In this thread, I will talk about some dos and don'ts of men's tailoring using one of my favorite style icons, George Costanza. 🧵
1. Don't wear suit jackets by themselves
If you do, make sure the jacket can convincingly pass as a sport coat. DeSantis' is obvs wearing a suit jacket bc the fabric is smooth and shiny. George is wearing a slightly textured jacket with brass buttons (making it a blazer).
2. Formal suits should be worn with ties
By formal suit, I mean something you'd wear to a business meeting. Navy or grey, made from a smooth, sometimes shiny wool. These really benefit from having a bit of decoration between the jacket's front edges.
3. Always tuck in your shirt
Casual outfits can go either way, depending on the outfit and the shirt. But outfits that involve traditional tailoring don't look right with an untucked shirt, even in casual iterations such as with chinos or jeans.
4. Don't wear jackets that are too tight
A lot of guys nowadays are wearing jackets that are too small for them. You can check this in a few ways. First, see if you can comfortably fasten the coat. Second, see if you can comfortably hug someone. Should have room for movement.
5. Beware of low-rise trousers
Low-rise pants can work in some aesthetics, but they are rarely good for tailoring. This is partly because you never want your shirt to show beneath the coat's buttoning point when your coat is fastened. Consider high-rise pants—trust me.
6. Don't wear shirts that are too slim
Again, there should be room for movement. An easy way to see if your shirt is too small is to look for lines where the fabric is pulling, especially across the placket. George's shirt here is perfect.
7. Dark top; light bottom
While not a hard rule, you will have more success if you buy dark jackets and light pants. Black or charcoal trousers can be hard to wear in a classic tailored look. Stick to trousers in light grey, mid-gray, and tan, then jackets in brown and navy
8. Beware of collar gaps
A tailored jacket's collar should always hug your neck, even when you're moving. When shopping, if you see the collar lifting off your neck, move on.
9. Check for balance
When trying on a jacket, check to see if the jacket hangs evenly from front to back. Tailors call this "balance." The front can be lower or level with the back, but it should never be higher than the back. This can be a challenge for barrel-chested guys.
10. Don't wear black dress shirts
Especially in dressy materials like a very smooth poplin. If you want to wear a black button-up, try a casual material like a black denim Western shirt or needlecord. Or better yet, a knit like George here. It's more tasteful.
If you enjoyed these looks, it's perhaps worth pointing out that they appeared on television nearly thirty years ago. The fact that George Costanza remains a style icon is a testament to the timelessness of these guidelines. Ignore them at your peril.
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The US Army celebrated its 250th year today with a massive parade in Washington, DC. It appears @ComfortablySmug believes that this is an appropriate tie for the occasion.
It's once again worth reminding that men's dress used to be governed by time, place, and occasion (TPO). If you were of a certain social station and had to do a certain thing, you were expected to wear a certain outfit.
This tradition can be seen in men's neckwear.
In Britain, where we derive most of our traditions for classic men's dress, the term "regimental stripe" refers to neckwear with diagonal lines, like you see below. These were not purely about decoration. Each design symbolized belonging to some organization.
This is the suit in question. It's a bespoke suit by Anderson & Sheppard in London. The cloth is a 60/40 mohair-wool blend from Standeven's "Carnival" book. The stylist was George Cortina.
To understand why this suit is interesting, you have to know a bit about tailoring history
In the early 20th century, Dutch-English tailor Frederick Scholte noticed that a man could be made to look more athletic if he belted up his guard's coat, puffing out the chest and nipping the waist. So he built this idea into his patterns. Thus the "drape cut" war born.
In 1881, Hans Wilsdorf was born in Bavaria, then part of Germany, to parents who died not long after he was born. At a young age, Wilsdorf set off into the world. He landed in England in 1903, which at the time had virtually no formal immigration controls.
Lucky for him. Two years later, fear of poor Eastern European Jews flooding the UK led to 1905 Aliens Act, which moved the country from an open-door policy to one of stricter control. This was the first British law that labeled certain migrants as "undesirable."
I can tell you who goes to cobblers. And a bit about the trade. 🧵
In the 18th century, men got shoes from two types of people. The upper classes went to cordwainers, who measured feet and made shoes from scratch. The lower working-classes went to cobblers, who cobbled together shoes using scraps from salvaged pre-owned footwear.
A cobbler was also someone who repaired footwear. Hence the Middle English term cobeler ("mender of shoes") deriving from an early form of cobble ("to mend roughly, patch"). In shoemaking, cordwainers and cobblers were considered distinct trades. Cobbler was lower on the ladder.
An offhand comment about how Prince Harry doesn't dress very well seems to have stirred up his fans. So here's a thread on how both Harry and William don't dress well when compared to the older men in their family — and how this represents a broader decline in taste. 🧵
I should say at the outset that I don't care about the drama surrounding the Royal family. I don't care if you're Team Markle or Team Middleton or Team whatever. I am simply talking about clothes. The following is also not meant to be personal jabs; just an honest review.
The first thing to understand is that select members of royal family were incredible dressers. Most notable is Edward VIII, the Duke of Windsor. For a time, whatever he wore, others followed. He popularized cuffed trousers, belts, and a tailoring style known as the "drape cut."
When we zoom in on the wallet, we see the label "Saint Laurent Paris," a French luxury fashion house that became popular about ten years ago when Kanye started wearing the label. This was also when Hedi Slimane was at the company's creative helm.
For many young men at the time, Saint Laurent was their entry into designer fashion, partly because the designs were conceptually approachable (LA rocker, Hot Topic), while the Kanye co-sign made them cool and the prices signaled status (and for the uninformed, suggested quality)