For reasons I don't fully understand, the tailoring scene—and really the fashion scene in general—is better in East Asia (and mostly South Korea and Japan) than in the US as a whole. There are more interesting shops, tailors, and shoemakers. Also, there are more hobbyists.
There's also better fashion media. There are tons and tons of really great Japanese fashion magazines that get super nerdy with details. There's literally a magazine purely dedicated to classic leather shoes (called Last). In the US, fashion media is more about celebs.
On tailoring, the suit is also still relevant in places like Tokyo. A guy might be wearing his salaryman suit for a while and then figure "hm, maybe I can get something better" and then visit any number of really great tailoring shops and clothiers who can help him.
For example, if you want a true classic American suit, you should not go to an American shop. You should go to Tokyo and visit Tailor CAID, who knows that style better than any American. Their customers also know how to put that look together better than most Americans.
Outside of NYC, there aren't that many good shops. I also think that dressing well is purely hobbyism, like being into penmanship and fountain pens. This is why I don't think ppl should attach morality to it. For whatever reason, there are a lot of hobbyists in East Asia.
me: i wonder why men in Asia dress better
Americans in my replies every day: clothes are GAY. you are a HOMO. fashion is for MORONS. I'm smarter and more masculine because i dress like CRAP. [a dog in the background slam dunks a basketball while USA fireworks go off]
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Let's start with an experiment. Here are two men wearing tailored jackets with jeans.
Which do you think looks better?
If you choose the outfit on the right, then we have the same taste. But why does he look better?
The answer stems fro a basic rule of classic tailoring: the jacket needs to have a certain relationship with the trousers so as to form a harmonious whole.
On April 30th, Josh Smith of Montana Knife Company said you won't have to worry about tariffs if you buy American.
Last week, he realized his costs are going up bc he imports equipment and steel. And so do his suppliers.
IMO many people aren't aware of how much they import.
Genuinely not posting this to gloat, but hoping that people reevaluate how much of their life is connected to an international supply chain. Many small businesses, including artisans, will see their businesses shutter because of these tariffs, regardless of how they voted
Extremely long, but if you want to hear it, Josh breaks down the challenges he's facing. I hear similar stories in menswear (e.g., 3sixteen needing to import the best denim, which comes from Japan). All this now faces tariffs.
Glad I bought a Sebenza in MagnaCut before all this.
In this thread, I will tell you, definitively, whether Sydney Sweeney has great jeans.
This way, you will be more informed when shopping for your wardrobe . 🧵
I should state two things at the outset.
First, I never comment on womenswear because I don't know anything about it. This thread isn't actually about Sweeney's jeans (sorry, I lied). But in the last few days, I've seen grown men buying American Eagle jeans and I can't abide.
Second, while clothing quality matters, it's more important to develop a sense of taste. Buying clothes isn't like shopping for electronics — you don't "max out" specs. It's more like buying coffee — you sample around and identify what notes you like. Develop taste.
Sometimes I think about the closure of G. Lorenzi, a Milanese gentleman's shop that had been around for almost 100 years until their closure in 2014. The shop was special because it carried so many one-of-a-kind items from artisans — total handmade craft production, not factory.
At the time of their closure, they still carried over 20,000 items of 3,000 models, including speciality knives, picnic sets, and nutcrackers. They had over 100 styles of nail clippers and 300 different hairbrushes alone. Proprietor Aldo Lorenzi scoured the world for artisans.
There's nothing wrong with factory production. But as more of our lives get taken over by machines — including art and writing — this sort of production feels special.
Trailer for "A Knife Life," a documentary about the store by my friend Gianluca Migliarotti, available on Vimeo
I spent 15 yrs on a menswear forum. The longest argument I had was over a tiny detail that can be seen in this photo. For 6 months, I argued with the same five guys non-stop every day. The argument got so heated the forum owner banned one guy for life.
As I've mentioned before, there's a lot of coded language in menswear. Navy suits can be worn with black oxfords because this was the uniform of London businessmen. Brown tweeds go with brogues because these clothes were worn in the country. In this way, we get formal vs. casual.
The same is true for shoes. Tiny details come together to communicate something, much like how words form a sentence. Black is more formal than brown; calfskin more formal than suede or pebble grain; plain design is more formal than broguing. All of this stems from history.
The year is 2024 and you're browsing for a new shirt online. You come across a store selling shirts from Portuguese Flannel. You do your research and find they make quality garments: clean single-needle stitching, flat felled seams, quality fabrics, MOP buttons, classic designs
So you go ahead and purchase one. The shop charges 139 Euros and throws in free shipping. Given the exchange rate in 2024, that means you paid $163.19.