Art Deco is the incarnation of civilizational energy—the spirit of Achilles and Tesla in architectural form.
The ultimate style for high civilization...
Kenneth Clarke said:
“Vigour, energy, vitality: all the civilizations—or civilizing epochs—have had a weight of energy behind them.”
Art Deco embodies this vitality.
He claimed civilization had 3 enemies:
"First of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops."
Does this look fearful to you?
Art Deco often features exotic materials, such as ebony and ivory, and exquisite craftsmanship.
The fruits of a culture unafraid to try new things.
The next enemy is a lack of self-confidence. A culture regrets its past, stifling its ability to progress.
Art Deco's blocky, muscular designs show a civilization secure yet determined. Its aura is simultaneously ancient and futuristic.
A timeless spirit of crushing grandeur.
So many Art Deco designs look like they could be 5,000 years old. It's an artistic style that appreciates a civilization's past.
Finally Clarke warns against exhaustion:
"the feeling of hopelessness which can overtake people even with a high degree of material prosperity."
Art Deco's imagery is all about vitalism. God-like men, exalted maidens, mythical beasts—dreams of a civilization with a vision.
Art Deco embodies faith in social and technological progress.
It fosters a belief that the best is yet to come.
We need to be Art-Deco-maxing as a civilization.
It's the architectural style of a people who've triumphed—and aren't done yet.
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Rooted in American exceptionalism, this idea was known as "Manifest Destiny".
It inspired a people to conquer a continent — and push the boundaries of what was previously thought possible🧵 (thread)
The term “manifest destiny” first appeared in an article by newspaper editor John O'Sullivan in 1845.
O'Sullivan, described as "always full of grand and world-embracing schemes," used the phrase in the midst of the ongoing Oregon boundary dispute with Britain.
He wrote it was America’s destiny to control North America:
“And that claim is by the right of our manifest destiny to overspread and to possess the whole of the continent which Providence has given us for the development of the great experiment of liberty…”
Art Deco needs to be the architectural style for America's upcoming golden age.
Here's why🧵
Kenneth Clarke said:
“Vigour, energy, vitality: all the civilizations—or civilizing epochs—have had a weight of energy behind them.”
Art Deco embodies this vitality.
He claimed civilization had 3 enemies:
"First of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops."
Why do civilizations arise in some places and not others?
Historian Arnold Toynbee claimed the usual answers—race, environment, resources—were too narrow.
Rather, something called “challenge and response” was the answer.
To build a civilization, you must make it STRUGGLE…🧵
Toynbee was an English historian who published the 12-volume masterwork “A Study of History,” which traced the life cycle of about two dozen civilizations.
Rather than simply naming events and dates, though, Toynbee built a framework for world history…
Popular in the 1940’s and 50’s, his work has largely fallen out of academic favor, but it remains a significant contribution to the philosophy of history.
Most notably, his theory of “challenge and response” provides a model for the rise of civilizations.
The ancient Greeks observed that governments often devolve into distorted versions of themselves.
The problem is the ruling party's tendency to abuse power...🧵(thread)
Precluding the explicit idea of social cycles is the concept of “dark ages” — dominated by poor leadership, war, famine, and tech/artistic stagnation — and “golden ages” — periods of peace, plenty, and social progress — across social scales, from city-states to civilizations.
The express idea of social cycles — that civilizations, governments, and movements progress in stages that often repeat — goes back to antiquity to as early as Plato.
Much of Medieval and Renaissance architecture was inspired by one man.
Artists like Michelangelo, Brunelleschi, and da Vinci learned a lot of what they knew from an obscure Roman engineer who lived more than 1000 years prior…🧵(thread)
The 16th-century architect Palladio called Roman architect Vitruvius his “master and guide,” but little is known of the figure.
We do know he was a military engineer who served under Julius Caesar in the 1st century BC, specializing in the construction of ballista siege engines
He likely campaigned in North Africa, Gaul, Hispania, and Pontus near the Black Sea.
But his dynamic military career would be overshadowed by his more creative accomplishments, namely his writings on architecture.