Early Christians used the Greek concept of metanoia to describe the inner transformation people underwent while converting.
But hearts and minds weren't all the religion changed. Pagan temples and holy sites were radically transformed in a process called Christianization🧵
In the early centuries after Christ, Christianity rapidly expanded throughout the Roman empire. Paganism receded leaving temples unused and decrepit. Finally, Theodosius I closed them by decree at the end of the 4th century.
Christ had conquered Rome
Though Christians often chose locations of martyrs’ deaths for their churches like "Saint Paul Outside the Walls," the empty temples of Rome’s defeated pantheon were prime real estate for prospective church builders.
Christians Initially shunned them because of their pagan ties, but eventually convenience won the day. It was easier to use existing buildings than construct new ones.
After all, Christianity was founded on the idea of resurrection—why couldn't this apply to buildings too?
The most pronounced example of Christianization remains the Pantheon in Rome. Once housing idols to multiple Roman gods, the massive building was converted into a church called St. Mary and the Martyrs in 609 by Pope Boniface IV.
The pope declared a triumph over demonic forces:
“...the commemoration of the saints would take place henceforth where not gods but demons were formerly worshiped.”
After purifying the temple of any pagan artifacts, twenty-eight cartloads of martyrs’ relics were taken from the catacombs and placed under the altar—an instantiation of the concept that victory came through death in Christ.
Around the same time, the Temple of Antoninus and Faustina also became a church. Now called San Lorenzo in Miranda, the current 11th century structure is encased in the shell of the former pagan temple.
Greek temples were also converted. In Syracuse, the Temple of Athena was made into a cathedral by Bishop Zosimo in the 7th century. The original Doric columns are still visible and now support the structure of the cathedral.
The most famous Athenian temple, the Parthenon, was remodeled into a church at one point in the early 6th-century. It became the Church of the Theotokos, donning Christian iconography until the 15th century when the Ottomans conquered the area.
Like temples, administrative buildings were Christianized. Roman basilicas, which usually housed courts of law, were ideal prospects for Christian churches due to their size and shape.
It's why some churches are called “basilicas” even today.
The Roman senate house, the Curia Iulia, was transformed into Sant 'Adriano al Foro in 630 by Pope Honorius I. Its conversion served as a profound reminder of the power which now controlled Rome.
Greek and Roman buildings weren’t the only ones that were Christianized. At Montmartre, the church of Saint Pierre was established by Saint Denis atop a mercurii monte—a “high place” dedicated to Lugus, a major Celtic deity.
In northern Europe and Britain, crosses adorning menhirs (bronze age standing stones) or churches atop Neolithic burial mounds are not an uncommon sight.
Christians staked their claim over any reminder of an area's pagan past.
A letter from Pope Gregory I to a priest in Britain at the start of the 7th century reveals that the conversion—rather than destruction—of existing pagan sites may have been a strategy to ease the transition from paganism to Christianity for the inhabitants of the region.
Pope Gregory wrote:
“the shrines of idols amongst that people should be destroyed as little as possible…in knowledge and adoration of the true God [the people] may gather at their accustomed places more readily.”
In the 16th century, Christianization continued in the New World. The Templo Mayor, the spiritual focal point of Tenochtitlan, was destroyed during the Spanish conquest of the Aztecs. The Mexico City Metropolitan Cathedral now stands upon its rubble.
The Christianization of the pagan world displays Christians’ intent to transform not only souls, but the physical world as well. They were intent on building a ‘new creation’ from the remains of the old world, transfiguring the very earth and stone into conduits of the divine.
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What do Sun Tzu, Machiavelli, and Otto von Bismarck all have in common?
They knew that in order to rule effectively, one must shun ideology.
Instead, they embraced realpolitik: rule based on facts, not lofty ideals…🧵
So what is realpolitik?
Realpolitik, as it is understood today, is the approach of making political or diplomatic decisions based on the given circumstances of a matter, not on moral or ethical considerations.
It’s political pragmatism to the nth degree.
The 19th century German writer Ludwig von Rochau first coined the term. He described it as the implementation of the idea that “the law of power governs the world of states just as the law of gravity governs the physical world.”
If you like Greek or Roman classics, you can thank a monk.
Just as much as on any battlefield, Western civilization was safeguarded within the quiet confines of a monastery...🧵
In the 6th century, the fate of western Europe was uncertain.
Barbarians had deposed the Roman emperor; age-old institutions were left decaying; the flame of civilization almost gone…
But at a monastery in Calabria, a monk named Cassiodorus toiled to keep this flame alight.
Born into an aristocratic family, Cassiodorus’ early career was a far cry from his later vocation.
He rose through the ranks of the Roman political scene, ultimately reaching Praetorian Prefect, the highest administrative role in the empire directly under Theodoric the Great.
Despite wielding absolute power, they used their authority to maintain peace and stability throughout the Roman empire and ushered in an age of unparalleled cultural heights🧵
In order, they were:
Nerva (reign 96–98 AD)
Trajan (98–117)
Hadrian (117–138)
Antoninus Pius (138–161)
Marcus Aurelius (161–180)
Notably, they were not a bloodline. All were either adopted, or in Nerva’s case, raised to power by assassins of Domitian (the previous emperor).
Machiavelli coined the term the “good emperors,” claiming their quality as leaders was a direct result of them being adopted and not inheriting the throne via blood.
He maintained that those who were raised to power by virtue of mere blood usually ended up being poor leaders.
Rome was the preeminent engineering civilization. Its roads, bridges, and aqueducts ensured an unmatched quality of life for its citizens.
Yet its greatest engineering feat wasn’t about providing a comfortable life—the Colosseum was built for a dramatic death🧵
The Colosseum became famous for its gladiatorial contests, executions, reenactments of famous battles, and even mock sea fights.
It was a theater designed with two things in mind: death and spectacle.
Constructed between 72-80 AD under Vespasian, the Colosseum was the largest amphitheater in the Roman world. Holding a capacity of 65000 spectators, the building project required extraordinary human ingenuity.
Of course, such a massive undertaking required a lot of money…
In 1831, French aristocrat Alexis de Tocqueville traveled to the US to study democracy.
He saw some positives, but also noted a few flaws such as:
-tyranny of the majority
-isolated individuals
-materialism
He claimed religion was essential to prevent these dangers...🧵
Alexis de Tocqueville was a diplomat sent by the French government to learn about the prison system in America.
While abroad, he used the opportunity to investigate American society as a whole, penning his most famous work ”Democracy in America.”
Traveling during the height of the industrial revolution, he believed democracy and industrialization went hand-in-hand—American democracy was the embodiment of this unification.
De Tocqueville described America as “a democratic revolution caused by industrialization.”
We’ve all seen gargoyles before — ghoulish carvings set outside old churches.
But why pair such ugly images with sacred buildings?
Well, to protect something priceless, you need something *monstrous*.
They teach us a lesson about defending what we love…🧵
First off, what is a gargoyle?
The word gargoyle comes from the French gargouille meaning “gullet” or “throat.”
A gargoyle, then, is a decorated water spout. They were used for a utilitarian purpose: to prevent water from flowing down the sides of buildings, causing erosion.
Not all the monstrous sculptures outside of cathedrals are gargoyles, though. Many are technically grotesques since they don’t funnel any water. A grotesque is simply a fantastic stone carving that’s secured to the wall or roof of a building.