Let's talk about how to buy better dress shirts. 🧵
When Brooks Brothers invented the ready-made suit in 1849, they set into motion a long chain of events that eventually led to the near collapse of custom tailoring. In the early days, ready-to-wear was quite crude. Today, it's sophisticated. Most ppl should shop off-the-rack.
Dress shirts are the one area where custom tailoring still holds an edge over ready-to-wear, but much depends on how much you're already spending. Dress shirts can range anywhere from $20 to $2,000.
Pictured below: Brioni vs J. Crew
Above a certain price (say, $100), I think you should at least take a look at custom tailoring. This is partly because of how a shirt is built and how the fabric behaves. But to understand this, we have to review some very basic info about how clothes are made.
Every garment starts with a pattern, which is like its architectural blueprint. In bespoke, this pattern is ideally drafted from scratch. In made-to-measure, it's digitally adjusted off a block. In ready-to-wear, a company comes up with a pattern and hopes for the best.
When the pattern doesn't match your body, this shows up in the form of lines (e.g., puckering, pulling, wrinkling, etc).
Another fundamental rule about tailoring is that it's easier to hide a bad fit with heavier fabric, as the fabric will drape better.
Shirts have to be made from lightweight fabrics, which means that it's very easy to spot a bad fit. Notice all the pulling along this shirt's placket. This indicates the shirt is too tight.
You'll never completely eliminate wrinkles on a dress shirt because the fabric is so lightweight and your body moves (be reasonable). But just look at how clean this looks. This is a bespoke shirt from the French shirtmaker Charvet (one of the best in the world).
By contrast, a shirt is too tight when you see pulling across the placket and lines forming under the armhole, stretching across the chest. If you see a line going from the neck to the armhole, the shirt's shoulder slope doesn't match your shoulder slope.
Nowadays, a bad fit often comes as a result of a shirt being too tight. But it's also possible for something to be too baggy. To be sure, bagginess can be a legitimate aesthetic. But compare the clean fit on the left with the baggy fit on the right.
There's also the matter of style. As men's clothes have shrunk in the last 20 years, so have their details. It's common nowadays to find shirts with short, nubby collars. To me, a tailored outfit looks much better when the collar points reach the lapels. This creates clean lines
A shirt collar is also typically made with some kind of interlining. Depending on how the shirt has been made, this can cause the collar to be very stiff, curl, or behave strangely. A good design is about finding the right interlining for the wearer's desired look.
You can see the challenge: a good shirt is full but not baggy, cut for your body in a way so the fabric drapes cleanly. It should not cling or pull. The collar should have a pleasing appearance. A spread collar should reach your lapel; a button-down should have a full roll
It can be difficult to get this in RTW because designers are constantly following trends and may not be making shirts that fit you. One solution to this is to find a custom shirtmaker if you can.
If you live in a major city, this is easy.
NYC: CEGO and Geneva
Los Angeles: Anto and Divij Bespoke
San Francisco: Tailor's Keep
Divij Bespoke, Ascot Chang, Budd Shirtmakers, and Dege & Skinner also tour the US for trunk shows. Contact them for their schedule.
Bespoke shirts typically start at ~$200. You can expect to be asked to buy a few shirts in the first order to justify the labor required to draft your pattern. If $200 is too expensive or you don't live in a major city, there's made-to-measure, which starts at ~$100
Made-to-measure means your pattern was adjusted off of a block. Sometimes, this means you can't account for certain things, such as asymmetrically sloped shoulders (and everyone has a dropped shoulder, usually on the side with your dominant hand). But the fit can be pretty good
One of my favorites is @ProperCloth. They will make a custom shirt based on measurements of your body or your best-fitting shirt. They make everything: dress shirts, casual shirts, and even polos. You can also order fabric swatches first to see how they feel.
I like their Soft Ivy Button-Down and Soft Roma Spread collars best. When you get your first shirt, wash and wear it a few times, then check how it looks. They allow free remakes on first-time orders, so you can nail the fit. They offer great value
Some people, including my friend @DavidLaneDesign, have also gotten good results through Luxire. They have a workshop in India, and they're flexible with regard to sizing and styling.
When working with Luxire, I think it helps to know a little about tailoring. And to have some patience, as you're doing custom tailoring remotely. You may have to end up doing a remake or two before nailing something down. But they do good work.
Lastly, if you're looking for something a bit more bohemian, try Post Romantic. They have workshops in Pakistan's Punjab region, making them among the most price-competitive. I particularly like how they're able to source unique fabrics, such as handloomed indigo cotton & silks.
My friend @urban_comp has used them with great success. Fit is less clean than Proper Cloth but these are also not supposed to be boardroom business shirts—they're fun, bohemian styles to be worn with casualwear
There are countless other options. Many reputable clothiers (e.g., @JPRESS_1902, @TheArmouryNYC, @HallMadden) have MTM shirt programs. Consider how much you value having someone in person to guide you through the process and fit you. It can be helpful to have that service.
The great thing about finding a custom shirtmaker is that once you nail the fit, ordering a new shirt is very easy. You no longer have to rely on brands to come up with the right design for you. You can also buy stuff designed to be tucked in.
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When I was young, outlets were places where you could get previous seasons' stock at heavily discounted prices. They were a smart way to shop. Today, that's no longer the case and outlets often rely on questionable marketing practices. 🧵
Outlets started as a sensible business strategy. Every clothing company has stuff that they can't sell, so they have to figure out what to do with it. Many put these items in remote areas for savvy shoppers who are willing to drive a bit for discounted stock.
But over time, outlets became something of a drug for companies with lagging profits. Outlets generated a lot of short-term gain, which was a boon for companies that had to meet quarterly earning goals.
The most common problem I see with suits today is men wearing jackets that are far too short. 🧵
There are two reasons for this. First, this is the cut you'll most commonly find on the market, as a result of early 2000s trends pushed by designers such as Thom Browne and Hedi Slimane, who were reacting to overly long 1990s styles.
The second reason is a lack of familiarity with tailoring. Most men are not used to wearing tailored clothing; they are used to casualwear, which typically has shorter jackets. Casual jackets such as truckers and bombers can be short (this is fine, as this is their style).
For reasons I don't fully understand, the tailoring scene—and really the fashion scene in general—is better in East Asia (and mostly South Korea and Japan) than in the US as a whole. There are more interesting shops, tailors, and shoemakers. Also, there are more hobbyists.
There's also better fashion media. There are tons and tons of really great Japanese fashion magazines that get super nerdy with details. There's literally a magazine purely dedicated to classic leather shoes (called Last). In the US, fashion media is more about celebs.
On tailoring, the suit is also still relevant in places like Tokyo. A guy might be wearing his salaryman suit for a while and then figure "hm, maybe I can get something better" and then visit any number of really great tailoring shops and clothiers who can help him.
This outfit demonstrates a pretty common problem with a lot of casualwear outfits. 🧵
I was watching this CNN interview and noticed something: these oversized eyewear frames have an arrowhead pin at the temple and exposed metal hardware at the arms.
Those three elements—oversized style with chunky acetate, arrowhead pin, and exposed hardware at the arms—are signature details of Jacques Marie Mage, a hot designer line that charges anywhere from $800 to $1,500 for a pair of eyewear frames.
In the earliest days of tailored clothing, men didn't wear suits or sport coats with belts. Belts were for sportswear, workwear, and military uniforms. The suit, while not yet taking on the air of formality that it has today, was considered a little more refined.
To hold their trousers up, men typically wore tailored trousers with suspenders (or what the British call "braces"). Suspenders are superior to belts by almost any measure. They hold your pants up from the shoulders, allowing the waist to float around you.
I genuinely think this is a bad outfit. I'll discuss why and suggest some ways it can be improved. Hopefully this thread includes some ideas that you can use for your own wardrobe.🧵
The more glaring problem with Nick's outfit is the collar gap, which refers to how his jacket lifts off his neck. Good tailoring is all about fit and silhouette. The most fundamental dimension to this is how the collar should always hug your neck, even when you're moving.
The second issue is how his jacket looks like an orphaned suit jacket, which means a suit jacket that's worn without the matching pants. Sometimes, suit jackets can be worn on their own; oftentimes, they can't. When it fails, it looks like your ripped your suit pants.