Most people would not describe Trump as someone who wears slim-fit clothes. But here, we can see his trousers are quite slim in relationship to his body. You can tell because the hem barely covers the opening of his shoes.
If you're a heavier man who wears a suit with slim-fit trousers, you end up breaking the top and bottom halves into distinct blocks. Notice how much the jacket hangs over the trousers. There's a lot of empty space between the jacket's front edge and his pants.
It's a mistake to think that wearing slim-fit clothes makes you look slimmer. Or that everyone has to conform to some trend. A better approach is to dress for your body type. Look at the relationship between Jackie Gleason's jacket and pants.
The wider trousers here are not the most fashionable, but they are the most flattering (for him). By minimizing the jacket's overhang and reducing the empty space between its front edge and the trousers, you get a streamlined silhouette from top to bottom.
We see the same effect here on France’s President Hollande and Japan’s Emperor Akihito. Hollande's trousers are too slim for his jacket. As a result, he looks like an egg on sticks. Compare his silhouette to Akihito, where the jacket and pants flow and form a harmonious whole.
Such advice is not limited to men with heavier figures. Daniel Craig often wears suits that also don't flow. The top and bottom halves often form distinct blocks. This is partly because his trousers are too slim and his jackets are too short.
When you see beautifully dressed men, consider how the top and bottom halves form a silhouette. They don't always need to flow (in some casual styles, breaking up these parts can be intentional and part of an aesthetic). But in tailoring, it's often best when there is flow.
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Style lessons from Robert Redford, one of the most stylish men in the last century. 🧵
A tailored jacket continues to be one of the most flattering things you can wear. However, for it to look good, it has to fit right. That means a jacket that bisects you halfway from your collar to the floor when you're in heeled shoes. Also trouser + suit jacket silhouette flows
It also helps to know how to use this visual language, especially with regard to ideas about formality. For instance, a dark business suit cries out for a tie. If you don't want to wear a tie, try a more casual garment, like a sport coat.
Let's start with a test. Here are two tan polo coats. One is machine-made. The other is handmade. Can you guess which is which?
Please answer before moving on. Then you can scroll through the answers to see whether most people got it right.
The first coat is machine-made. It's from an American ready-to-wear company called J. Press. The second is handmade. It's from a London bespoke tailoring house called Anderson & Sheppard.
You can spot the difference by how the edges are finished.
I've seen people here suggest Obama was a stylish president. I couldn't disagree more. Outfits like these read better in 2025, but during the slim-fit, Euro style craze of his presidency, Obama was routinely panned for his "frumpy dad style." See Vanity Fair.
His style transformation really came post-presidency. I suspect, but don't have proof, that this is partly the influence of his wife, who is quite stylish. Even his suits look better now. See clean shoulder line + shirt collar points reaching lapels + nice four-in-hand dimple.
Although it's rarely expressed in outright terms, people often use a very simple heuristic when solving fashion problems: they wish to look rich, which is often disguised as "respectable."
I will show you why this rarely leads to good outfits. 🧵
In 1902, German sociologist Georg Simmel neatly summed up fashion in an essay titled "On Fashion." Fashion, he asserted was simply a game of imitation in which people copy their "social betters." This causes the upper classes to move on, so as to distinguish themselves.
He was right. And his theory explains why Edward VIII, the Duke of Windsor, was the most influential menswear figure in the early 20th century. By virtue of his position and taste, he popularized soft collars, belted trousers, cuffs, Fair Isle sweaters, and all sorts of things.
It's funny to see people imbue traditional men's tailoring with their own prejudices. They assume every man who wore a suit in the far past must be a staunch conservative like them. The truth is much more complicated. 🧵
This bias, of course, stems out of the 1960s and 70s, from which many of our contemporary politics also spring. I don't need to belabor this point because you already know it. The framing is neatly summed up in this Mad Men scene — the rag tag hippie vs man in a suit.
Thus, people assume that men in suits must always be part of the conservative establishment. But this was not always so. The suit was once a working man's garment. When Keir Hardie, founder of the Labour Party, arrived for his first day in Parliament, he wore a suit.
There's no "right" or "wrong" answer here, so feel free to go with your gut. I will then give you my views below. 🧵
In men's tailoring, the area below the jacket's buttoning point is colloquially known as the "quarters" among menswear enthusiasts. Or the "front edge" by actual tailors. These terms refer to the edge of the coat, connecting to lapels.
Some suit jackets have very closed quarters, such as you see on the left. In this way, the jacket forms a Y-shaped silhouette.
Other suits have open quarters, such that the front edge sweeps back on the hips, as you see on the right. This forms an X-shaped silhouette.