Is it really designed to demoralize us as @TuckerCarlson says?
A thread... 🧵
Yesterday, Tucker went viral on architecture (watch the full clip):
"Buildings that are warm and human and that elevate the human spirit are pro-human. Brutalism for example, or the glass boxes that crowd every city in the US, those are not."
He is right, Brutalist architecture is anti-human. It's inextricably linked to sinister social engineering - an attempt to subdue the spirit of humans as individuals, and reduce them to property of the state.
Above is Soviet-era housing in Moscow. But why did theaters in England go from this (left) to this (right)?
In 1945, the world had to be rebuilt. An efficient way to do it was with cheap, fast to put up materials: concrete, steel, sheet metal.
But were postwar styles like Brutalism about more than cost?
Well, Vladimir Lenin once said: "Only by abolishing private property and building cheap and hygienic dwellings can the housing problem be solved."
For one thing, he believed that only government can solve a housing crisis.
Above all, he thought the proletariat can only be properly led by a "vanguard party": a hyper-class-conscious group that would guide them out of their prejudices and into the "right beliefs."
His line of thinking was a fundamental mistrust of ordinary people.
The Bolsheviks deemed vernacular architecture (built by ordinary people with local materials) "unhygienic".
Lenin was afraid that if people built by themselves, they might default to bourgeois behavior, like beautifying one’s property to stand out from the rest.
Russian communism therefore found its perfect ally in what became brutalism: cheap, conformist, and centrally planned. And after WW2, socialism was quickly capturing the Western intelligentsia too - and Western architects.
The real marriage of communism and concrete was officiated not by Lenin, but by a Swiss-French architect - Le Corbusier...
"We must create a mass-production state of mind… a state of mind for living in mass-production housing."
He thought the world was enslaved to outdated traditions and ideals of beauty. To him, homes were mere "machines for living in", and should be severe, blank and angular - he would tell the masses what was good for them.
In his brave new world, all cities must look the same. Undifferentiated houses would prevent any impulse toward owning private property.
"Oslo, Moscow, Berlin, Paris, Algiers, Port Said, Rio or Buenos Aires, the solution is the same", he raved.
He even planned to demolish vast swathes of Paris for this...
Those plans were thrown out, but his ideas spread: the Paris plans were showcased around the world, and Le Corbusier became the first modern architect.
His style later became Brutalism (from the phrase "béton brut" meaning "raw concrete"), which sprang out of the postwar construction crisis and did irrevocable damage to cities across Europe and elsewhere.
Even churches became hunks of concrete:
Le Corbusier set in motion a new architecture which rejected the need for outward beauty.
Architecture was to focus not on what an ornamental façade can do for the senses, but on space, light and function at the cost of all else.
From then on, architects simply knew what's good for us...
Tom Bombadil is the most mysterious character in The Lord of the Rings.
He's the oldest being in Middle-earth and completely immune to the Ring's power — but why?
Bombadil is the key to the underlying ethics of the entire story, and to resisting evil yourself… 🧵
Tom Bombadil is an enigmatic, merry hermit of the countryside, known as "oldest and fatherless" by the Elves. He is truly ancient, and claims he was "here before the river and the trees."
He's so confounding that Peter Jackson left him out of the films entirely...
This is understandable, since he's unimportant to the development of the plot.
Tolkien, however, saw fit to include him anyway, because Tom reveals a lot about the underlying ethics of Middle-earth, and how to shield yourself from evil.
The story of Saint George isn't just about a brave knight slaying a dragon and saving a damsel.
St. George matters because he holds the answer to the most important of all questions:
What actually is evil, and how do you destroy it? 🧵
To understand the nature of evil, first note that the dragon is a perversion of the natural world.
Its origin is in nature, like the snake or lizard, and that makes it compelling. It's close enough to something natural (something good) that we tolerate it.
And notice the place from which it emerges. In Caxton's 1483 translation of the Golden Legend, it emerges from a stagnant pond: water without natural currents, which breeds decay.
It's also outside the city walls, and thus overlooked.