Wars, knowing it's in the hands of your enemies, and that they're using it to clown on you. Yes, you can try to laugh back, but the jokes on you. Because they get to make Star Wars and get rich and the RW doesn't. /3