Illuminated manuscripts embody the extraordinary union of beauty and knowledge.
Though the art of making them disappeared with the advent of the printing press, the most spectacular manuscripts survived the ages.
Here are 8 masterworks of medieval illumination🧵
1. The Morgan Crusader Bible, 13th century
Commissioned by French King Louis IX, the Morgan Crusader Bible depicts events from the Hebrew Bible set in the scenery and attire of 13th century France—it puts a medieval twist on Old Testament stories.
Consisting of 46 folios, the manuscript displays illustrations accompanied by text written in either Latin, Persian, Arabic, or Hebrew. The vivid colors and attention to detail make it one of the most popular illuminated manuscripts.
2. The Black Hours, 15th century
The Black Hours is a book of hours (a type of prayer book) created in Bruges, Belgium. The style is in imitation of Wilhelm Vrelant, the most popular illuminator of the period, and constructed of vellum (calfskin) that’s been dyed pitch black.
Gold and blue paint overlay the dark background to create an almost otherworldly look. Written in silver and gold ink, the text lists the prayers to be said while depictions of Bible stories aid the reader in meditation.
3. Book of Kells, 9th century
Among the most iconic medieval manuscripts is the Book of Kells. Created in a Columban monastery, the text is the pinnacle of early medieval calligraphy and illumination.
The graphics are a blend of insular art (the post-Roman era style of art popular in Irish monasteries) and traditional Christian iconography. Plants, animals, Celtic knots, and biblical figures decorate the 680 page volume to tell the story of Jesus’ life.
4. Codex Argenteus, 6th century
Latin for “Silver Book,” the Codex Argenteus contains the four gospels written in Gothic, making it one of the world’s foremost sources for the now-extinct language. The book was likely written as a gift for Ostrogothic king Theodoric the Great.
The work is particularly striking due to its purple-stained vellum pages, metallic ink, and silver binding. Looks almost Tolkienesque…
5. Acre Bible, 13th Century
Another work commissioned by Louis IX, the Acre Bible was compiled shortly after the king’s release from captivity during the disastrous 7th crusade. Upon returning to France, he deposited the masterwork in his newly built Sainte-Chapelle library.
It contains 19 books of the Old Testament, and its illustrations are considered masterpieces of crusader art.
6. The Aberdeen Bestiary, 12-13th century
A bestiary is essentially an encyclopedia of animals and mythical beasts. They gained popularity throughout the Middle Ages as readers could learn about exotic animals or mythical creatures.
This one was owned by Henry VIII, and features a retelling of the Genesis creation story with fantastical images of creatures both real and imagined.
7. The Very Rich Hours of the Duke of Berry, 15th century
The best surviving example of the International Gothic style of illumination, it’s one of the most lavishly designed late-medieval manuscripts and contains well over 100 illustrations.
Despite beautiful scenes covering most of its pages, the work didn’t shy away from darker imagery.
8. The Berthold Sacramentary, 13th century
Commissioned by the abbot of Weingarten Abbey, this manuscript is a form of missal called a sacramentary used by priests for liturgical services.
A sacramentary gives the priest's readings and prayers for the Mass. This one is a paragon of Romanesque art.
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Rooted in American exceptionalism, this idea was known as "Manifest Destiny".
It inspired a people to conquer a continent — and push the boundaries of what was previously thought possible🧵 (thread)
The term “manifest destiny” first appeared in an article by newspaper editor John O'Sullivan in 1845.
O'Sullivan, described as "always full of grand and world-embracing schemes," used the phrase in the midst of the ongoing Oregon boundary dispute with Britain.
He wrote it was America’s destiny to control North America:
“And that claim is by the right of our manifest destiny to overspread and to possess the whole of the continent which Providence has given us for the development of the great experiment of liberty…”
Art Deco needs to be the architectural style for America's upcoming golden age.
Here's why🧵
Kenneth Clarke said:
“Vigour, energy, vitality: all the civilizations—or civilizing epochs—have had a weight of energy behind them.”
Art Deco embodies this vitality.
He claimed civilization had 3 enemies:
"First of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops."
Why do civilizations arise in some places and not others?
Historian Arnold Toynbee claimed the usual answers—race, environment, resources—were too narrow.
Rather, something called “challenge and response” was the answer.
To build a civilization, you must make it STRUGGLE…🧵
Toynbee was an English historian who published the 12-volume masterwork “A Study of History,” which traced the life cycle of about two dozen civilizations.
Rather than simply naming events and dates, though, Toynbee built a framework for world history…
Popular in the 1940’s and 50’s, his work has largely fallen out of academic favor, but it remains a significant contribution to the philosophy of history.
Most notably, his theory of “challenge and response” provides a model for the rise of civilizations.
The ancient Greeks observed that governments often devolve into distorted versions of themselves.
The problem is the ruling party's tendency to abuse power...🧵(thread)
Precluding the explicit idea of social cycles is the concept of “dark ages” — dominated by poor leadership, war, famine, and tech/artistic stagnation — and “golden ages” — periods of peace, plenty, and social progress — across social scales, from city-states to civilizations.
The express idea of social cycles — that civilizations, governments, and movements progress in stages that often repeat — goes back to antiquity to as early as Plato.
Much of Medieval and Renaissance architecture was inspired by one man.
Artists like Michelangelo, Brunelleschi, and da Vinci learned a lot of what they knew from an obscure Roman engineer who lived more than 1000 years prior…🧵(thread)
The 16th-century architect Palladio called Roman architect Vitruvius his “master and guide,” but little is known of the figure.
We do know he was a military engineer who served under Julius Caesar in the 1st century BC, specializing in the construction of ballista siege engines
He likely campaigned in North Africa, Gaul, Hispania, and Pontus near the Black Sea.
But his dynamic military career would be overshadowed by his more creative accomplishments, namely his writings on architecture.